Tragic

By IE Sommsin

 

Tragic, that whore of a word, conjoining with demagogic scheme and crazy scam and the most shameful patriotic sham, to dress up the bleak disaster they bring.

It’s wonderful how one word neatly pricks swollen outrage, obscuring rightful blame

so there’s no cause to curse and name by name the breathtaking scum and their clever tricks and words woven to hide their vicious traps.

You may think your indignation’s burning, but it’s the wheel of history turning—

only friction and smoke, you trusting saps. It’s fate; shit happens, and that’s all you get, not justice, not remorse, never regret.

 


IE Sommsin, a writer and artist from Kentucky, lives in San Francisco and has a fondness for sonnets.

EDITOR’S NOTE: If you like what you’re reading, please make a contribution to the cause. Give a sawbuck here.

Photo credit: Christopher Najewicz via a Creative Commons license.

Our List

By Eric Lochridge

 

We are making a list of people who could hurt us.
Their names often are not easy to spell.

Could Al Sharkey, auto mechanic in Michigan,
be one of the al-Sharki clan of Yemen?

With no easy way to know, our list
will claim he is not one we can trust.

House to house, Arshad to Na’im to Zufar,
our list will compile the odd names,

dotting its I’s and crossing its T’s
uniformed men in the driveway,

pistol escorts prodding neighbors to trains
bound for a safe space—towers and spotlights,

mass showers and razor wire fence.
Our list will keep track of them like before,

tattoos down their wrists,
hoods to keep them calm as falcons.

Disinterested in true identities—blessed,
brave, honest—our list will ask questions

about alternate spellings and correct pronunciation.
If the answers do not satisfy, if the interrogations fail

to muster remorse, penitence, respect,
our list will feel obliged to enhance its techniques.

To hear the names it wants to hear, our list
will hurt those who have not hurt us.

 


Eric Lochridge is the author of Born-Again Death Wish (Finishing Line Press, 2015), Real Boy Blues (Finishing Line Press, 2013) and Father’s Curse (FootHills Publishing, 2007); and the editor of After Long Busyness: Interviews with Eight Heartland Poets (Smashwords, 2012). His poems have recently appeared in WA 129 and Hawaii Pacific Review. He lives in Bellingham, Washington.

EDITOR’S NOTE: If you like what you’re reading, please make a contribution to the cause. Give a sawbuck here.

Photo credit: Stephanie Young Merzel via a Creative Commons license.

Deep Blue She

A music video by Tanuja Desai Hidier, featuring:

ANOUSHKA SHANKAR on Sitar

JON FADDIS on Trumpet

AMITA SWADHIN on Testimony

VALARIE KAUR on Watch Night Service

TANUJA DESAI HIDIER on Vox

& The We

A note from Tanuja: Happy Women’s History Month—Every Month!

The “Deep Blue She” music video-remix PSA is a grassroots/DIY/collective project featuring 100+ activist artists, musicians and writers, mostly women of color. The video was filmed over the course of a year, mostly on cellphones, by us, all over the world, the idea being that we choose the frame, the angle, the light. We tell our stories ourselves.

Please join the #mergrrrlmovement and dive in. We’re hoping to get eyes and ears on this, and concrete help to the causes: Proceeds from sales of the remix on Bandcamp go to rotating charities—pick your price—beginning with the Mahendra Singh Foundation (founder, activist and acid attack survivor MoniCa Singh is in the video, too).

We’re open to what the next charity to receive funds will be. If this video can be a useful tool for you, please email me at ABCreativeD@ThisIsTanuja.com.

Thank you,
Tanuja

Those involved in the production’s creation include:

  • Anoushka Shankar (six-time Grammy nominated sitar player/composer)
  • Elizabeth Acevedo (writer/Poetry Slam Champion)
  • Priyanka Bose (activist/actor from the film Lion)
  • Reshma Gajjar (artist/actor/dancer; The Girl in the Yellow Dress La La Land)
  • Shenaz Treasury (actor/TV host/writer/travel vlogger Travel With Shenaz; in The Big Sick)
  • Fawzia Mirza (actor/writer/producer/creator; cowrote, produced, stars in Signature Move with Shabana Azmi)
  • Abhijeet Rane (model/drag queen/artist/activist)
  • Leslee Udwin (filmmaker/human rights activist; director of India’s Daughter)
  • Ivy Meeropol (documentary filmmaker; Indian Point, The Hill, Heir to an Execution)
  • Kayhan Irani (storyteller/community engagement strategist/ 2016 White House Champion of Change)
  • MoniCa Singh (influencer/international philanthropist and president and founder of The Mahendra Singh Foundation to aid girls/women who, like her, are acid attack survivors/ have survived such kinds of trauma)
  • Mercedes Terrance (an Akwesasne Mohawk member of The Rolling Resistance)
  • Smriti Mundhra (filmmaker; Best Director with Sarita Khurana at the Tribeca Film Fest for their doc Suitable Girl!)

And award-winning writers Marina Budhos, Gemma Weekes, Kat Beyer, Uma Krishnaswami, Elizabeth Acevedo, Cynthia Leitich-Smith, Paula Yoo, Sharbari Ahmed, Mitali Desai, Eliot Schrefer, Mira Kamdar, Nico Medina, Billy Merrell sand Bill Konigsberg.

The Editorial

By Trevor Scott Barton

 

Jan sat at her desk, staring at a blank page in her notebook. Her left hand was balled into a fist sitting in the palm of her right hand. She shrugged her shoulders deeply and lifted her head from the page.

She had pulled up the blinds on the large window facing Main Street, hoping to fill her office with light from the breaking day outside. Early risers, in heavy coats and gloves, hurried from frosted cars toward the warmth of the restaurant across the street. Vapor rose from their mouths with each breath, like puffs of smoke from a chimney, and disappeared into the gray morning sky. This would be a wintry March day instead of her much hoped for spring, when the first tulips break through thawing ground.

She thought about the previous night, wondering what would be said over coffee at the Scrambled Egg. When they looked at the front page of the Greenville News, when they saw the headline, would any of the words be good words, words that could heal instead of hurt, forgive instead of hate?

She tried to find these good words inside herself, believing her editorials could shape actions and thoughts in the tense days to come. Or did she believe?

She pictured her neighbors, listening to the morning news on the radio or watching it on T.V. Having spent her life in Southern towns like Greenville, she knew thoughts and feelings about immigration and immigrants were shaped long before someone read an editorial, long before that someone was born.

How could her neighbors—people who ate with her, people who went to church with her, people who lived a good definition of civility—so quickly lose that civility when faced with issues of immigration? What was it about immigrants that raised pulse rates, flushed faces, clenched teeth and pounded fists in anger in an otherwise friendly place?

She rose from the chair, leaving the notebook at her desk. Her knees creaked and groaned as she stood, laboring to lift her body up and away from her morning task of trying to answer unanswerable questions and to question unquestioned answers.

 


Trevor Scott Barton is an elementary school teacher and a writer in Greenville, South Carolina. Follow his work on Twitter @teachandwrite.

A love poem for my sister in revolution

By LJ Hardy

 

Your jaw
set fierce
in the shape of battle
clenched
against the storm
you face
by the weapons
of a life
I long for
when I’m lost here.

My feet grounded
precariously
in the roots of intention
integrities
inconsistencies
in the record of my birth.

Your name
unfamiliar to my lips
like the taste of sweet Lanzones
grown from an earth
where my history
has drawn the blood of yours.

Your eyes
traveling the grounds of sinew
landscapes of war.

My love
knows what I want
from you
to fill anemic spaces
market forces
American skin.

To draw
surplus from your bones
for stories
poems.

To build factories
fill emptiness
with crunch
Balut
baby ducks
in eggs
slivers of fish
for breakfast
dried.

Chants from jeepneys
passing cities
apples cost more than mangoes
you say
pointing out
an example I will draw on a thousand whiteboards
guiding students
smash imperialism
Imperyalismo Ibaksak!

Pristinely perfect rice
hungry bile
from long days and nights of protest
in sun
on floors
a bucket of glue.

Surplus capital
Me plus you.

 


LJ Hardy is an anthropologist engulfed in the world of academia where she researches and writes about health equity and social justice. After a life-threatening illness and the politics of 2017, she has gained the clarity to realize that it is time to write from the heart. She lives in the Arizona mountains with her daughter, 3 dogs, 14 chickens, and two ducks.

Photo credit: molybdena via a Creative Commons license.

Nabokov Shuffled

By Rony Nair

 

attention spans close in on revolving doors

where Russian roulette is doled out for free in carotid bands, in naked lunches that cavort in restless smiles—the buddha lay somnolent as a vegetable while you cut me off

and said you had to go. 3 seconds into somnolence where we take deep breaths and wade in

a second adolescence. selfish as always, selfless in doling out epithet and time.

clocks whose second hands circle left hands touching tumors on your spine.

lurching forward they cling to new buddhas of suburbia

revving in, all newness and culverts

raised in purple haze, long engagements entrapping only the parents of holy cows, anxious as ever

to sever their own triptych memories of surrender.

 

ripped up pieces of Piscean horror, innuendo

explodes across November rains and shattered plates, over mid-western skies fumigated with grass and marijuana spines. legalized in cavorting around.

our demise.

 


Rony Nair has been a worshipper at the altar of prose and poetry for almost as long as he could think. They have been the shadows of his life. He is a poet, photographer and a part-time columnist. His professional photography has been exhibited and been featured in several literary journals. His poetry and writings have been featured by Chiron Review, Sonic Boom, The Indian Express, Mindless Muse, Yellow Chair Review, New Asian Writing (NAW), The Foliate Oak Magazine, Open Road Magazine, Tipton Review, and the Voices Project, among other publications. He cites V.S. Naipaul, A.J. Cronin, Patrick Hamilton, Alan Sillitoe, John Braine and Nevil Shute in addition to F. Scott Fitzgerald as influences on his life; and Philip Larkin, Dom Moraes and Ted Hughes as his personal poetry idols. Larkin’s collected poems would be the one book he would like to die with. When the poems perish, as do the thoughts!

Photo credit: Woodcut illustration of the zodiac sign Pisces used by Alexander and Samuel Weissenhorn of Ingolstadt, from Provenance Online Project.

Two Poems by D. R. James

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Still

It all recurs for the maimed, how they remain,
or don’t, atop the plots of the buried. Those
who could do something table the question.
They relax in the rocker of their certainty,
a war, any war, an abstraction that walls off
the bursting specifics. A twenty-something friend
found he’d deployed to sort body parts. Arrayed,
they’d survive the fever sweeping a land we
could never know. Welcomed by the white-blue
atrium of a foreign sky, he’d prowl his perimeter
until his duty tapped him. Then the oven-sun
would relight his nightmare, the categories
of bone and flesh his production line. What
achievement could signal his success? What
dream in the meantime could relieve raw nerve?
The perfect tour would end when he was still
in one piece, a nation’s need ignoring the gore
behind the games, the horror nestling into
the still-living because still in one piece.

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OK, Here’s What We Do: An Allegory

Well, we enlarge the grown-up table for
the far-flung fragments of our Family.
Here’s our current Winter spent in agony,
here’s our disrespected Sister, here is War
that mushrooms undiminished, glibly tears
our global Soul to slivers. And here We are;
and here’s a Brute beside us so bizarre
that nearly nothing else we’ve known compares—
as if we’d acceded to some greater Hell.
Ah, but here’s what’s left of human Dignity.
Seated here’s Resolve to trample Travesty.
But there’s our Greatest Fear that’s hard to quell. …
Hey, this isn’t fatalistic Falderal!
We must make sure the table’s set for All.

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D. R. James’s six collections include Since Everything Is All I’ve Got, Why War, and Split-Level. Poems and prose have appeared in various journals, including, Coe Review, Dunes Review, Friends of William Stafford Newsletter, HEArt Online, Hotel Amerika, North Dakota Quarterly, Passager, Rattle, The Sow’s Ear Poetry Review, and Sycamore Review, and anthologies, including, Ritual to Read Together: Poems in Conversation with William Stafford and Poetry in Michigan / Michigan in Poetry. His new collection, If god were gentle, was published by Dos Madres Press in December 2017. James lives in Saugatuck, Michigan, and has been teaching writing, literature, and peace-making at Hope College for 33 years. Read more about James here.

“Still” first appeared in Tuck, September 14, 2017, and also appears in If god were gentle.

Photo credit: Brad Montgomery via a Creative Commons license.

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What You Need to Know

By Kristi Rabe

 

My 11-year-old son tried to stab me with his fork.

This was 5 seconds after calling me a stupid bitch.

15 seconds after I told him to go to time out.

33 seconds after I found he had played with a lighter and snuck candy from the cupboard.

1 minute after he said, “I love you, Mommy.”

20 minutes after I hugged him while we made lunch together.

An hour after he finished binge watching Pokémon Season: 1 on a lazy President’s Day morning.

A few days after he received no Valentines at school—even though he had spent the evening before making special cards for everyone.

One month after he was last stable and completely lucid.

Six weeks since the onset of the dreaded flu in our home and three weeks of bedrest.

Six months from being released from residential psychiatric care.

One year after the first time he was violent towards others—me.

Eighteen months from the onset of self-harming behaviors.

Two years after diagnosis of rapid cycling bipolar-I, with psychotic effects.

Three years from the onset of hallucinations and voices.

What you really need to know, though, is it happened four days after a man shot 33 children and staff in the halls of a Parkland, Florida, school. And, with almost clockwork precision, the white gunman was outed by news and media as being a lone wolf with mental health issues—not a terrorist or a criminal. Words like deranged and delusional became his signifier, his adjective. Survivors interviewed were not surprised; they talked about his weirdness, temper, obsession with guns, and violence.

I recognized his condition immediately, even before the list of red flags appeared in articles—before the debates on gun laws, mental health, the lack of organized prayer in school, society’s broken family values, bad parenting, and video games.

I am not trying to perpetuate sympathy for this man. His actions are inexcusable. I don’t have sympathy for him. I have empathy for his adoptive mother.

She spent her years not only as his mother, but also as his advocate through special education and problems transitioning to mainstream. She took him to doctors and battled the maze of the mental healthcare system. In the final two years of her life, she made more than two dozen calls to police, dealt with suspension and expulsion and defiance. She had to work at forgiving her child, who was apologetic and remorseful after throwing things across rooms and threatening her—and she was his only advocate until her death, from the flu.

I know exact the vacuum of guilt, fear, pain, and worry where she lived.

It took eight weeks from the onset of severe symptoms for my son to be seen by a doctor. Mild symptoms from prior years were ignored after countless tests showed no physical disease. It took six months of being seen by a doctor and therapist for official psychological testing to be ordered, and another six months before the testing occurred.

Then there are the medications. While many claim the medications the Florida man took are responsible for the carnage, because they’re given freely to stop symptoms instead of helping the root disease, this is not my experience. These medications are highly regulated down to the exact dates I can pick up new prescriptions for my son. Insurance companies also have a say and have rejected prescribed medicines, because they aren’t on their formulary. These medications were prescribed only after every other possible option was explored and years after I first sought medical help.

Medication has never been the focus of his treatment and it is a battle each time his dosages are adjusted, with the withdrawal and lethargy it causes. I would love if this were not my parenting technique, but with the very little we know about how this disease works, the trial and error of powerful narcotics is my only option for keeping my son from hearing and seeing demons, cutting himself, cutting me—stabbing me.

But even in acute care, doctors have tried to stop the medications—despite a cardiologist’s warning that suddenly ceasing the meds could cause cardiac arrest due to my son’s backwards breastbone.

The nurses, like those blaming the dead mother of the gunman and broken families as the cause of America’s shooting epidemic, believed my son’s issues were my fault.

“Stays at our facility are usually a good way to scare children into behaving,” the intake nurse said while I signed his paperwork.

“Well, there’s more to his situation,” I said.

“Do you have limits at home? Kids need stern limits.”

She didn’t hear me. “Like I said, please read the diagnosis paperwork from his psychiatrist.”

She actually laughed. “Oh, we never look at those.”

I persisted. “We came to your facility a year ago and were told you couldn’t help him because you didn’t have the resources. That was before we had a diagnosis. The social worker insisted he come here when we committed him at the ER, even though you previously rejected our application.”

“We know what we’re doing.”

“I am sure you do, but the testing he has been through is extensive. With the possibility of schizophrenia—”

The nurse took a phone call and directed me to sit in the waiting room. Five minutes later, she seemed surprised I was still there.

“Sorry, do you have more questions?”

“Do you think perhaps a transfer to UCLA with their pediatric schizophrenia unit would be better suited for his needs? That’s what the ER doctor thought was best, and the social worker said you could place him correctly after intake.”

“We don’t transfer patients.”

When he was released, I was promised a continued care plan. I didn’t receive anything but a CPS investigation. My son had told the therapist at the acute care facility—who didn’t read the information about his paranoid delusions—that we kicked his butt, literally, when he was in trouble. After hours of interviews, the complaint was dismissed, and I was given a packet of parenting classes and organizations, and a list of domestic violence shelters.

•   •   •

I don’t want to stigmatize others with mental illness. My son is a rare case, having symptoms of not only schizophrenia and bipolar, but also paranoia, OCD, ODD, ADHD, anxiety, and some autism spectrum disorder symptoms. Most do not deal with more than two or three of these illnesses. I know firsthand that the American mental healthcare system is completely broken in a way most cannot comprehend. Every service, every treatment is a battle with bureaucracy or insurance companies or both. We have been rejected from all but a few care centers out of the hundreds I’ve contacted.

So, why write about my son’s mental illness?

Because correlation does not equal causation, but society’s stigmas are not just a vague PC problem.

Because due to his condition, I censor his entertainment. He doesn’t play violent video games. He doesn’t watch violent movies. He is still obsessed with death and destruction.

Because I cannot teach him religious stories. The rainbow of his logic twists the black and white of religious dogma into paranoid delusions.

Because I have to count the positive comments I make to ensure they outnumber the negative comments. I sometimes must search for nice things to say about my own child.

Because he has to be on a formal system to understand how he is behaving. He has no sense of self-control, no impulse control; he doesn’t understand the concept of following rules.

Because my days are mundane drills of routine to save myself from battles and meltdowns. There are no day trips to a park or museum or carnival.

Because after a meltdown, I hold him in my arms and he cries and begs God to not be this way.

Because he has no friends and is considered odd.

Because his fondest wish is to be a minority so he would finally belong to a group.

Because he is convinced if he were somehow someone else, he would be okay.

Because I only get to see the real him, lucid and stable, every few months for a brief week or two.

Because his mood can shift as quickly as his bright green eyes in a storm.

Because I lock my bedroom door at night—out of fear.

Because I watch with jealousy as friends raise children and celebrate milestones.

Because I have to convince myself each day it is worth it to leave my bed and fight again.

Because I do, most days, for him.

Because I love him.

Because I lose my temper more than I like to admit.

Because I sometimes do not like my child.

Because my guilt is my personal, lonely hell.

Because I don’t want my son’s teacher to have a gun near him.

Because I contemplate his possible crimes in the future more than the possibility of his becoming a victim of violence.

Because, if he cannot control his impulses with a fork, I do not believe he has a right to a gun—no matter what men wrote on a piece of parchment more than 200 years ago.

Because I see my son in descriptions of a gunman who murdered 17 people.

Because I feel utterly alone and weak and frustrated and tired and judged.

Because I know the gunman’s mother felt the same.

Because those who use her life and parenting as an argument for or against gun control need to know how it feels.

 


Kristi Rabe is a freelance writer and construction project manager in dreary Moreno Valley, California. She is also the adoptive mother of a child with serious mental health issues and special needs. She received an MFA from UCR Palm Desert, Low-Residency Program in 2014. Her work has been published by Bank Heavy Press and Verdad Magazine. Most recently, she was featured on the Manifest Station’s literary website.

Photo credit: North Carolina National Guard via a Creative Commons license.

National Day of Atonement

By Marc Alan Di Martino

 

Scream at the empty mirror of the sky,
the waiting blue, the blinding cosmic eye,
until your pain lathes the Plutonian rim
of the Solar System.

Scream at the crystal ceiling of the sky
until it cracks up like an electoral map
of the United States, our jagged earthly cry
a collective bootstrap.

 

 


Marc Alan Di Martino is a poet, translator and teacher whose work has been published in Rattle, Verse-Virtual, The Ekphrastic Review, Poetry Salzburg Review, and the Journal of Italian Translation, among others. His interview with award-winning translator and poet Michael Palma was published in Faithful In My Fashion (Chelsea House, 2016).

He currently lives with his wife and daughter in Perugia, Italy, where he works as a teacher of the English language and is an avid skateboarder.

 

Photo credit: Kenneth J. Gill via a Creative Commons license.

Trophies and Ribbons

By Victoria Barnes

 

On a late November morning
toddlers and children drag
their parents’ silky purses
stuffed with glossy trophies and ribbons
to the sewing room.

They embroider golden
monograms,
add coats-of-arms in crewel,
tie silver coins
that dangle from purse seams.

Their parents nod.

By the rose evening
the children sing quietly
of imaginary gardens with lush fruit
and canary gingko trees,
their chores complete.

Suddenly a flash: electrified air
shatters their dreamy songs
and the children scuffle into
a protective circle
without armor or weapons,
holding hands, facing outward,
singing in fear.

Silver coins drop, tinkling.
Monograms sparkle and spark
to ash as the children drop
the purses, scattering
trophies across rocky asphalt,
their parents’ folly exposed
by the flaming wrath of decency.

 


Victoria Barnes is a diehard native Californian who has chopped lettuce, taught creative writing, owned a toy store, and specialized in Montessori education to earn a living. Her Ph.D. is in mythological studies and depth psychology, with research focusing on Rainer Maria Rilke’s Duino Elegies. Her home is in the redwoods of northernmost California where she writes poems and takes photographs. She sneaks out from behind the insulating Redwood Curtain to spend time with family in Philadelphia and Boulder, Colorado, as frequently as possible. Enjoy more of her work here.

Photo credit: Kit-Bacon Gressitt via a Creative Commons license.

Who Will Kneel for You: Artists Speak Out

From The Root

Anna Deavere Smith and a chorus of artists recite the poem “To Kneel,” by Kathy Engel, in support of 2018 NFL protests and the right to dissent, and against racist police violence.

 

 

 

 

 

Visit The Root – Black news, opinions, politics and culture

Cartoon credit:  Drew Sheneman, Newark Star-Ledger (Newark, N.J.), via a Creative Commons license.

Cop Sonnet

By Keith Welch

We’d like to think that all our cops are fearless

that their well-trained minds are sharp and quick

but certainly they’re worse than useless unless

they can tell a pistol from a stick

Or when a suicidal person’s begging

for an ending to their tortured grief

does a policeman’s duty include abetting

desire for a terminal relief?

The cops who will not see us as their equals

will never act as though our lives, too, matter

and so we’ll go on seeing violent sequels

where more of us will end up dead or battered

Of course the real problem: our society;

the driving force: our middle-class anxiety.

 

 


Keith Welch lives in Bloomington, Indiana, where he works at the IU Bloomington Herman B Wells Library. He poetry has been published in Writers Resist, Literary Orphans, and Dime Show Review. He is currently writing a series of poems about how much he hates the winter in Indiana. Read more of Keith’s work at librarymole.wixsite.com/keithwelchpoetry and follow him on Twitter @Outraged_Poet.

Photo Credit: You can’t barricade an idea by Dying Regime via a Creative Commons license.

DNA-Edited Spinner for Hire

By Russell Hemmell

 

Delphis—the Cheerful One—had known it since the beginning. She was going to remember the day the magic of gene editing was discovered in the multifaceted and famously riotous dolphin world.

It could provide a way for the planet to survive climate change, the developers claimed. Once we upgrade, uplift and upscale, we’ll teach the Dumb Ones in Command (read: humans) how to do deal with it.

True or not, the possibility itself was too good to be ignored.

Now, Delphis had expected outrage and disagreements, yet things turned out to be, as often happens, worse than that. Not only was there no consensus among the forty-three species of dolphins inhabiting the seas and the rivers of the blue planet, their quarrels escalated to a full-fledged (holy) war.

Amazon River dolphins—the Elder and Quiet Ones—rallied the rest of the river brethren and shunned the marine cousins away: Nothing can be gained by summoning the devil in the shape of a nasty, alien-looking technology. Weren’t human-devised climate change remedies worse than the ravages themselves? Bugger off. And don’t try to chase us up here, you sinners, or we will feed you to the piranhas.

Delphis was not surprised. Land-bound creatures were always more conservative. Remaining in the same environment all their lives didn’t help them develop an open mind. In the seas, as a matter of fact, positions were more diverse, if not always positive.

Spinners like Delphis and Bottlenoses were definitively interested in a few abilities that could give the clade an edge over the other Earthian species, marine or not, and so were the Pacific White-Sideds, although with somewhat less enthusiasm.

Others were not convinced, and Killer Whales—the (consistently) Worried Ones—were more doubtful than the rest.

Dolphins communicate but don’t talk; they whistle to one another, the naysayers said. Dolphins stay in the sea; they don’t walk around like monstrous bipeds or quadrupeds over a disgusting grey surface. Dolphins certainly do know better than messing with things they can’t manage, say, a past they can’t change, a future they can’t predict, a present they don’t even understand. They’d learnt the hard way to remain in the oceans and do climate change damage control—a time-consuming activity indeed. Dolphins definitively do not interbreed. And with whom—humans, maybe? That’d go in the opposite direction of any DNA upgrade—rational thinking first.

Oh, weren’t you the ones supporting the out-of-the-pond mating? Delphis chirped, immediately fin-slapped by her mother.

Bottlenose-—the-Rebels—were, as usual, the most outspoken (brash) of all species of the clade, using scientific evidence to reinforce their statements and with the clear intent of silencing contrary opinions.

Gene editing was not only good for acquiring skills not inherent to the species—although, they conceded, this was debatable—it was also effective for eradicating diseases, repairing biological damage and, once and for all, fighting those climate change effects their dear human friends seemed unable to understand, let alone to cope with.

Dolphins debated at length pros and cons of the procedure, which gained support especially among the calves, Delphis first of all. A 5-year-old Spinner with considerable migration experience no matter her young age, she was eager to pick up the challenge. What she fancied the most was getting Orca-like black and white spots. And talking, well, she would have loved that, too. Whistles and chirps and blips only worked to a point when it came to communicating with other mammals that didn’t understand the complex dolphin code.

Ethical aspects were also discussed, including the very idea of modifying by engineering something that was maybe better left to Mother Nature and its evolutionary laws.

But, Delphis mused, what if conditions changed and good Mother Nature was just too slow to take care of them? Dinosaurs and other poor Cretaceous creatures had probably made the same considerations, once upon a time.

With power comes responsibility, kids, the wise Clymene dolphins warned, making them all remain in a concerned silence. Extreme upgrade would most likely turn dolphins in the most powerful clade of the entire planet, with the moral duty of securing a future for the others. Are we willing, and, more importantly, are we ready? Once you are able to fly as an eagle and talk as a man endowed with tiger-like fangs and maybe other more esoteric capabilities, you might well start thinking you’re a deity, and be tempted to behave like one.

The brethren were not impressed with what they knew about the human gods.

Time passed by and, after many years of passionate arguments, the worldwide Delphinidae family, all species eventually in agreement, decided to avoid gene editing for the time being: It was too dangerous to mess with something you can’t grasp in all its complexity. A more advanced and wise species, most likely a non-Earthian one, would have to make an informed decision about that, in a far-away future—and, hopefully, deal with climate change, too.

Delphis—the (still) Cheerful One—on the other hand, secretly made the opposite choice. She could, since she belonged to the pond that discovered gene editing in the first place. She got the desired DNA upgrade as a coming-of-age gift and ended up joining one of the marine conservation parks in the Caribbean, working with a mild-mannered marine biologist under an always-shining sun. The scientist taking care of her was smart and willing to learn, already marveling at the unusual, amazing communication capabilities the new Spinner in the swimming pool was demonstrating.

Amazing—and amazed—Delphis had every reason to be so: As she had soon discovered, humans had just begun debating that thorny DNA upgrading issue that for so long had troubled the dolphin world. The science behind it was in its infancy though, she realised: They still called it genome editing, which was something far more primitive.

Clearly, they hadn’t the palest idea about the medium, its possibilities or even where to begin. Apart from playing mad scientists and writing shallow horror stories, their expertise only sufficed for some sheep-cloning, studying the basics of the double helix or messing with fruit fly genes. No DNA swapping or saving the world from greenhouse gas emissions any time soon.

But hey, you have to start somewhere. Delphis was there and keen to help them succeed, one spin at a time.

 


Russell Hemmell is a statistician and social scientist from the U.K., passionate about astrophysics and speculative fiction. Recent stories have appeared in Aurealis, Not One of Us, Third Flatiron, and others, and she was a Finalist in The Canopus 100 Year Starship Awards 2016-2017. Visit her website at earthianhivemind.net and follow her on Twitter: @SPBianchini.

Photo credit. NOAA.

 

Two Poems by Peggy Turnbull

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Kristallnacht, Again

In Indiana, empty-headed cornstalks wave
at the interstate. Peeling wooden crosses
lurk among the goldenrod, forgotten.

Deployed decades ago with evangelical zeal,
they decorated Appalachian highways when
my friend Daniel still lived in West Virginia.

They unleashed his crystal nightmares of Vienna.
He knocked at our screen door, asked,
If they come again, will you hide me?

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July Evening, West Virginia

I gather stunted apples
from the garden
peel them, carve out
their bruised flesh
put them to simmer
with cinnamon

On the radio
a woman’s voice
recollects the death
of a famous poet
how his friends
sat on the floor for hours
attending the old Buddhist
as he slowly let go

I don’t have time to meditate
A child needs me
I stir the pan
certain he will love
whatever I find good

The poet at last surrendered
left his queer poems
to the living
for queer children
to someday find
and gain strength
from the joy of their holiness

We eat and go outside
watch fireflies blink
as the darkness grows

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Peggy Turnbull is a poet and former academic librarian who has worked in public colleges and universities in Texas, West Virginia and Wisconsin. Read her recent poems in Postcard Poems and Prose, Mad Swirl, Nature Writing, and Three Line Poetry. She is a member of the Wisconsin Fellowship of Poets and blogs at peggyturnbull.blogspot.com.

Photo credit: Ashley Harrigan via a Creative Common license.

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Organic Gardening

By Maria Van Beuren

 

It’s a matter of pulling weeds

And laying them down where they can rot

And feed the plants you want.

When weeds are small,

They require you to claw in their dirt,

But then you learn to let them grow large

And fat on rain and sun—

They grow confident,

Their grip less desperate,

And they are easy to uproot.

 


Maria van Beuren is an indexer, editor, and poet who lives in New Hampshire, where she runs Toad Hall Poets’ and Artists’ retreats for writers, artists, and musicians. She also wrangles six dogs and five chickens in her “spare time.”

Photo credit: Beyond DC via a Creative Commons license.

Brown, Orange, and Beige Like Caramel

By Alexander Schuhr

 

“Maybe you want to play with him,” the woman says, leading the little girl toward a toddler sitting in the sand. The boy doesn’t need anybody to play with. He is completely absorbed with his task of shoveling sand into a bucket. Nevertheless, this woman seems terribly eager to see her girl join him in this endeavor. She proceeds to drag her child away from my daughter.

For my daughter, the fact that everybody has a different color is as self-evident as mundane. Her stuffed dinosaur is green, her plush duck is yellow, and she has a pink teddy bear. Similarly, mommy is brown. (A more accurate description than “black.”) Daddy is orange. (Inaccurate, as far as I’m concerned, but so is “white.”) She describes herself as “beige like caramel,” sometimes clarifying “like Leela,” an Indian-American character in Sesame Street, portrayed by the actress Nitya Vidyasagar. (Comparable complexion, though different ethnicity—but why would she care about that?) In the protected world of our home, I have a comparably innocent approach to skin color. In the outside world, however, a different reality imposes itself.

In the two years of her life, my daughter has undergone a complex transformation of racial identity, unbeknownst to her. For some time after her birth, her complexion remained very similar to mine, and her hair was straight. People considered her Caucasian. On more than one occasion, my wife was asked, with an insolent tone of disbelief, if she was the mother. Then, there was an extended period of ambiguity. The child’s hair became curlier. Her once milky skin tone turned into café au lait, still with lots of milk but just enough coffee to keep people guessing. Few would guess out loud, of course. People feel much too uncomfortable talking about race. I’ve seen them several times, the relieved expressions on faces, like when a bothersome puzzle is solved, when either my wife or I appeared next to the other, thus clarifying my daughter’s race.

Her skin became only slightly darker. At some point, she must have crossed a threshold, though, and the “one-drop rule” went into effect. Then she was no longer “ambiguous” but “black.” Suddenly it was an overwhelming majority of black people, occasionally other “people of color,” who would interact with her, call her cute, and tell me how beautiful she is.

Along with her apparent transformation to “blackness,” came my worry that she may be subjected to the same vicious, sneaky forces that I’ve seen too many times applied to my wife. Social scientists call them “new racism” or “racial microaggressions,” these subtle traces of racial bias in everyday situations. They are faint symptoms of a social disease, well known to virtually any minority group, yet often unacknowledged by the Caucasian majority. They are harder to spot than the hateful slogans of the white supremacist with the swastika tattoo, the degrading slurs of the hooded clansman, or even the thinly disguised attacks of the populistic demagogue that are effortlessly decoded by his intended audience. No, new racism is subtler, less identifiable. It is conveyed by the flight attendant whose cheerful demeanor becomes cold and distant when serving an Asian passenger, by the group of giggling co-eds that turns silent when the Hispanic classmate enters the lecture theater, or the motorist who, while waiting for the green light, feels compelled to lock the car when he spots the Black pedestrian on the sidewalk. The ambiguity of these signals makes it difficult to identify their nature. Each isolated incident may be vague and open to alternative interpretations, but their aggregation makes all doubt vanish.

And now there is that woman, who pushes her daughter away from mine, toward the deeply absorbed toddler with the shovel. She gives me a nervous smile, which reveals uneasiness as well as defiance. I don’t smile back. While I feel offended by her action, I cannot be certain of its meaning. Part of the viciousness of subtle racism lies in its obscurity to the recipient, and sometimes even the perpetrator. Consequently, I find myself wondering whether I am too suspicious. Maybe it’s innocent. Maybe she knows the little boy and fears he is lonely or bored. Maybe she fears older kids (my daughter is not older than hers, but unusually tall for her age). Maybe she fears me, the only dad on the playground. I try to find other explanations, but cannot ignore the one reason that seems to be an obvious possibility, and I dread the day this reason may appear equally possible to my little girl.

Yet, it is a bitter truth that she will become aware of racism in its subtle and not so subtle forms. And it is my duty to prepare her, so that she will be able to identify the deficiency in the senders of such messages and never attribute it to herself. It is a duty I face with the utmost determination, but also with profound sadness. I cherish our protected world, where people are simply brown, orange, or beige like caramel.

 


Alexander Schuhr is an author, essayist, and scholar. He was born and raised in Munich, Germany. Before coming to the United States, he lived in various countries in Europe and Sub-Saharan Africa. He holds an M.A. in political science and a Ph.D. in economics. He writes fiction and creative nonfiction.

Photo credit: Kevin Pelletier via a Create Commons license.

This essay previously appeared in Brain, Child Magazine and The Good Men Project.

Our Love Exists in Shadows

By David Hanlon

They are like the sun—
all-seeing, blazing
down on us
from unreachable heights.

We can’t look directly
at them, for, as tempers
flare, they will incinerate

our eyes, cast scalding
hot rays and finish off
our faces.

And where can we go?
Only the shadows
can offer us a home,
where we can be
comfortable,
affectionate;
where the holding of hands,
the caressing of fingers,
won’t go up in flames,
before,
simmering with anger
on the tip of your tongue
you can say,
with great conviction,
or try to—
I hope that made you feel good.

Our love exists in the shadows—
and if it must, I know
we’ll let love flourish
within these shaded boundaries:
create our own
light-source.

Now, when the sun people look down
at their shadows, on a bright
yet humid afternoon,
and watch how we dance
with unbridled joy,
how we animate
a perennial warmth,
they’ll suddenly feel,
even if for a short while,
a burning
loneliness.

And we,
we are light-keepers,
light-bearers,
predisposed
to love
in dark places.

 

 


David Hanlon is from Cardiff, Wales, and lives in Bristol, England. He has a BA in Film Studies and is training part-time as a counselor/psychotherapist. He has been writing poetry over the last two years, drawing mostly on his life experiences. You can find his work online at Ink, Sweat & Tears, Fourth & Sycamore, Eunoia Review, Amaryllis, Scarlet Leaf Review, One Sentence Poems, Anti-Heroin Chic, and Leaves of Ink, and it is forthcoming in Déraciné Magazine. You can follow David on Twitter @DavidHanlon13.

Photo credit: NASA.

Fireweed

By Karen Shepherd

The fireweed flowers push back, clusters pink:

defiant color breaking through the grim

scorched landscape. Spikes of petals linked

to capsules bearing silky seeds that swim

through summer smoke, volcanic flow, the bomb’s

destruction. Wispy parachutes released

by wind, the fluffy strands transport with calm

the cells’ reminder that there might be peace.

She spreads her seeds to places dark and far

and colonizes meadows left to mourn.

Persistent despite the earth’s burning wars,

she always will find ways to be reborn.

A shadow’s cast in our national sky.

Small hopes she holds on stems that reach so high.

 


Karen Shepherd is a public school administrator who enjoys reading, writing and reflecting on the small moments in daily life. She lives with her husband and two teenagers in the Pacific Northwest, where she kayaks, walks in forests and listens to the rain. Her poems and fiction have been published in riverbabble, Literally Stories, CircleShow, Sediments Literary Art Journal, Dime Show Review, The Society of Classical Poets and Poets Reading the News.

Photo credit: Flaezk via a Creative Commons license.

Two Poems by Leslie McGrath

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Agnostic

She with
her sac
of eggs
strung between
curved wall
& clapper
doesn’t know
her world’s
a bell.

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Estrangement

Ripped
at the seams

the garment
laid out
for viewing

is a garment no longer

Child from mother
from sister from brother

Each an ostracism
ultimately
of the self

No punishment’s
more intimate
than this

in which
she who suffers most
the absence, loses.

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Leslie McGrath is the author of two full-length poetry collections, Opulent Hunger, Opulent Rage (2009) and Out from the Pleiades (2014), and two chapbooks. McGrath’s third collection, Feminists Are Passing from Our Lives, will be published in April 2018 by The Word Works. Winner of the Pablo Neruda Prize for Poetry (2004), she has been awarded residencies at Hedgebrook and the Vermont Studio Center, as well as funding from the CT Commission on the Arts and the Beatrice Fox Auerbach Foundation. Her poems and interviews have been published widely, including in Agni, Poetry magazine, The Academy of American Poets, The Writer’s Chronicle, and The Yale Review. McGrath teaches creative writing at Central CT State University and is series editor of The Tenth Gate, a poetry imprint of The Word Works Press.

Photo credit: Mon Oeil via a Creative Commons license.

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Dragoness

By Kayla Bashe

 

russet, maroon, and burgundy, darker even than flame

like roses; not the cloying petals, but the green heart of their living, sharp and fresh (call her a dream without a name)

lindworm, sigil hoard

narrowing into ultraviolet above abrasive glowing scales, daring the world to answer for its sins

polished like summer-thunderstorm air over the luminous, icemelt under the sun.

transformative anger. She is made of fire.

 


Kayla Bashe is a student at Sarah Lawrence College. Her fiction and poetry have appeared in Strange Horizons, Liminality Magazine, Mirror Dance, Ink and Locket’s Warriors anthology, Breath and Shadow, and Cicada magazine. She has also released several novellas. Find her on Twitter at @KaylaBashe.

Image credit: Clix Renfew via a Creative Commons license.