The Gospel According to Saint Bryan

By Dana Kinsey

  

There was in Georgia a humble young man, jovial and curious,
who came upon two others who knew the law and the prophets.
Confined and detained, this man had no recourse but to run.
Hunted, he must have cried out to implore neighbors for help,
and sought shelter from bullets he knew were inscribed for him.

Fortunately, there was a Good Samaritan traveling the same road,
one whose benevolence forced him to stop and end the plight of
the innocent Georgian, offer him the help denied by the other men.
Sunday school lessons flooded back and he knew what he must do.
The victim was not of his race or religion, but he loved this neighbor
as he loved himself, and so reached in his pocket to offer a phone.

Gently, fearlessly, without flinching or uttering even a gasp, he
put the camera in video mode, took care to turn it horizontally
and filmed the man’s unfortunate ordeal, a sign of true mercy.
This Jesus, reincarnate, knew what a selfless gift he provided,
footage for the young man to show his grandchildren someday.

Roddie held steady to get the best quality video, kept his reactions
stifled so as to not mar the 28 seconds with any jolting or shock.
In time, all could see that his footage revealed God’s truth while
the other two men walked away appearing blameless in the town.
He thought of panning the area to show the 11 shotgun pellets
dead on the sidewalk, but he was expected in Samaria by sunset.

 


Dana Kinsey holds a BA in English and an MA in Theater from Villanova University. She is a poet, actor, freelance writer, and teacher at Lancaster Catholic High School in Pennsylvania. Her poetry has been published online in the Yellow Chair Review, The Broadkill Review, and Spillwords. Her work also appears in Fledgling Rag and Silver Needle Press. Dana’s screenplay, WaterRise, was filmed in Manhattan by Sagesse Productions. Visit Dana’s website at  www.wordsbyDK.com.

Photo credit: William “Roddie” Bryan mugshot courtesy of Glynn County Sheriff’s Office.

Response/Ability

By Schyler Butler

 

Share the photo of Keisha with tire marks cascading her back.
Remember the protest last night, the hungry eyes.
Ask the masses where were you.
Ask them taste blood in exchange for God.
After the ashes settle on the campus rooftops
and the downtown glass is swept,
pay for Speedway Marlboro’s.
Listen to birds chirp and avoid the eyes
of every child still young enough to grow.

 


Schyler Butler received her BA in English from the University of North Texas. A recipient of an Ohio Arts Council Individual Excellence Award for FY 2020 and a lead poetry editor for Human/Kind Journal, her work appears and is forthcoming in Duende, Superstition Review, Obsidian, Heavy Feather Review’s #NoMorePresidents, Kissing Dynamite, and elsewhere, sometimes under the pseudonym “Iyana Sky.” She lives in Columbus, Ohio.

Photo by Clay Banks on Unsplash.

At Heaven’s Door

By Christa Miller

 

After ten days of scavenging around the houses in our subdivision, I know it’s unsustainable.

Zoe and I had started with the houses next door, then worked our way down the street, but we were walking farther and farther for less and less.

I decide to head for Myrtle Beach, but Zoe doesn’t want to go. She’s worried about running into more mobs. I tell her, “They’re mobs, not zombies,” but my words fall flat. The memories in her dark eyes reflect in my mind: the way they banged on our door, broke our windows, searched the house.

I haven’t been able to tell her why they came. I’ve never been an open book, and my stepdaughter is as much a stranger to me as I am to her. She was 12 when I met her, 13 when I married her mother. Zoe had been deep in the throes of puberty-driven issues, and I’m sure it doesn’t help that I’m white.

When I finally convinced her it was time to hit the road, I expected it all to start up again: the thrum of National Guard Chinooks, the bizarre scenes of mob violence, the screams and gunshots that made us barricade ourselves in our home, our prepper stash enough to sustain us for six weeks.

But the streets are eerily quiet now. The sounds are long gone, along with the people who made them. Did they all leave? Move with their mobs into other communities like schools of fish, flow into the Lowcountry like floodwater? Or did they all give up once the mob lost its meaning and they came to their senses, go inside their houses to starve themselves or take pills?

I don’t know which thought unsettles me more. But I’m glad I made the decision to go on foot, just a pair of backpackers. I don’t want to draw any more attention to us than we already have.

On the road, my memories are so strong that, as we search stores for food and clothes, I nearly hallucinate perky greeting girls and tired middle-aged clerks, asking if they can help me find something. I catch myself with my eye out for store detectives following Zoe, or well-to-do white women eyeballing her clothing choices at checkout like she doesn’t deserve the moisture-wicking sports gear or new pair of Nikes. That’s why, at a truck stop off the interstate, I don’t even notice the trucker drawing down on me until he screams something about this place being the domain he’s taken for himself. Blinking, my head still full of distracted thinking that the place should have bustled with crying children and cranky clerks and zoned-out drivers, I turn and face the black hole of his muzzle and think, This is why I left my guns behind. I’d almost welcome the bullet.

When the glass display case full of little crystal figurines crashes down on the trucker’s head, I don’t comprehend what’s happening right away. That big old burly white guy lies there screaming, a thousand tiny cuts from pink tinted glass all over his face and neck and eyes. Then there’s movement in my upper peripheral vision, and I turn my attention there.

It’s Zoe, of course. My stepdaughter has gone above and beyond what I deserve.

We grab up as many snacks as we can carry and hustle on our way. Zoe doesn’t exactly walk with me, but she doesn’t disappear either. She has this way of sort of eyeballing the space around her until she sees that I’m in it. Then she keeps going.

After the truck stop, there’s nothing but forest and farmland. By now, despite crazed white truckers, we’ve worked out that most everyone is gone. Disappeared, like the Rapture was a real thing, and we were the only sinners who didn’t get taken up. I don’t really think so, of course. Occasionally, holed up in a garage or shed, we’ve had to endure that sweet smell when it wafted on a breeze. Not often enough for suicide to account for all the disappearances, maybe more people died in the mob riots, but there’s no way to tell.

We manage to steal a truck from a farm and we drive just past Sangaree before it runs out of gas. It’s only been about an hour, and we’re a lot closer now to the coast, but the thought of walking makes my legs throb. Zoe, too. I can see it in her stiff limbs, the way she picks up her feet and puts them back down: gingerly, like she wishes the hard ground weren’t there.

We haven’t spoken since the truck stop. Time to give conversation a try. “We’re so close. All I want right now is to stick my feet in the surf.”

She shrugs, pushes her long box braids back away from her neck. “I’d settle for a place to stay and relax.”

“With a nice sun porch,” I try. “A hammock.” I chance a look at her face and catch the tail end of her eye roll.

We’re in a small community just off the highway. Zoe gestures at a little ranch. “No place matters if we don’t have food and water,” she says.

We have plenty, so much that I’m afraid any more will slow us down, but, whatever her reasons—probably a general disdain for my incompetence—Zoe seems to want the responsibility for scavenging.

The optics of a white cop letting a Black kid break into houses aren’t lost on me. After what happened to her mother, it feels like I’m setting her up for certain death. But arguing with her feels like an assault on her individuality, and so I watch her slip, cat-like, into the dark gap beneath the garage door.

Was Zoe into urban exploration or was it something she’d picked up from her video games? Jaye had never said anything about it. Jaye wasn’t a permissive mother, but she wasn’t strict, either. “Zoe’s like a river with a fast, deep undercurrent,” she told me once. “Damming it is only temporary, and you’d best have a way to relieve the pressure when it rains too hard for too long. Better to direct it. Set its path in the direction you want it to go, and hope it doesn’t overflow its banks.”

I could only wish I’d been raised that way. I might’ve gotten into less trouble. At the time I’d been excited that maybe Zoe and I had more in common than I realized. Now I think spit-and-polish discipline has been a part of my life for too long to be helpful to either one of us. All I know is, these urbex skills of hers, however she came by them, are exactly what she—what we—need to ensure our survival in this new world.

I come to a stop almost in front of the house, where I can see and hear anything that might go down, but I don’t go inside. That would be a good way to get myself hurt or killed if I were to turn a corner and surprise her, or anyone else who’s in there. Instead I wait. I keep my pack on my back and do a slow 360-degree turn, because I haven’t looked behind me in a while and I want to get my bearings.

As always, there’s nothing. A few high cirrus clouds tell me rain might be on its way, but that’s about it. There are no sounds, not the chatter of children playing nor the whir of lawn equipment. No footfalls or the squeak of a bicycle to tell us someone followed us. The air is flat and still, heavy with moisture and heat that won’t rise, and I suddenly have the irrational thought that we should be heading inland, away from the coast, because it’s hurricane season and what if? We’d never know until it hit us.

I shut it down. It would take us days to retrace our steps, and as bad as inland flooding has been in recent storms, we’d still have no guarantee of safety. I’d rather stay, maybe in a house built up on stilts, than risk fleeing.

Another five minutes and Zoe comes back out. She rolls her eyes again. “Why are you waiting for me?” she demands.

“Basic safety. Watching your back. Would you rather I went in there with you?”

She clicks her tongue and suddenly I know: Someday, perhaps sooner than I think, she’ll walk off without me, decide she’d rather just live on her own. I’ll wake up one morning, and she’ll be gone, or she’ll roll right out the back door of one of these houses and keep going, disappear for good.

I force myself to breathe, focus. Her hiking backpack doesn’t look any more stuffed than it did before. I resist the temptation to go in and do my own search, and instead I ask, “What’d you find in there? Anything good?”

She relaxes, just a little bit. “Nah. Those people took everything. Shelves were empty.” She hesitates, then meets my gaze. “Where are our photos?”

It takes me a few seconds to understand what she’s asking. The shame compounds tenfold when I realize I didn’t even think to bring any of the pictures Jaye printed from now-unreachable servers.

We halt in the middle of an intersection. Gas stations at opposite corners, a McDonald’s on one side, a Rite Aid on the other. All of them surrounded by weeds.

“How could you forget?” Zoe’s soft alto turns harsh, guttural. Her brown eyes meet mine, then slide away. Her mouth compresses into a thin line on her delicate face, and she twists a thin braid around her finger. “It’s not like we had no time. We spent weeks at home, waiting for the riots to blow over. Weeks. Plenty of time to go through the photos.”

What she’s saying is that those memories meant more to her than they did to me, and I’d never even stopped to consider that. I realize two things: one, I’d long ago reconciled with the idea that I might lose Jaye—you can’t both be cops and not recognize that—but I’d thought of Zoe as an extension of her. And two, I hadn’t thought—really thought—that we were truly leaving everything behind, but it pissed me off that Zoe blamed me when neither one of us had been able to think straight. I say the only thing I can think of to say: “If they were so important, why didn’t you go through them?”

She rocks back on her heels like I physically hit her. Then she takes off running.

Shit. Shitshitshit. The one thing Jaye would’ve entrusted to me, and I’ve fucked it up.

I stay in the same spot in that intersection for much longer than I tactically should. When Zoe doesn’t come back, I go looking for her.

What will I say when I find her? I don’t know. She probably won’t let me hug her. I’m so pissed off and frightened and ashamed that what I really want is for her to see me and follow me. To prove she didn’t just stick with me because she felt somehow compelled to.

I hear footsteps behind me, and my mind starts to play havoc. What if it isn’t Zoe, but some half-crazed resident, looking to loot me or worse?

The thought of being assaulted and left for dead out here in the street, under the baking Carolina sun, is what makes me finally spin around, hand at my hip where my gun used to be.

Zoe stops dead in her tracks.

She’s tied her braids into a ponytail, so it takes me three beats too long to recognize her. The first thing I notice is her expression: fearful, astonished, and, worst of all, betrayed. She eyeballs my hand until she’s sure I’m not really carrying. Then she seems to melt into the landscape.

I didn’t think the shame could get any worse, but it does. It burns my face along with the sun. I just made the worst possible assumption, not only about the only other living human being I’m aware of, but Jaye’s daughter, for fuck’s sake. And now I’ve chased her away, and the two of us are worse off for it. “I’m sorry,” I call out to the deserted street. My voice thin, weak.

She doesn’t respond.

I could end this all right now, one way or the other, if I could just tell her what happened to her mother.

She deserves that from me. They both do. I should have told her.

I take a deep breath, channel my most authoritative voice. “Zoe,” I call into the silent street. “Remember when we had to hide in the attic last month?”

No answer. But I wasn’t expecting one.

“I never thought I would ever have to do that,” I continue, “hide from people I considered friends, brothers even. But after what they did to your mother. … She tried to make them stop. They’d whipped themselves into a frenzy, thinking a group of unarmed civilians was looting a store, and she got in front of them. I couldn’t get to her in time. I promise you, Zoe, if I’d had any chance— In that moment, you were all I could think of. That moment … I’d been seeing for days, weeks, even months, who those people really were, but I couldn’t accept it until I saw what they did to their sister officer. Until I couldn’t say what they’d do to you. We were our own mob. The damage we did or were complicit in. So I deserted.”

Zoe sidles out from behind a parked car. I don’t give in to the relief. Not just yet.

Then she says dryly, “And you used to worry that video games were desensitizing me to violence.”

I have to let out a bark of laughter, because she’s right.

She doesn’t laugh with me, but her face softens. She hefts her pack on her back and without another word, starts to walk once more. East, of course.

I follow her.

 


Too goody-two-shoes for the rebels and too rebellious for the good girls and boys, Christa Miller writes fiction which, like herself, doesn’t quite fit in. For nearly 20 years, Christa has written in genres ranging from crime fiction to horror to children’s, but prefers to write—and read—blended-genre stories. Her affinity for the dark, psychological, and somewhat bizarre doesn’t stop her from volunteering at a local wildlife rescue, adventuring with her two sons in rivers, swamps, and marshes, or—when she’s not running her freelance business—relaxing with a book and a beverage in her hammock. Learn more at her website, christammiller.com.

Photo by Donovan Valdivia on Unsplash.

Cicadas in Protest, 2020

By Aaron Sandberg

 

they emerge—
suddenly and briefly in large numbers—
symbols of immortality—prominent eyes—

active during the day with some calling at dawn or dusk—
modes of locomotion—walking and flight—
take to the wing to travel distances—

the structure is buckled by muscular action—
removing dirt in the process—
sometimes cause damage—
blunt spikes—
drumlike—

yet to be studied carefully—
many await formal description—
common names—red eye—black prince—
trees may be overwhelmed by the sheer numbers—

cicadas are preyed on—
making them drop to the ground—
variety of strategies to evade predators—
long lifecycles may have developed as a response—

the cicada-hunter—
mounts and carries them—
pushing with its hind legs—
sometimes over a distance—
until they can be shoved down—

a loud cicada song—
especially in chorus—
distinct distress call—
asserted to repel predators—
calls to maintain personal space—
emitted when seized or panicked—

resonating chamber—
sing in scattered groups—
an exceptionally loud song—
may use different heights and timing of calling—
loud enough to cause permanent hearing loss—
the pitch is nearly constant—the sound is continuous—
they construct an exit tunnel to the surface and emerge—

they emerge, all at once—

 


Poet’s Note:

Audre Lorde said, “Revolution is not a one time event.” With the reemergence of the cicadas this season and the uprising protests, I saw a point of positive comparison—gathering in large numbers, being viciously preyed upon, making a unified chorus of sound. This is a found poem—all the phrases here are taken in some form or another from the Cicada Wikipedia entry.


Aaron Sandberg resides in Illinois where he teaches. His recent poems have appeared or are forthcoming in Asimov’s Science Fiction, English Journal, Yes Poetry, One Sentence Poems, Vita Brevis Press, Literary Yard, and elsewhere. You might find him on Instagram @aarondsandberg.

Photo by Clay Banks on Unsplash.

This Morning, I Mistake the Sound of Thunder for Bombs

By Despy Boutris

for Brittny

 

which tells you something about the state
of this country. This morning, I open Instagram

and see Céline lying through its teeth.
I’d love to write about planting flowers

on my forearms, or my best friend’s collection
of wool coats, but the police pulled guns

on her husband standing in his own yard.
I want to love my country. I’d love to write

about the scent of honeysuckle,
but this city has gone up in flames. I learned

only yesterday that Charleston was the center
of the slave trade. A few miles from the port,

another white couple exchanges vows
at a plantation. I wish I could love my country.

Right now, I live a mile from where George Floyd
grew up, hear that Cartier and Dior

have boarded up their windows uptown.
That’s more than just a metaphor. I was twelve

when Oscar Grant was killed at the same BART station
where my mother debarks. She has blonde hair,

blue eyes, has never had to fear for her life.
At seventeen, in math class, someone said

I have major jungle fever, and I watched
as my friend stiffened, brown eyes unblinking.

I waited for her to say something
so I wouldn’t have to. I still think about that.

In college, every English professor but one
was white, and I’m from California,

which thinks itself superior. In college, I read
an Audre Lorde poem and my heart beat fast

as rubber bullets leaving the barrel,
which aren’t really rubber at all, I’ve learned,

and these are what the police keep firing
at the people I love. I want so badly to love

my country. Last July, I saw a man I knew
from college on Instagram: shirtless,

in a MAGA hat, the photo captioned, America
is fiyah! If that’s true, then let’s let it burn.

 


Despy Boutris’s work is published or forthcoming in American Poetry Review, American Literary Review, Southern Indiana Review, Copper Nickel, Colorado Review, The Adroit Journal, Prairie Schooner, Palette Poetry, Raleigh Review, and elsewhere. Currently, she teaches at the University of Houston, works as Assistant Poetry Editor for Gulf Coast, and serves as Editor-in-Chief of The West Review.

Photo by Donovan Valdivia on Unsplash.

War

By Linda E. Goodliffe

 

Stolen

sanity
childhood

classroom

teacher
hummus
art

photographs

home
garden
cow
goat
silver

Fire

skin

IED

arm

RPG

spine

grenade

leg

bunker buster
drone strike
mushroom cloud
burn pit

Rape

gang

woman
child

knife

vulva
vagina
cervix
uterus
bladder
breasts

Feasting

oligarch
cat
dog
vulture

on human carcass

 


Linda E. Goodliffe has both her bachelor’s degree in English/Creative Writing and her MFA in poetry from Queens University of Charlotte. She lives in Charlotte, North Carolina, with her family, which includes cocker spaniels. Linda is a veteran of the United States Navy. She believes the written word is a powerful force, and she hopes her work will contribute to the continued evolution of the human condition. You can find more of her work in the journal Leaping Clear and on her web site, lindaegoodliffe.com.

Photo by Hasan Almasi on Unsplash.

Dream Interpreter

By Jie Wang

 

“I was on an underground train. The announcement kept saying ‘Terminal. Terminal,’ in a slow way. Then the train stopped. The man in a grey jacket was on the platform. He was the only one there. He looked into the train. He looked around. I felt that he was looking for me. I felt that I knew him and I used to love him. But I was trying to hide from him. I don’t know why. He didn’t seem very eager to find me either. He seemed … lost. Then the train started. The announcement still saying ‘Terminal. Terminal.’ It was very dim. Occasionally, I saw colourful lights from the ads. They swam on my skin like koi fish … What does it mean?” she said.

“Does the man in grey resemble anyone you knew? An ex? Your father?” I asked.

“I don’t know. It was very dim. I couldn’t see his face.”

“Well, I think it’s about unresolved relationship issues, and suppressed memories. It could be a relationship that didn’t end well, or abusive, so your memories about this man were suppressed, and you couldn’t see his face. Does this make sense?”

“Yes, yes. I think you are right. I had this dream several times this month. It started to drive me crazy. Should I try to remember who this man was?”

“My suggestion is no. It’s probably something very unpleasant, and your mind was trying to protect you from seeing his face. In your dream neither of you was keen to make contact. Let’s leave it that way. Next time you dream about him, try to say goodbye in your mind. Then you can move on.”

“Move on? I don’t know where the train was going. I don’t know what ‘terminal’ was. Could it mean ‘death’?” she asked.

“I wouldn’t read too much into it. Sometimes there are no deep meanings in dreams. Perhaps you used to take a train and get off at the terminal, or perhaps you just heard the word a lot on TV recently.”

“That’s possible. Oh, I’m feeling better now. Thank you very much.”

“You are very welcome.”

•     •     •

Okay, that was my last client today. She is a regular, often creeped out by her dreams. She probably had some traumatic experience, but that’s not really my expertise. My expertise is … well, I guess I’m really good at sensing what people want to hear. I’m no scientist. I’m no doctor. She knows that. She just wants somebody to comfort her, and that’s the service I’m providing.

I feel lucky that I still have a job. Readers of the past, in case you don’t know—AI, general or narrow—have taken away most jobs. AI give us universal income, so we can live comfortably. Everybody is pursuing their dreams. There’ve never been so many writers, painters, musicians in human history. Many of them think they are geniuses, like statistically there can be so many geniuses. Don’t get me wrong. I think it’s as natural as mutations—a lot of mutations are generated, but only a few can survive. AI used to create art for us, and people used to love it, until they knew who the artists were. Then they said art is a human thing, it’s mysterious, no machines can understand it.

Well, I’m no human supremacist, and I’m really fed up with the word “mysterious.” My father is a Taoist priest. My mother is a lecturer in ancient Chinese poetry. I used to hear this word ten times a day when I was a child. I’m glad we don’t talk any more. They think I’m a disgrace, as a “dream interpreter.” I’m a con artist, I know, but my parents on their high unicorns quote Freud in their work all the time. Yeah, whatever. I’m not a bubble burster.

I had a blind date with this guy recently. He had long hair and this floral shirt. I said, “You must be an artist.” Everybody is some sort of artist these days. You can’t go wrong with that. No human scientists or bankers any more, but always human artists.

He smiled and asked what I did. I said I was a dream interpreter.

“Dream interpreter?” He raised one eyebrow. “Cute,” he said. “Do you want to hear one of my new poems?”

“Sure,” I said. Then he started to recite his poem quite loudly in the restaurant. It was all nonsense to me and I didn’t feel a thing. My mother used to say I lack artistic temperament and mysterious feminine charm. I guess she was right, because when I tried to say something nice about his poem, he got annoyed and said I was like Icarus who flew too close to the sun. Did he mean he was the sun and I couldn’t understand his depth? I’m not sure. I’m always dumb about these things. Anyway, I said I forgot to feed my dogs and I had to go home. I guess I will die a spinster.

I do find some of my clients’ dreams poetic though, like the one I just told you. I don’t really understand them but I tell plausible stories about them. I try to make my clients feel better. Occasionally, I even feel I’m helping people. It’s no easy job. There was this client, a bodybuilder and a believer in Bodism. There’ve never been so many ideologies. My mother called it the “Renaissance of Mythologies.” There are people worshiping bodies, sex, AI, animals, large eyes, small eyes. … Anyway, this guy, this bodybuilder, told me he had a dream that different muscle groups in his body all achieved consciousness, and they started talking to him.

“What did they say?” I asked.

“They said I served them well, and they would return the favour by giving me what I wanted—sex, love, fame. Their voices sounded so real.” He hesitated. “Could this mean something?”

I didn’t know what to say. It’s always risky to tell a client that some dreams have no meaning and can be pretty random. It’s like devaluing their dreams or even themselves. But on the other hand, you don’t want them to get too delusional in case they do something dangerous to themselves or others. So I said, “I don’t know where the voices came from, but I do know you have a great body. Maybe it can bring you sex, love, and fame.”

He fell silent. He looked a bit disappointed, but not offended. Sometimes that’s all you can hope for.

Occasionally a client does get offended. I had a new client this week. He’s a qigong master. He told me he dreamt that qi was flowing from the sky into the crown of his head, and out from the soles of his feet, but then the flow got disrupted and disappeared, and his body started withering away to a mummy. He was terrified and asked me how to avert this disaster.

Naturally, I told him it was just a dream and it was not real, but he was convinced it was a sign. He started mumbling to himself, “Maybe it’s because I live on the second floor and lost contact with qi from the earth. Maybe I should move. …”

Eventually I plucked up the courage to ask him, “What is qi exactly? Does it mean air?”

He looked at me as if I was some illiterate. Then he said, “Qi is everywhere. It’s in the air, in heaven and earth, in your body.”

I said, “So it’s the gases in the blood and the digestive system?”

He suddenly got angry and called me ignorant, and I apologised! Then he calmed down and said, “Qi is something very ethereal, very mysterious. You can feel it, understand it with your heart, but you can’t and shouldn’t put it into words. It’s just so vulgar.”

I looked at him blankly. He stood up and walked away. I thought, Shit, I lost a client, and I have five dogs to feed. But he didn’t leave. He just walked to the window, looking at the sky and sighing loudly. I felt the urge to say something, but I still didn’t know what qi is.

Eventually he turned around and said, “Nice talking to you. See you next week.”

Anyway, it was time to go home and I started missing my dogs. I got on the train. When it was at full speed, the people outside the window became blurry, like ghosts trapped in shards of a distorting mirror.

After I got home, I fell asleep on the couch while watching the newest remake of Interstellar. I dreamt of a train. It was passing through space. The announcement kept saying “Terminal. Terminal” in a slow way. My dogs were sleeping under the seats. My clients were there too—the woman, the bodybuilder, the qigong master. Even my parents were there. The lights from the stars were tattooing our skins. We were together, no longer haunted, no longer anxious, and we felt it was the best thing in the universe.

 


I am a flash fiction/short story writer. I was born in a northern city in China in the 1980s, and have been living in the UK since I was 23. I am interested in the interaction between literature and science. You can follow me on Twitter @JieWang65644813.

Photo by Roman Koester on Unsplash.

Two Poems by Gregory Wolff

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80 Percent

The human body is 80 percent freshwater,
and 80 percent of freshwater is suspended in glaciated forms at the southern pole,
where it’s rapidly melting.
80 percent of laborers in the United States of America
live paycheck to paycheck,
and 80 percent of college students engage in drunkorexia—
that’s starving oneself to increase the effects of intoxication
(for those who don’t know). 80 percent of women don’t orgasm
from penetrative sex, and 80 percent of animal species are as of yet undiscovered.
Sadly, that doesn’t make them much safer than the rest.
80 percent of earth’s forest has been destroyed,
and 80 percent of American kids have an online presence
by the age of two. 80 percent of the world population lives under skyglow
and 80 percent of Americans believe in the existence of angels.
80 percent of America’s food went uninspected in the shutdown of 2019,
and 80 percent of Central American women and girls are raped
on their way up to the US border. If they make it, and most don’t
they will meet thirty-three million registered Republicans,
80 percent of which trust Trump more than the media.
80 percent of forest fires are started by human action or negligence,
and 80 percent of smartphone users check their phones
before brushing their teeth in the morning.
Humans have killed over 80 percent of all wild mammals on earth,
and 80 percent of Americans aren’t content
with the brightness of their smile.

Drone Love

you take me whether or not
I am willing or able
you find me in the grey streets and persimmon groves
and flatten me with your persuasion
I know you watch me
with my shy child in the rusted park
and I know you will follow me
to the very ends of the earth
your commitment is unwavering
your determination bone cold
with steely hands
you pluck me from the wedding party
and the funeral procession like a dandelion
my roots limp and in utter disarray
your silence is uncanny
and your thoughts a coded mystery
nonetheless you persist and remain always devoted, always faithful
you, after all, have haunted my dreams
since I first saw your fiery passion
touch upon the ground in the lost courtyard
of my childhood
now I wonder, as you rive the unshorn sky
your eyeless head bulging where a mind ought to be
have you already decided that I’m the one
or are you just searching
for love at first sight?

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I am an almost-PhD in philosophy turned organic farmer; writer of fiction, poetry, and children’s literature; and very proud father of two enchanted and half-wild children. I live with my family amidst the musical forests of the Saint Lawrence River Valley, just north of the Adirondack Range. My writing has appeared or is forthcoming in EVENT, Zone 3, Vassar Review, Blue River, Writers Resist, and Poets Reading the News. I am currently at work on a novel about an unlikely garden, a short story about life beneath ground, and a collection of my recent poetry. Visit my website at thewildernessofwords.com.

Photo by roya ann miller on Unsplash.

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Now More Than Ever

By Marissa Glover

 

You must pretend
this is the first
mask you’ve ever
worn—act like it
is the first time
you hid yourself
at home, away
from the unseen
thing that might
make you sick,
might kill you,
if too much gets in.

Now more than
ever, dream
of snakes walking
into the house
on legs, of teeth
cracking, collapsing
into your throat,
of flying—slowly
only two feet
above the ground.

Now more
than ever, be
calm when folks
call you coward,
cunt; let them
drink a punch—
this darker red
spreading heat
in their chests now.

More than ever
we’re alone,
together.
Everyone is
uncomfortable,
forced to pretend
this is the first
time no one
can see us,
know how
we really feel.

 


Marissa Glover teaches and writes in Florida, where she is co-editor of Orange Blossom Review and a senior editor at The Lascaux Review. Marissa’s work appears in Rust + MothSWWIM Every Day, and Okay Donkey, among other journals. Her debut poetry collection, Let Go of the Hands You Hold, is forthcoming from Mercer University Press in 2021. Follow Marissa on Twitter @_MarissaGlover_.

Photo credit: Kristin Schmit via a Creative Commons license.

Scrolling

By Laura Grace Weldon

 

Two penguin chicks are the only survivors
of a 40,000 bird Antarctic colony.
I imagine fuzzy hatchlings
chirping for food till silent,
scroll on to read
about a dog taught to talk
with an adaptive device. Stella,
a mixed breed, already uses 29 words
although her choices don’t include “why.”

All this bluster about GDP and NASDAQ,
about trends, ratings, followers,
about so-called political divisions
is just Oz shouting
Pay no attention
to that man behind the curtain
to keep us consuming, keep us distracted
keep us from the startling recognition

we are Stella tapping “want” “Jake” “come,”
then tapping “happy” when Jake indeed
comes home at the expected time.
We are the penguins, the ocean,
the plastic debris filling bird bellies.
Everywhere, curtains.

 


Laura Grace Weldon has published two poetry collections, Blackbird (Grayson 2019) and Tending (Aldrich 2013). She was named Ohio Poet of the Year for 2019. Laura works as a book editor and teaches community-based writing workshops. She lives with vast optimism on a small farm where she’d get more done if she didn’t spend so much time reading library books, cooking weird things, and singing to livestock. Connect with her at lauragraceweldon.com., on Facebook, and on Twitter @earnestdrollery.

Photo by Cassidy Mills on Unsplash.

Long Time Listener

By H. A. Eugene

 

Greetings HTW gang!

First off I want to say thanks to Gabe, Mack, and your producer, the lovely Vicky! I am a fan of the podcast and have been a member of the How’s That Work? gang for almost longer than I can remember! As proof, I submit to you this photo—yes, that’s me in a HTW t-shirt, standing between the inimitable Gabe Gibbons and the illustrious Michael “Mack” McCready, after a live recording at the Bell House in Brooklyn! It’s been years so you probably don’t remember, but my stepdad Kevin took me (he also took the picture). I think I was fifteen. Fact is, I started listening to your podcast when I was just a freshman in high school, and I’m sorry if this makes you feel old! Please consider it a compliment. (Happy-face!)

Anyway, I’m writing today to serve you what I’m going to call a long time listener compliment sandwich: a few tiny corrections, sandwiched between a whole lot of tasty gratitude!

First, the tasty stuff: The podcast How’s That Work? has taught me so much! You guys do such an outstanding job explaining complicated things in simple terms. Maybe it’s your down to earth personalities, I don’t know. But your on-air banter makes you guys seem like friends in real life, and in a lot of ways, it makes me feel like you are both my friends, as well. (Smiley-face!)

If I were to choose a favorite HTW episode, it would be the one where you explain how lightbulbs work. You really brought the story of this humble, first-of-its-kind electric appliance to life in a lively, illuminating way! (Sorry, I couldn’t resist!)

My second favorite episode has to be the saxophone. Where it came from, how it’s viewed in popular music—oh, and I loved your list of most famous saxophone solos. I looked them up and they were oh, so tacky and oh, so terrible!

And if those are my first and second, then my third favorite HTW episode of all time has to be doughnuts. And this is where I must point out my correction. (Gasp!)

In this episode, you mention that the doughnut was invented by Dutch immigrants, with Russian, as well as French influences. This was followed by the statement “we are a nation of immigrants” and “diversity is what makes us great”—two dogmas, which—I hate to say, but absolutely must point out—haven’t been the case for a while, and as such, should not be broadcast as if they were. It’s a fact that aside from a few outliers, the vast majority of the USA’s greatness comes from native-born Americans of European descent; more specifically, native-born Americans of European descent who extoll the Western traditions this country was founded on, and that to this day, are a major part of our American Brand in the World. (Moreover, it bears stating that, when it comes to doughnuts, those largely antebellum foreign influences were assimilated very quickly into our lexicon, and therefore, became American in nature.)

To be perfectly clear, I am well aware that everybody old enough to recall a time before the internet can also recall having been raised with cheesy cliches like these. So I understand why this might seem correct, so don’t feel bad! It was an honest mistake. After all, this is how facts change over time, right? I think it was Gabe who explained, in the saxophone episode, how the instrument started out as a hokey novelty, and how its role in blues, jazz, and rock music eventually brought it the recognition it deserved. Like I said: how facts change.

That said, here are a few other corrections. In your recent episode on the origins of our glorious border wall, the legal framework for fast-track mass deportations actually came about way back in the second Trump term, not the third. Sweeping reforms like these would have been impossible without the cooperation of Congress, which had been all but assured by Justice Ellis, whose interpretation of the first amendment allowed for the type of large-scale fundraising required to defeat our enemies at the ballot box. Then there’s Justice Damiano’s traditionalist views on race, which played a major role in arguing for the repeal of the Voting Rights Act, and its replacement by the much stricter Voter Identification Act. All of this led us down the bumpy road to abolition of the antiquated concept of term limits. (And if you think about it, none of this positive change would have been possible without the faithful support of patriotic media networks that resisted the pressure to give in to liberal fact checking, but I guess that’s another episode, right?)

That said, despite your obvious biases, your border wall episode also helped me to better understand the incorrect liberal reading of our then-current immigration crisis, which falsely claimed that immigration drivers were spurious concepts like “climate change” and “economic destabilization,” as opposed to simpler, more truthful motives, like enrichment on the part of greedy non-Westerners. (And yes, I am aware of the accusations of heavy-handed wielding of the law on the part of certain agencies, incorrectly administered blood tests, unlawful deporting of distant relations, and even cases of basic mistaken identity. But really, without real evidence, stories like these are just a bunch of fake news, am I right?)

In any case, I really can’t thank you guys enough for what you do. Your podcast literally explains the world, and I think for children especially, this is priceless. And for adults? Well, it’s just nice to hear a familiar voice explain complicated things in a simple way.

As for me, I’m sure you’ve figured out I’m no longer a kid! Though, as a private contractor in a counter terror task force, I do work with kids. My team’s focus is Central and South American immigration vectors, and my job is to learn all I can about the problem of ethnic minority dissident groups. I interview the young children we get in the camps, and as you probably guessed I can’t say a whole lot about that! (Eyebrow-raised, intrigue-face!) But all told, we are very proud of our work, and I speak for my whole team when I say, like you, we definitely take learning very seriously!

Your podcast taught me that the world is a wonderful place, full of things to learn and do. It also taught me learning can be fun. Though, if I’m being completely honest, sometimes, the things I learn and do make me sad. Oh well. I suppose it’s like my stepdad Kevin says, the weak need the strong to show them how to walk the straight and narrow, which is his way of telling me I should always be proud of what I do, and never be ashamed. After all, it’s not my fault people get themselves deported any more than it’s a policeman’s fault that people still—even now, with curfews, media blackouts, and extrajudicial paramilitary SWAT teams—break the law. (Sad/puzzled face!)

This was all my way of saying you and your podcast helped make me who I am today. And so thank you for that!

(CYA alert! I really don’t think anything I wrote here is problematic, but feel free to take stuff out as necessary if you want to read it on an upcoming episode. Also, if you have any questions, just reply to this message, and I’ll pass it along to my superiors.)

Anyway, thanks for everything!

Sincerely,
A long time listener and lifetime fan

 


A. Eugene writes weird stories about food and death and pretty music about homicide and fascism. He currently resides in beautiful Brooklyn, New York, where he is a staff member of the Bushwick Writer’s Group. Find him at www.haeugene.tv and on Twitter @haeugene.

Photo by Brett Jordan on Unsplash.

White for Suffrage, Red for Riots

By Emily Knapp

 

Crack.

watch as we fracture.
shards of a broken union
used as weapons and
knives

(get out)
(we don’t want you)

heavy hearts as
women burn in India and
reds/yellows/greys
paint the streets of Paris.

We are all

fighting we are all

mad

stealing back our stars and
ripping our stripes

preservation

in the name of
democracy.

We are waiting for change.

For now,
we must navigate the slush.

And wait.

 


Emily Knapp is a native of the Chicagoland area, but fled West because she really likes seeing the sun in February. Her apartment currently resides in Denver, but you can find her in the mountains, writing, hiking, or skiing. This particular poem is in response to the New Yorker article titled, “The Impeachment Hearings and the Coming Storm.”

Photo credit: Jennifer Boyer via a Creative Commons license.

Bird Shit on Leaves

By Mark Grinyer

 

The white-speckled green
of bird-shit on leaves
painted through weeks
of days without rain
marks favored platforms
under canopies of trees
where hawks cannot spy them
but where they can see
the movements of voters
through wind-gusts and rain
that soak these havens
and wash shit away
fertilizing forests with
generations of sleaze
enduring the protection
of dissembling days
providing the illusion
of unfettered peace
as finches fight sparrows
for disappearing seeds
digesting rough diets,
attempting to breed
here where I’m watching
birds shit on leaves
avoiding the noise
of some politician’s screed.

 


Mark Grinyer spent most of his childhood and youth following his father, a U.S. Air Force officer, to many different stations in the United States and overseas, before settling in Riverside, California. Mark went to college at the University of California, Riverside, where he began writing and publishing poetry. After being drafted into the Army in 1969, he returned to the University for graduate school. and received a PhD in English and American Literature. He wrote his dissertation on the poetry of William Carlos William and developed a particular interest in the roles of poetry and poets in modern society, and in the use of scientific and natural scenes or images as vehicles for understanding our place in the modern world. He spent the next 25 years working as a technical editor and proposal specialist in the aerospace industry. After retiring in 2006, he returned to teaching for a few years at California State University, Fullerton, where he continued with his poetry.

Photo credit: Everjean via a Creative Commons license.

For the Bookshelf: Bestsellers in the Age of Trump

By Tara Campbell

 

All the President’s Mendacity

How to Screw Allies and Idolize Dictators

Where’s My African-American?: the Great Picture Puzzle Book

Foreign Policy for Goddamn Idiots

Windmill Noise-Cancer is Not a Thing, and Other Actual Facts

The Man, the Myth, the Legendary Shitstorm: An “Illegitimate” Biography

What the Fuck? Asking for a Nation

No, Seriously, What the Fucking Fuck? The Sequel

We’re Sure as Shit Through the Looking-Glass Now, Alice

Love in the Time of Cholera: Attracting and Dating Survivors of the Anti-Vax Era

Decorating with Vessels: A GOP Guide to Marriage

Fun with Puppets: The NRA Goes to Congress

Incels and Ammo: What Could Possibly Go Wrong?

Putting the “I” in Democrisy and the “Me” in Melitia: A Patriot Speaks

The Spitball Cure: Injecting Spontaneity into Your Podium-Based Medical Practice

Liberal Tears: Not an Actual Fucking Strategy, Bro

How to Succeed at Culling the Population Without Really Trying: The Plutocrat’s Guide to Public Health

The Constitution: Look, We Wrote it in Memes, Would You Please Fucking Read It?

How to Lose a Republic in 1460 Days

From Russia with Love

 


Tara Campbell is a writer, teacher, Kimbilio Fellow, and fiction editor at Barrelhouse. Prior publication credits include SmokeLong Quarterly, Masters Review, Monkeybicycle, Jellyfish Review, Booth, Strange Horizons, and Escape Pod/Artemis Rising. She’s the author of a novel, TreeVolution, a hybrid fiction/poetry collection, Circe’s Bicycle, and a short story collection, Midnight at the Organporium. She received her MFA from American University in 2019. Read more about Tara at www.taracampbell.com.

Make American Great Again painting by Illma Gore. Follow her on Instagram.

Mock book cover by K-B Gressitt.

 

Group Home Rattle

By Andrés Castro

Dropped and broken,
over and over,
we were dropped broken here—
the labeled Spic and Nigger boys, said
from stupid mothers and ugly fathers, said
marked by wire gashes, gunshots, and sex toys,
waking to crying, screaming, lying, threats.
We were dropped broken here.

Who bothers to look inside the hand
that’s helping? In this cracked community,
in this grey wooden house, three administrators
glide through the rooms where we stay.

On Friday night
explosions take place when
broken heads race when
venting is play when
the shrinks stay away.

Would you listen? Could you listen
to nine broken heads screaming?
“I’m Boss!” “I’m Blade!” “I’m Cold!”
“I’m Lost!” “I’m Slick!” “I’m Blood”
“I’m Cross!” I’m Deep!” I’m Dreamin!”

No! No!
We’re drowning, not touching
bottom, drowning
in a vat of grease, blood, melting needles,
Haldol, Prolixin—
bodies inside out, twisted faces,
anatomical toys, boys
our broken heads split open,
emptying out into the street.

Please, will you tell somebody?
Notify next of kin.

 


Author’s note: The material for this poem came to me in a nightmare after I began working as a psychiatric group home counselor in 1995. I quit shortly after having to dispense powerful psychotropic drugs to the sweetest teenager who had returned a sedated shell after meeting with his abusive parents for Christmas and consequently having a breakdown and being hospitalized. Short-term therapy, including tranquilizing psychotropics, instead of empowering long-term language and learning based modalities, is still widely accepted, especially in poorer communities.


Andrés Castro, a PEN member, is listed in Poets & Writers Directory and regularly posts work on his personal blog, The Practicing Poet. He lives in Queens, NY.

Photo by Harlie Raethel on Unsplash.

To Kill a Creep

By Samantha Tkac

 

1.  Hop on the T and head to the job interview you’ve been excited about for weeks. When the man huffing Nicorette breath against the back of your neck snags the bucket of your slacks as you step out onto the platform, whip around so you can pound your knuckles into his gut. But the train doors—they close. And the T takes off toward the next stop. The hand that touched you and the man attached to that hand is gone. He gets away.

2.  After the interview, go to the grocery store in search of something cheesy and salty. When that forty-something shuffling beside you in the dairy aisle smirks at your chest while you’re homing in on decent cheddar, don’t wait for the doors to close this time. Ask him—could you help me pick out a beer? And when he nods with that expression on his face meaning he didn’t realize you could speak, lead him into the beer fridge. When inside, throw him a quick knee to the groin and when he’s on the floor, slip a beer bottle out from one of one of the many cases emblazoned with logos of women humping/thrusting/licking machines and rockets and monsters and plunge it into his mouth. Decompress in the cool, misty air. Breathe in and out, like that meditation app taught you. Then get back to that cheese aisle, girl, because you’re hankering for something you can sizzle on a cast iron—something oozing and gooey while watching Sex and the City reruns later on. Doesn’t that sound nice?

3.  Go to the happy hour that’s being hosted just for you in celebration of your big successful interview. Tell everyone that it went fine, because it did. Don’t keep itching the spot on your backside where that man’s hand made contact. And later, after a few warming drinks, after that itch has lessened a bit, don’t say yes to the free mojito offered up by a lingering young punk. When you do say yes, don’t allow your friends to nudge you with the refrain: you deserve a little fun. Don’t ask him back to your apartment. But you want a distraction, and the Buzzfeed quiz pegged you as a Samantha, after all. When you do ask him back—tell yourself you deserve it. (What do you deserve exactly? You’re not sure).

4.  You imagined it differently—more passion and mutual respect, hotter. You’ve done this before. He’s on your couch. You asked him to come. This was mutual. He claws at your shoulder blades, an apologetic expression on his face, at first. His lips hover over your tits and he mumbles nonsensical words that stem from bright red brain waves, phrases as fleeting as nightmares when they reach your ears. He’s not speaking to you, but himself. He tears at your zipper. Your pretty dress nooses your ankles.

5.  Begin the long fall inward as your body absorbs his weight, your lungs adjusting. You take delicate little breaths as you wade deeper and deeper inside yourself, past all the embellished parts and then you’re wallowing in pitch black sludge—it’s hard to breath—but you’ve almost arrived at your source of power: the ability to sit and take it, that hollow-souled feeling. You absorb the liquor off his tongue, his teeth. This was mutual. His fingers beneath you, prying open inside you. You asked him here. Hope that he might extract something essential.

6.  He burrows into your body the way he was taught from years of porn and Eli Roth films, his neurons forging a reward pathway associating $8 drinks with sex. Don’t let that itch build back up inside of you. Don’t let the hardness of his waistband sear the skin of your stomach. You wanted this. You’re so close to curling up inside your hollow place and giving your body over to him. And despite being so close to convincing yourself of the mantra vibrating against the back of your throat: I don’t care, I don’t care, I DON’T CARE—

7.  YOU DIG YOUR THUMBS INTO HIS EYE SOCKETS UNTIL FLUID LEAKS DOWN YOUR FOREARMS AND SCREAM UNTIL THE EARTH CRACKS OPEN AND PRAY THAT HE FALLS SOMEWHERE DARK AND LOUD and hate that you’re even alive and having to live through this shit, in the first place.

8.  Don’t cry.

9.  Don’t you dare cry, girl.

10.  Feel no moral qualms. Decide to keep murdering and to never change anything about yourself.

11.  Sandwich the cheddar cheese between thick slabs of focaccia and let it sizzle on the skillet until the yellow spills out and your apartment smells like weekends at your parents’ house. Cut it into quarters like your dad used to. Turn on Sex and the City and take solace in the wild hair and relentless optimism and temper the rage in your chest. Wonder when you will stop—if you can simply turn it all off, a switch.

 


Samantha Tkac holds an MFA from Butler University. Her fiction has been published in Squawk Back and Drunk Monkeys. She is currently shopping around a collection of short stories focusing on the life cycle of female rage and the aesthetics of the grotesque, you know—fun stuff like that.

Image credit: istolethetv via a Creative Commons license.

I Was Ranting About

By Pedro Hoffmeister

 

the school district brought in a tech-expert,
an Apple educator, a dynamic speaker, paid a lot
of money to come speak to us, started by
asking us to name our favorite technologies,
audience members calling out new
apps and video games I’d never heard of.

I yelled, “The toilet” because it is my favorite technology.
I love excrement not sitting in a chamber pot under my bed until
I walk over and dump it out the window onto the street below.
Or – to be more precise – composting toilets are a miracle of
science, the smell of sawdust (and sawdust only)
in a sun-warmed outhouse?

But this speaker wasn’t interested in useful
[or what he called “basic”] technologies. He didn’t
understand the truth that he is actually somewhere
in the middle of all history, and that in only 200 years
this current time-period we’re living in will look cute,
or quaint, and humans will tell stories about all
the stupid things people said or believed
at the beginning of the 21st Century.

Along with an anecdote about light-switches coming
to New York hotels in 1926 (wrong by 40 years)
this tech educator told us that Gutenberg invented
the printing press, as if the printing press and moveable type
were a Western thing first, as if printing presses
hadn’t already existed for almost 600 years in China,
but this expert had no idea that all of his claims were so
American,
so simplified and sadly incorrect.

As people say, we are a nation of anti-intellectualism,
and this man is a product, who – in turn – pushes products.
We don’t teach our children contextual learning because
it takes too much time. So, I imagine this speaker as a child,
staring at his TV in wonder. Is it too harsh to say that we
consume and consume and consume until we die?

But there were Hitler-like speech quotes too,
with the requisite yelling at the end:

“We have evolved beautifully!!!”

“We are living with human efficiency that has never been equaled!!!”

“Most futurians see this as a golden age of change!!!”

I did like that last slant-rhyme he included. It made me think of
all the poems that our revered speaker had never read.

He said he wanted us to “accept the truth, and not think about ethics,”
The Blue Pill, bask in the illusion, to close our eyes
and enter the common room of the cultural cult.

Instead, I think of the Navajo Eusabio in Willa Cather’s
Death Comes for the Arch Bishop, Eusabio speaking
in the late 19th century, when arrogant men also thought
they were at the cutting edge of history. The Navajo replies:
“Men travel faster now, but I do not know if they go to better things.”

Or I think of this – my favorite Arabic proverb:
“When danger approaches, sing to it.”

So here

am I,

singing.

 


After publishing books with Penguin, Simon & Schuster, and Random House (most recently the novel Too Shattered For Mending), Pedro Hoffmeister just self-published a collection of essays titled Confessions of the Last Man on Earth Without a Cell Phone, so he could say anything he wanted to say: Strong personal opinions, satire, and humor. Basically, resistance. He is now completing a collection of poems.

Photo credit: Liz West via a Creative Commons license.

The Chain & The Screens & The Fire

By Jake Phillips

 — after Alexandrea Teague’s “’My Country, ‘Tis of Thee’ (arranged for Brazen Bull)”

 

Bellows and bolts     and the king     and the king’s rage
at the price of freedom     the fire   the face like fire hot-orange
on your screen     first look at your phones   the fire given
to humankind     hot breath    fogging     hot    and he bellows
at the man in chains     as he has always done     the least racist
person that you’ve ever encountered    may the eagle peck
his liver     the lives chained     first look     look     the tweets may the eagle
peck     the deplorables on this rock     chained     a chain a storm
of characters     filthy language on fire     and you don’t want
to live with them either     the eagle feasts     on freedom
on many sides     on liver, regrowing     feast your eyes     feed    your phone
for the king     who has done more for African Americans     Americans
create their own violence     and the box was opened     all 140
characters and their hashtags     their own violence    released
unchained into the world     then they try to blame others   the violence
on many sides     the Titan the fire     the hero of culture
a really dumb guy     the liver always     and his rock     the disgusting, rat
and rodent infested mess     always returns     and the hope on the bottom
the hope     the birth certificate is a fraud     the faces
lit up with the fire     we hold our hands out     dangerous
for our country     let’s take a closer look     the chains tighten     the liver
returns     can you imagine the furor     the blaze     the pecking eternal
he watches    tweets from    Oval throne     never discriminated
the violence     a terrible thing     the mud of mankind    melting from the fire

 


Jake Phillips is a first-year poetry MFA candidate at the University of Massachusetts, Boston; a former teacher; and a former librarian. His writing has appeared in Z Poetry’s anthologies Massachusetts’ Best Emerging Poets and America’s Emerging Poets: Northeast Region. He currently works as a publishing assistant for Hanging Loose Press. Find him on Twitter @itsjustJp.

Photo credit: schizoform via a Creative Commons license.

Nothing Happened

By Jane Snyder

 

When I woke, Suzie was still asleep, lying on her stomach, her bottom a little raised. She looked cute, like a baby, and I tiptoed from our room with exaggerated care. If she teased me I’d use it against her. Suzie with her big butt in the air, I’d say.

I went downstairs, was in the kitchen before I realized my father was there, at the table, the papers he was grading spread in front of him. My mother stood at the sink looking out the window at our dog in the backyard.

My father eyed my baby doll pajamas. “You’ve been told not to leave your room until you’re dressed.”

“Her clothes are in the dryer.”

“She can make her own excuses; she’s good at it.”

My mother shrugged. “You ever notice how Finn looks over his shoulder when he poops?”

“That’s enough, Elaine.”

He turned to me. “Greg Duenow saw you walking Finn. He said it looked as if Finn was walking you.”

I didn’t know who Greg Duenow was, didn’t ask because it might be something I was expected to know. Another instructor at the college, maybe.

Finn was an Irish Setter, handsome, attracted notice. Usually he pranced beautifully, liking the style of it, but he outweighed me by twenty pounds and, when something caught his attention, he took off, dragging me behind.

“If you’d hold the leash right, the way I showed you, he’d obey you. Your sloppy ways are ruining all my hard work with that dog.”

He paused for an answer.

“The dryer just stopped,” my mother announced. “Get your tennis dress, honey. Suzie’s too.”

Little gingham dresses, hot to the touch, tight in the waist with full, short, skirts. Suzie’s was pink and mine was blue. My mother said the ruffled gingham panties we objected to were the same as shorts because we wore them over our actual underpants, just like real tennis players. We didn’t like sister dresses anymore because they emphasized that I was thin and Suzie was plump. Mutt and Jeff, an adult would be sure to say.

I went downstairs again when I heard my father leave. Sometimes my mother made me a dish she called a sweet omelet, and I hoped she’d do that today, sit and talk with me while I ate, but she was stretched out on the couch with her book, her coffee and cigarettes, Finn.

“Somebody’s looking mighty pretty today.” She didn’t look up from Giles Goat-Boy. “Why don’t you go out for a walk before it gets too hot?”

“I’m not taking Finn. Daddy doesn’t like the way I walk him.”

She was reading and didn’t answer.

I liked walking past the convent six blocks from our house. The nuns weren’t on view this time of day. I’d been fascinated by them when we got Finn last year and I’d started taking him with me. I’d loved the gleam of gold beads dangling against their long black skirts, but I didn’t care anymore; figured it was Finn they liked. The convent itself, a house, a mansion really, donated to the sisters, was the real attraction. Dark red brick, turrets, casement windows. I’d had experience with places being exciting on the outside, dull on the inside, so I imagined it as I liked. Old-timey, me in a soft white dress walking through the conservatory, orchids in riotous bloom, seating myself at a grand piano, accompanying myself as I sang an aria. At the sound of my voice, the servants would look up from their tasks, sigh with pleasure. I’d visit my mother in her boudoir. She’d wear a peignoir, like Eva Gabor’s on Green Acres, and she’d smile, say I brought the sunshine with me.

On my way home I planned the supper for my coming out ball, my debut. Chicken salad, I was thinking, chocolate cake, when the white sedan stopped beside me and the driver leaned over to open the door on the passenger side. “Sis,” he said, and I took a step toward him.

His thick face appeared discolored, gray. He was sweaty, a thin film of perspiration on his high forehead.

We looked at each other. I didn’t recognize him, couldn’t think of anybody who called me “Sis.” Not wanting a report of my being rude to an adult to get back to my father, I said hello.

“Well,” he said, looking at me steadily, “well.”

My daydreams fell away. Something important was happening. The man didn’t offer candy but I knew him at once for a stranger, the stranger they’d warned us about, the stranger who wanted you to get in his car.

“Your mom wants me to take you home.”

I walked away quickly. The car turned at the corner, away from me, and I saw this as evidence that I’d met the challenge successfully, recognized danger and acted decisively. Even the small, neat houses I passed on my way home seemed promising, reflecting the change in me.

I’d talk to my mother alone, I decided. No need to involve Suzie. My mother would be upset; I’d reassure her. I’m fine, I’d tell her. Nothing happened. Only we should call the police right away. Notify them.

I imagined telling my father. He’d sit beside me on the couch, listen solemnly, tell me I’d done well.

Suzie was dawdling over breakfast. My mother was peering into the refrigerator. “This isn’t enough ham for sandwiches. Don’t drink any more milk. Your father has the car.”

For a moment I hesitated. I’d have been more sure of myself if the man had been less bland, more frightening in appearance.

“Oh, for God’s sake,” she said when I asked to talk to her alone. “Just say it, whatever it is.”

She laughed when I told her, said she didn’t believe me.

I went upstairs, disappointed, lay back on my bed with a library book. After I’d finished a chapter I heard her talking on the phone.  She sounded amused. “I’m sure it’s nothing. She may have misunderstood. She’s got quite an imagination.” So that was no good. Everything would be the same.

She called up to me, telling me to wash my face; someone was coming to talk to me.

A lieutenant. I could tell from his bar. He was so tall that my mother, who stood on a level with my father, looked up to talk to him. Finn pushed his red head against the blue serge of the lieutenant’s trousers. The lieutenant ignored him, looked sourly at my mother when she told him she hadn’t wanted to call because she thought I was exaggerating.

“Where may I speak to your daughter privately?”

“Oh, but surely…” she remained amused, her manner implying too much fuss was being made.

“If that’s acceptable to you, Miss Sloper?”

He opened the door to the dining room for me, shutting it behind us, as if he were in his own house.

Back then, if a man wished to endear himself to a child, establish himself as a trustworthy figure, a pal, he’d offer you a stick of gum, address you as Sport or Princess. The lieutenant didn’t do this, didn’t smile, didn’t ask what I liked best at school, say recess, I’ll bet. He pulled out a chair for me, sat down, opened his notebook, asked for my full name and date of birth.

The location, the car. Did anyone else see? What color was the interior? Did I notice anything inside the car? Did he have scars? Did he wear a watch? A ring? Glasses? Did he sound like someone from around here? Was the car clean? On the inside as well? Did I think he’d get out of the car? What were my impressions of his height? Weight? Did he reach his hand toward me? The grayish tone to his skin I’d mentioned, was it five o’clock shadow?

I told him about the ashtray. My mother didn’t smoke in the car; my father said the stink would lower resale value, so the ashtray, open and overflowing with butts, stood out. They weren’t Pall Malls I knew, because my mother smoked those. Brown at the end, I told the lieutenant, with a thin blue stripe.

“Filters,” he said gravely. “Kents, perhaps. This is very helpful, Miss Sloper.”

My mother was at the door when we came out into the living room. “I hope she was good for you.”

He didn’t answer; nodded at me.

My mother laughed weakly after he’d gone. “My,” she said, “my.”

I became conscious of the expanse of thigh my tennis dress revealed. “I’m not going to wear this anymore.” I pulled at the gingham skirt. “It’s babyish.”

I expected my mother to say no, she did enough laundry without me changing clothes like a Barbie doll, but she didn’t answer and I went upstairs, took off the dress and panties, sending them sailing dangerously into the corner. I told myself I didn’t care and put on what I liked.

My father was standing at the foot of the stairs when I came down for lunch, smiling. “Here she is!” He reached up to swing me down, back up, then down again.

I knew, from his changed manner, that my mother had told him.

She set out a plate of bread, cheese, scrag ends of ham and beef, pickles, hard boiled eggs, said she’d cleaned the refrigerator out.

“Ah, a ploughman’s lunch,” my father said, determined to praise where he’d found fault before. He was charming to Suzie when she asked what a ploughman’s lunch was, speaking in a British accent about the cold collation you’d have in a pub, then cracked his egg against his forehead to make us laugh. “Are you sure you boiled this one, Elaine?”

Before he went back to work my father gave me four dimes. “You can take your sister to the pool this afternoon and get some ice cream on the way home.”

We hadn’t been to the pool all summer, because I was being punished, I can’t remember why. Suzie wouldn’t go without me. The money wasn’t enough for the pool and ice cream both.  My father took us so infrequently to the ice cream truck, money pit, he called it, he didn’t know the Good Humor man had raised his rates. We could get candy, I thought, reaching for the money.

“Don’t just keep going off the diving board,” my mother said when we left. I didn’t know how to dive but I liked the springy feeling when I jumped from the low board. “You can do it three times. That’s all.”

It was a nice afternoon, although Suzie was a pest, yanking my pigtails and yelling, “Ding dong, Avon calling.” She wouldn’t let me out of her sight that day or the rest of the summer.

I didn’t connect the police cars we saw outside the pool and the playground with what had happened, but the next day there was an article on the second page of the paper: “Red Hawk man charged with Indecent Liberties.” I was sorry my name wasn’t in the paper, but I knew it was me, the ten-year old girl he’d approached in the University District, an hour after he’d lured a seven-year-old playing in her yard on West Ninth into his car.

It didn’t seem so bad to me, what he’d done. A child who’d been made to lift her skirt and pull her pants down so her father could beat her with his belt, a child who’d heard the excitement in his throat when he spoke of bare bottom spankings, a spank sandwich, your bottom red as that apple, heat your own bath water for a week by the time I’m done with you—over and over—was not moved by the account of another child’s genital area being patted over her clothing, of a hand placed across her mouth.

 


Jane Snyder is a retired social worker. She lives in Spokane, Washington.

Photo credit: R. Nial Bradshaw via a Creative Commons license.

Ring-a-Round the Rosie 2019

By Heidi J. Lobecker

 

Ring-a-round the playground

A backpack full of bullets

Pop! Pop! Pop!

We all fall down.

 


Heidi J. Lobecker has lots of fun writing. If it‘s not fun, she finds something better to do, for example: reading, sailing, camping, and eating s’mores.

Photo credit: Edwin Rosskam, Chicago, Illinois, 1941, via the U.S. Library of Congress