Evidence-Based

A Poem Against Tyranny

 

By Margarita Engle

When words are banned by a president
who imagines that limiting language
is his entitlement, all poets must use
our vulnerable freedom of speech
before we lose it the way transgender people
can lose rights, the White House has lost
diversity, and any fetus might lose hope for
a healthy future, simply because
medicine is only for the rich,
and science-based facts
are prohibited—but only UNTIL
the deceptive election is investigated,
and truth once again
sets us free.

 


Margarita Engle is the national Young People’s Poet Laureate and the first Latino to receive that honor. She is the Cuban-American author of many verse novels, including The Surrender Tree, a Newbery Honor winner, and The Lightning Dreamer, a PEN USA Award winner. Her verse memoir, Enchanted Air, received the Pura Belpré Award, Golden Kite Award, Walter Dean Myers Honor, and Lee Bennett Hopkins Poetry Award, among others. Drum Dream Girl received the Charlotte Zolotow Award for best picture book text.

Her newest verse novel about the Cuba is Forest World, and her newest picture books are All the Way to Havana and Miguel’s Brave Knight, Young Cervantes and His Dream of Don Quixote.

Books forthcoming in 2018 include The Flying Girl, How Aida de Acosta Learned to Soar and Jazz Owls, a Novel of the Zoot Suit Riots.

Margarita was born in Los Angeles, but developed a deep attachment to her mother’s homeland during childhood summers with relatives. She was trained as an agronomist and botanist as well as a poet and novelist. She lives in central California with her husband. Visit her website at www.margaritaengle.com.

Photo credit: Amparo Torres O. via a Creative Commons license.

A Modest Proposal

By Dina Honour

 

From Business Day:

A big name greeting card company today announced a launch date for its highly anticipated new range of greeting cards. The Second to None cards were designed in response to the increase of gun-related casualties, and specifically targets consumers looking for a way to reach out to friends or relatives affected by gun-violence.

The range differentiates itself from normal sympathy cards, the company said, by addressing the tragic unavoidability of gun-violence rather than focusing on grief or loss.

“We noticed the words ‘tragic’ and ‘unavoidable’ had reached a saturation point in the media, particularly among politicians and media outlets,” said the company’s spokesperson S. Wesson. “Our thinking was there was enough of a gap in the market to warrant some research into how such a range would go over.”

“Our research showed that a large percentage of Americans view gun violence as an unavoidable fact of life in the United States. We wanted to give the public a way to express their feelings about gun-violence in a non-confrontational, non-denominational, non-threatening way,” Wesson continued.

A limited test run of a card featuring a tasteful black and white copy of Second Amendment text, with the message “Our thoughts and prayers go out to you,” proved to be successful enough that the company expanded the concept into a full-blown collection, including a number of original designs.

“It’s a uniquely American problem which deserves a uniquely American solution,” Wesson said.

The company is quick to point out its goal was not to make a statement about gun-violence, but merely to offer an alternative.

“We don’t hesitate to send a birthday card as a way to acknowledge an important day. This is no different really. With victims of gun violence on the rise,” Wesson added, “it’s important for our customers to feel like they have a way of reaching out.”

Wesson is most proud of the company’s More Guns is the Answer line. The creators worked closely with designers to develop a collection of high quality cards, each featuring red, white and blue drawings of eagles and American flags. The cards open to reveal messages such as “May you find peace in knowing that, had your loved one been armed, he would surely have saved lives.”

Other sentiments, rendered in Comic Sans font, include “Guns don’t kill people, Planned Parenthood does” and “This wouldn’t have happened in a concealed carry zone” and “I hope your loved one’s death isn’t politicized. It’s too soon,” a personal favorite of Wesson’s.

The company is exploring plans for a lighter assortment of cards with such lines as the Right To Bear Arms, which features a heavily armed grizzly defending his front porch against a government militia and Stuff Happens, featuring cartoon drawings.

“Those cards,” Wesson said, “are obviously aimed at consumers who have had a more light-hearted experience or accident with guns. Think destruction of property rather than death or disfigurement.”

The most controversial of the company’s planned range includes what Wesson refers to as Victim Blaming cards. “The market research we’ve done has shown us there is a significant portion of our customer base who find it difficult to blame guns under any circumstance. For many, death by shooting has become an acceptable consequence for actions we used to take for granted. Talking or texting too loudly. Driving. Going to the movies. We’re simply giving our customers a way to express those feelings.”

The company has critics who have raised concerns that the card collection is capitalizing on the misfortune of others.

“America is a capitalist country,” Wesson responded. “For over 200 years we have rewarded those who have profited on the backs of others. This is no different. We are proud to be an American owned corporation.”

Wesson added, “A greeting card has always been a safe and acceptable way to express your feelings to another human being. Right now posting or delivering a greeting card doesn’t often result in getting shot. Though as recent events show, we can’t rule that eventuality out. If and when that time comes, we’ll revisit the products.”

The company is partnering with big-box retailers who have open carry policies in place. Cards will cost from .99 to 3.95 and will be available as of October 1 in time for the holidays.

 


Dina Honour is an American writer living in Copenhagen, Denmark. She writes about feminism, politics, relationships, and life abroad. Her work has appeared in Bust, Paste, Hippocampus, among others, and on popular parenting and expat sites. You can find her serious author persona at DinaHonour.com and her more profane blogger persona at Wine and Cheese (Doodles). Or if you prefer morsels, follow along in statuses and characters on Facebook or Twitter.

Image credit: Donkey Hotey via a Creative Commons license.

On Learning the Department of Justice, Using an Artistic Expression Argument, Will Side With the Colorado Baker Who Refused to Sell a Wedding Cake to a Same-Sex Couple

By Joni Mayer

 

The baker is open to the public,
may have asked his other couples
how and where they met—eHarmony,
blind date, a Boulder bar, but never Grindr—
may have been inspired by those data to use
apricot filling in place of peach mousse,
to stack four tiers instead of three,
may have lied under oath to veil his hate
when he said he’d sold gay folks birthday cakes
and retirement cakes. Artistic expression, this reason
will melt in a higher court like buttercream frosting
in the afternoon heat.
A cake is not a poem.

 

 


Joni Mayer grew up in Birmingham, Alabama and has lived in San Diego, California since 1986. After a 30-year career in academia focusing on health behavior research, she retired early to return full time to the world of poetry. Her poems have appeared in AURA Literary Arts Review, Eckerd Review, San Diego Poetry Annual, and Acorn Review.

Photo credit: Victoria Pickering via a Creative Commons license.

Rage Vow

By Cesca Janece Waterfield

 

Hang a wreath on my maiden door, pubic-black and furled,
a bough to say someone has passed over. Bury her pleats
and sweet sestinas among spring narcissus, and if you recall
the flush, soft breast that slipped free in primeval joy,

do not depend on the moon of her aureole now.
There are idiots here, whirling under Mother Ginger’s skirt.
They affirm life on a pedestal proportionately placed
between an embowelment station and a crematory. They stomp

down marbled halls with whirligigs and gee-haws scrawled Freedom,
but their whirring gadgets bear no discernible resemblance
to values their buyers hold up in skidding headlights
of their cognitive discord. I too wear the tag, Idiot, which translates

into French as d’Idiot, but still means you either pump your fist
and squawk, Sin! when the queer cashier gets shit-canned
or you scoop up your piddly change and hurry home
to a lukewarm drip of plans to stand up tomorrow, afraid

of being branded angry woman, pushed from her place
in the rank and file with tickets for tyranny and all-you-can-eat.
Lose that lottery and no more triple axle, 9 miles a gallon.
So I kept writing down forgive and om and sweet Jesus,

can I just get a Pap smear? But I swear, when I meet the proselyte
who stands at the ash heap of books and ideals to witness
there’s nothing left to burn and nothing fit for life, I will strike
a match for the animal, ignitable soul.

 


Cesca Janece Waterfield received an MFA in Creative Writing and an MA in English from McNeese State University. Her fiction and poetry have been published or are forthcoming in journals including Foliate Oak, Blue Collar Review, Deep South Magazine, Inkt|art and more.

Photo credit: Keith Ellwood via a Creative Commons license.

Pantoum for ‘Real America’

By D.A. Gray

The men we knew have long since passed.
Their bodies still fill the broadest doorways
but something in their eyes, their voice has gone
replaced by a rage that crackles over the radio.

Their bodies still fill the broadest of doorways
and their eyes follow us, from great distances.
There’s only the rage that crackles over the radio
where once warm greetings welcomed us.

The old men’s eyes follow us — from a great distance.
Maybe we just remember our small town wrong
or only think the greetings warm that welcomed us
and not simply suspicion in code.

Maybe we just remember our small town wrong
the way bared teeth appear to be a smile sometimes.
Perhaps it’s simply suspicion in code
or we forgot how far we went to save our way of life.

Bared teeth, from here, looked like smiles sometimes.
Tales across the table — the sum of what we knew.
We never questioned the myth of our way of life.
It was simpler, those images in black and white.

Stories across the table were the sum of what we knew.
Now there’s only rage crackling over the radio.
It was simpler then, reality in black and white —
but the minds we knew have long since passed.

 


D.A. Gray is the author of the new collection of poems, Contested Terrain (FutureCycle Press, 2017) and one previous collection, Overwatch (Grey Sparrow Press, 2011). His poetry has appeared in The Sewanee Review, Grey Sparrow Journal, Appalachian Heritage, Kentucky Review, The Good Men Project, Still: The Journal, War, Literature and the Arts among many other journals. Gray recently completed his graduate work at The Sewanee School of Letters and at Texas A&M-Central Texas. A retired soldier and veteran, the author writes and lives in Central Texas with his wife, Gwendolyn. Visit his website at www.dagray.net.

Image credit: DonkeyHotey via a Creative Commons license.

Meta

A short story by Colin Patrick Ennen

Antonia ducked behind a hardware store to catch her breath and avoid puking, thinking there was no way they’d look for her skinny, uncoordinated ass there. Huffing hard, she vowed to get in shape if she made it through this crisis, because either something was buzzing nearby or her body had started its own kind of rebellion. Who knew running from the Feds could be so exhausting?

Yet Toni had done well thus far, for a zealous liberal activist in the age of Trump. Sure, they had caught her in the coffee shop, about to upload. That had rattled her. And okay, she had dropped the laptop when she bolted. But that was her backup-backup—no biggie. Anyway, she retained the precious jump drive along with her wits and moral rectitude. Moreover, in the ensuing chase she’d crossed a major road, lapped a Safeway with the grace of a three-legged rhino, crossed again, run through a park, then crossed the broad thoroughfare a third time plus another wide street before she’d finally skidded to a stop in this hiding spot behind the strip-mall Ace Hardware. The library and an ally were just around the corner. But would she make it any further?

There was that damned buzzing again. Getting louder.

It crescendoed to a peak when a small black drone flew around the corner of the building sheltering her. Toni shuddered at its bug-like appearance, but at least it wasn’t one of the armed models.

The drone approached, settling into a steady hover less than ten feet away, its whirring rotors creating a slight breeze. The tiny camera mounted on its front swiveled back and forth, up and down over her body, coming to a halt aimed straight at her burning, sweaty face. Toni scowled back, planning her next move, fidgeting with the coat dangling from her right hand.

“Stop running,” croaked a mechanical voice from a speaker hidden somewhere on the flying instrument of fascism.

“Does that normally work?” Toni asked. Only she would sass a machine. But the thing bounced. Maybe she’d pissed off the operator. She permitted herself a smirk.

She juked a step left, a movement mirrored by the drone, then tossed her jacket at the device, hoping to foul one or more of the rotors. Even better, the thing dropped to the ground with a crash. Toni was already off and running.

Scrambling toward the library, she spied the chopper overhead —“Bugger”—and bolted across the road, ignoring traffic, resisting the urge to flash the bird at honking gas-guzzlers. The soles of her shoes slapped loud against the pavement like so many gunshots, and she cursed like the good Second Amendment foe she was. Bounding up the steps of the library, she stopped at the door to look and listen, huffing yet again. Distant sirens and a hovering helicopter, maybe, but there didn’t seem to be anyone right on her tail. Toni breathed a single sigh of relief before heading in.

Normally facilities such as this, redolent with the aroma of precious volumes, melodious with the sound of pages being turned, were solace to Toni. Not today; today this library was a fortress, from which she planned to launch an opening volley. A salvo in this vital intellectual war. A cannonball of courage in the fight for—Jesus, Toni! Get over yourself! Anyway, she was here for that other, more modern library sound: the hum from a bank of computers.

Striding past the checkout counter, Toni exchanged a solemn nod with the woman behind it, flashing the tiny jump drive. Louisa, with her thick-framed reading glasses and graying hair tightly bunned, nodded back, conscious of what was at stake: nothing short of the survival of this democracy.

The computers were past the reference books, between the children’s section and a wall that used to hold thought-provoking paintings by local artists, some of them activist friends of Toni’s now imprisoned. She gave the blank spaces a rueful smile, wiping away a single tear, then made for a terminal at the back, far from any currently being used. Despite breathing deeply, her hands shook, and she jumped at the sound of someone dropping a book in the stacks.

She forced a laugh to calm herself and sat just as the first wailing sirens pulled up out front, leaving just minutes, maybe less, to complete her task.

Toni logged on and opened Gmail. No, I don’t want a bigger penis, thank you.

In the “To” field of a new message she transcribed the address she’d written on the palm of her left hand.

Banging and yelling from outside the library’s front door stole her attention for a flash, but Louisa had rigged the doors, and no enemy had yet gained entry. Toni smiled. The resistance is female, after all.

She filled in the “Subject” line, then dashed off a quick message in the body of the email. Thank you for the opportunity, and all that jazz.

As she inserted the jump drive, the doors burst open and shouts pealed from the library lobby. This followed by the ominous echo of boots stomping on marble floor.

Toni dropped from the chair, squatting at the computer with her hand on the mouse, waiting for the storage gadget to connect. She looked up and saw masked jackboots in black gear marching past the checkout desk, numerous American flags prominent on each uniform.

With a rebel yell, Louisa jumped from behind her station, swinging a volume of Encyclopedia Britannica, Volume 15 [Birds-Chemical], with remarkable force given her librarian-ness. She connected with the masked face of the lead stormtrooper, who staggered backward into a colleague. Louisa, in turn, was dropped with a kick to the stomach from another seconds later.

Toni muffled her reaction too late. Masked heads, twenty yards off, swiveled in her direction.

“There she is! Freeze, dirtbag!” one of them yelled.

Peering around to the computer’s screen, Toni clicked on the little paperclip icon, then selected the proper file to upload and hit “Open.” The progress bar’s pace was glacial, allowing three armed fascists to shuffle into flanking positions, cutting off all avenues of escape. In the second she wasted peeking back at the screen, another moved in at her 12 o’clock, holding a black gadget in his hand.

She jabbed the cursor at the “Send” button as she heard a zap, felt a thwack.

Her body convulsed from the stun gun’s charge, arms flailing, legs giving out. The jackboots pumped their fists and watched her fall shaking to the floor.

“Score!” yelled two.

Toni continued to spasm in agony as they closed in, one of them—slender, with blond hair sticking out from beneath the ski-mask—sitting down at the terminal she had been using.

“Just in time, Presser.”

The woman’s voice sounded like the siren on a broken toy firetruck. And familiar. A stocky man in black walked toward the computer station, rubbing his head and dragging Louisa behind him in handcuffs.

He grabbed and shook the librarian by the face. “Nanny, nanny, boo-boo,”

“Presser!”

“What?”

Toni knew his voice, too.

The man threw Louisa to the floor and turned to his colleague with a shrug.

The blonde spun, staring daggers at him through her mask. Toni heard an exasperated click of the tongue.

“I said, Presser, we got here just in time.”

“Phenomenal!” he cried. “What is it today, Alt-Fact? An opinion column? Someone writing her congressman?” Presser emphasized the gender of this hypothetical representative.

Presser? Alt-Fact? So this is what they’ve been up to, Toni thought, still jerking.

“Ugh, she’s another of these creative types.” Alt-Fact got up, shaking her head, and motioned for her colleague to look for himself.

Presser sat and read the email’s essentials:

To: Writers Resist

Subject: Super Important and Timely Fiction Submission

Attached File: Trumptopia

The man harrumphed, his jowls flapping audibly. “I’ll endow your arts,” he muttered, turning to the author on the floor as he removed his mask.

“You’ll never stop us, Spicey!” Toni managed to hiss, as the former press secretary’s boot-clad foot—free at last from the man’s mouth—clocked the side of her head.

 


Colin Patrick Ennen lives in Albuquerque, New Mexico where he looks after the large mutts at a doggie daycare. He recently adopted a pup of his own and named him Shylock. In his free time he reads and dwells on the many mistakes he’s made in life. Genre fiction is where he feels most at home when writing, but he’s obviously not afraid to branch out here and there. Fairly new to being published, he has a short piece of satire in a new volume entitled More Alternative Truths: Stories From the Resistance, and a spooky story coming soon in The Coil. You can find him on Twitter @cpennen.

Photo credit: Lee via a Creative Commons license.

Two Poems by Laura Orem

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Letter from Guantanamo

Seasons don’t matter except
for the discomfort they bring.
June is just hotter.

The Caribbean thuds against Cuba,
steaming like soup, saltier
than our tears,
if anyone cried here.

Whether we bear it or not,
the pain continues.

The interrogator takes his work
as seriously as Michelangelo
considered the perfect pink
of God’s fingertips.

Once I ate sweet dates and dreamed
of doing something important.

Now the sun, that holy eye,
stares down on the sea and sand,
strikes us blind.

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Radium Girls

We make time luminesce,
our numbers bright as moonglow.

Precise work, oh yes – we lick the brush sharp
after three, after six, then nine, then twelve.

Our quotas absorb us, hunched over the table
ten hours a day, until six o’clock Friday

unlocks us like a key from our benches,
and we are girls again. We splash

giddy magic on our fingertips and hair,
trace brilliant strokes across our eyelids

to dazzle sweet boys on Saturday night.
Such pretty pixies, how we sparkle and dance!

In unseen places, we are cracking and crumbling.
Our bones shatter and burn.

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A note from Laura: If you enjoy knowing that Writers Resist exists, please consider a small contribution, so we can continue to give our writers and artists a little something. Contributions are gratefully accept here. Thanks for reading!


Laura Orem, a poetry editor at Writers Resist, is a poet, essayist and visual artist. She’s the author of Resurrection Biology (Finishing Line Press 2017) and the chapbook Castrata: a Conversation (Finishing Line Press 2014). Laura received an MFA in Writing and Literature from Bennington College and taught writing for many years at Goucher College in Baltimore.

A featured writer at the Best American Poetry blog, Laura’s poetry, essays and art have appeared in many journals, including Nimrod, Zocalo Public Square, DMQ, Everlasting Verses, Blueline, Atticus Review, Barefoot Review, OCHO, and Mipoesias. She lives on a small farm in Red Lion, Pennsylvania with her husband, three dogs, and so many cats she’s afraid to say.

Both poems appear in Resurrection Biology (Finishing Line Press 2017).

Radiolite watches photo credit: Collectors Weekly.

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Civil Discourse in the Trumpocalypse

By Sara Marchant

 

My brother Marvin is calling me, and, as usual, I debate whether to answer the phone.

My mother claims she never had an affair with Curb Your Enthusiasm’s Larry David, but my brother is so similar to the self-centered, self-absorbed, neurotic nervous maniac David, that I’m not sure I believe her. I don’t watch Curb Your Enthusiasm and I don’t talk to my brother when I’m driving or cooking dinner because vehicular manslaughter and third degree burns are not funny.

Finally, though, as I’m reading on the sofa, I reason it’s safe to be angered by whatever Marvin has to say.

“Marvin.”

“I’m calling for advice.” Marvin prides himself on not going in for a lot of ‘chit-chat,’ and he doesn’t engage in social niceties like hello, how are you, is this a good time?

“Really?” I say. “I doubt that.”

“I’m calling to ask your advice and pay you a compliment.”

I choke on my cinnamon gum as I laugh in disbelief.

“Listen up, I’m talking to you.” Now that sounds more like my brother.

“Two different people have stopped being my friend because they think I’m a Trump supporter.”

“Good for them,” I say and spit out my gum to prevent further choking incidents. I toss it into the trash.

“But I’m not a Trump supporter,” Marvin says incredulously. “I mean, he’s obviously insane.”

“But?”

“But what?” Marvin sounds eager, which makes me wary.

“Have you made comments that led them to believe you’re a Trump supporter?” Of course he has, he’s a giant insensitive punk who thinks only of himself. What’s best for Marvin is all that matters.

“Well, I mean, I am a conservative.”

“Exactly.”

“Exactly, what?” He really is excited by the coming fight. I wish I had more gum.

“Nowadays conservative equals Trump supporter, which equals asshole. I’d kick you to the curb, too, if I were your friend.” I chew the skin off my thumb’s cuticle in lieu of gum.

“You can’t say I’m an asshole just because I am a conservative.”

“I’m not. I don’t think you’re an asshole because you’re a conservative; I think you became a conservative because you’re an asshole.” I say this slowly so he’s sure to follow. “You’re selfish, shallow, and incapable of empathy.”

“I’m going to tell Mom,” my forty-eight-year-old brother says.

“Mom thinks you’re an asshole, too.”

“She does not!”

“She says your unpleasant personality is mitigated only by your handsomeness.”

“I am extremely handsome,” Marvin concedes.

“You look exactly like Mom.” He does, and our mom looked like Lucy Lawless (Xena: Warrior Princess) when she was young. “I’m hanging up now.”

“Wait, wait.” My brother is almost gleeful. I dread when he gets like this. He enjoys inciting me. If I lose control, let him know he’s getting a rise out of me, he wins. “But you’re friends with that conservative lady, the survivalist prepper-lady. That’s the compliment I was going to pay you—you’re not kicking her to the curb.”

“She’s not an asshole,” I respond. My temper is no longer fraying. I’ve temporarily clawed back from the edge, but I’ve also started chewing the skin of my other thumb. “She was raised by conservative Christians—narrow-minded white people from a homogenous state—to fear the other and think of herself as superior because of her blond hair and white skin. But now she’s found Jesus—again!—and she’s trying to do better, to be better. She’s just really annoying with the conservatism. It’s not like you. You were raised better. Your assholery is a character flaw.”

My brother gives the high-pitched giggle that means he’s both nervous and happy that he’s irritated someone to the point that they have to defend born-again Christian survivalists prepping for the coming invasion of ISIS. The cuticle around my middle finger is now bleeding.

“Anyway, you can keep your compliment,” I say. “She isn’t my friend anymore.”

“Since when?” Marvin is way too excited about this. “Because you’re too liberal? Because everyone at your party was gay? When did she break up with you? The party was, like, a week ago.”

I pause. I want to measure time so he understands that his questions are absurd, rude, and invasive. But he won’t ever understand, I know. Probably, he doesn’t even understand why he is so emotionally invested.

“Well?” Marvin asks. “Are you there?”

“She knew everyone was gay beforehand. I told her flat out that if she had a problem with that not to attend. Frankly, I think she came just to prove she isn’t a bigot.”

“You hurt her feelings,” Marvin says. “You offended her.”

“People with Infowars bumper stickers don’t get to be offended when others call them out on their ignorance, bigotry, and hate.” I’ve started chewing the skin from my littlest finger, but remove it from my mouth so that Marvin is sure to understand. “Advertising your hate means you want to be called out.”

“Infowars!” Marvin is rendered mute for two seconds. “Now that shit is awful.”

“Yep.”

“But she still came to the party; she seemed happy to be there. She was nice to me when you wouldn’t come down and open the gate. When did she stop being your friend?” He’s like a tiny fruit fly that you can’t see well enough to swat.

Marvin liking someone because she sympathized with him when I wouldn’t leave the thirty-plus guests in my house, while trying to keep the buffet going and everyone’s glass full, in order to walk half a mile in 112 degree heat to open my front gate so that my brother wouldn’t have to leave the comfort of his air conditioned car for two minutes is so typical I don’t even bother to address it.

“At the party, when Eduardo introduced himself, she told him her name and that she worked with me at the school. Eduardo said, ‘Oh my god! I’ve read about you!’ She hadn’t known about the essay or that I’d used her real name. And I guess that pissed her off. She stopped calling or returning emails—she’s sticking a fork in our friendship.”

Marvin is quiet. Then he starts to laugh. A big belly laugh, not his anxious giggle. He delights in catching me wrong-footed. He is loving evidence of my assholery. Then he quiets again.å

“Maybe you should stop writing essays about people,” he says.

We are both thinking of our sister. We are remembering an essay I wrote that made our sister so angry she stopped speaking to me. She sold her house, moved to Idaho, and we haven’t seen her since. It’s been years. Marvin is giggling again, sniggering really.

My brother was a conservative before the Trumpocalypse, and even though he says Trump is insane and he can’t support him, Marvin is gloating that his team is in power. He doesn’t see how this diminishes me. As a white non-Hispanic, my half brother doesn’t see how this diminishes me as a person of Mexican heritage, as a woman who’d like control of her own body, as a sister who realizes she’ll never be able to make her brother view her as anything other than an addendum to his own life and identity.

“Maybe I’ll write an essay about you, bozo,” I say.

“If you do, I won’t get angry,” he promises. “I’ll send it to all my friends.”

“All your ex-friends,” I interrupt.

“I’ll say, ‘Read this mean essay my mean liberal sister wrote about me.”

“You’re such a pendejo.”

“I’ll brag about the mean essay.”

“I’ll do it, punk.”

“I’ll say, ‘My sister calls me the asshole for being conservative, but she’s the one starting shit with mean liberal essays.’”

“I am hanging up now, jerk face.”

“Tell me you love me before you go write a mean essay about me.”

“I love you, and I am going to write the meanest essay I possibly can so all your friends break up with you.”

Marvin is laughing his loud belly laugh of irritating glee as I end the call. All my cuticles are bleeding. I realize he never asked me for advice, the supposed purpose of his call. I never asked him what advice he wanted or why he wanted to ask it of me. This is so typical of us that I giggle, sigh, and bandage my fingers. The phone rings again and I see it’s my mother. I answer.

“Did you tell your brother that I think he’s an asshole?”

 


A note from Sara: If you enjoy knowing that Writers Resist exists, please consider a small contribution, so we can continue to give our writers and artists a little something. Contributions are gratefully accept here. Thanks for reading!


Sara Marchant, a founding editor of Writers Resist, received her MFA in Creative Writing and Writing for the Performing Arts from the University of California, Riverside/Palm Desert. Her work has been published by The Manifest StationEvery Writer’s Resource, Full Grown People, Brilliant Flash Fiction, The Coachella Review, Writers Resist, East Jasmine Review, and ROAR. Sara’s nonfiction can be found in the women of color anthology All the Women in My Family Sing, and her novella Let Me Go has been anthologized by Running Wild Press.

Long ago and far away, she worked at The San Diego Natural History Museum in their BiNational Education Department utilizing her BA in Latin American History. In her spare time she teaches Critical Thinking and Writing at Mt. San Jacinto College to the new generation that she hopes will someday save our society from its nihilistic impulses. She lives in the high desert of Southern California with her husband, two dogs, a goat, and five chickens.

Photo courtesy of the author.

Cast

By Ruth Nolan

Many bones have been broken here
in the tricky Mojave River quicksand,
huge Cottonwood trees taken down,
gnawed low to the marrow by beavers.

Behind me, the shadow of a man, his
fishing pole slung across his shoulder.
He tells me he will catch crawdads first,
skin and fry a trout or two for dinner.

He asks me to read a fat brown worm
onto his rusty hook. He is ready to fish.
My hands are strong, my fingers shake.

He casts his lure and waits for the first bite.
I snap fat twigs, break branches, build a fire.

 

 


A note from Ruth: If you enjoy knowing that Writers Resist exists, please consider a small contribution, so we can continue to give our writers and artists a little something. Contributions are gratefully accept here. Thanks for reading!


Ruth Nolan, a poetry editor at Writers Resist, is a professor of English and Creative Writing at College of the Desert in Palm Desert, California, and an author, lecturer and editor. She worked with the international, United Nations-sponsored literary program Dialogue Through Poetry / Rattapallax Press, from 2001 through 2004, and is now involved with many desert environment organizations as a writer and advocate for environmental justice. She’s the author of the poetry book Ruby Mountain (Finishing Line Press 2016). Her short story, “Palimpsest,” published in LA Fiction: Southland Writing by Southland Writers (Red Hen Press 2016), received an Honorable Mention in Sequestrum Magazine’s 2016 Editor’s Reprint contest and was also nominated for a 2016 PEN Robert J. Dau Short Story Prize for Emerging Writers.

Ruth’s writing has also been published in James Franco Review; Angels Flight LA/Literary West; Rattling WallKCET/Artbound Los Angeles; Lumen; Desert Oracle; Women’s Studies Quarterly; News from Native California; Sierra Club Desert Report, Lumen; The Desert Sun/USA Today and Inlandia Literary Journeys.

Photo credit: Born1945 via a Creative Commons license.

An Old Dog Never Barks at Gunmen

By Bola Opaleke

 – Neither should you,

a wise man once said. Even pickaxes
and sledgehammers would do just fine –
like pickaxe-men or sledgehammer-men.

That reminds me of people that left
raising a finger of “revenge my death” up so high

as the bullet-ridden body thuds. What the soldiers
have done to us – young girls –
teaching our heliotropic breasts how to worship the sun,

boys abandoning the fishing rods
for militants’ rifles, men and women

waking up in the morning
to homelessness. A daughter defiled
before the helpless father – his body at twilight,

dangling from a rope hugging a barren tree
his wooden hands never again to cradle a crying child.

I saw a mother rubbing her frail skin with black ash
from her son’s barrow, invoking spirits
of vengeance from that mound. Soldiers

picking our tiniest vein to sew up our lips –
to make us talk in pains – to force us to obey

word count. No soldiers. No! The poor barks
at the Law (that only eavesdrops). These ordinances give
different uniforms to different soldiers

at different levels of our democracy.
These soldiers, wearing different gears –

bath in “constitution of lies.”
But because an old dog never barks at gunmen,
neither do we. “Raise a sword

of rebellion against thieves and murderers,”
wrote a poet,” and watch politics be

white as snow.” Not soaring past
the red line that says: survive or die
because we already fall in love

with “Que Sera Sera” –
that evergreen lyric of consolation

seeping through. Radios and televisions
propagating that wise saying every minute:
“an old dog never barks at gunmen –

neither should you.”

 

Author’s note: This poem was inspired by the recent incidents surrounding Kenya’s presidential election. And the attack, arrest and imprisonment of the Catalan leaders seeking independence from Spain.


Bola Opaleke is a Nigerian-Canadian poet residing in Winnipeg, MB. His poems have appeared or are forthcoming in Rattle, Cleaver, One, The Nottingham Review, The Puritan, The Literary Review of Canada, Sierra Nevada Review, Dissident Voice, Poetry Quarterly, The Indianapolis Review, Miracle E-Zine, Poetry Pacific, Drunk Monkeys, League of Canadian Poets (Poetry Month 2013), Pastiche Magazine, The Society, Vol. 10, 2013, St. Peter’s College, University of Saskatchewan, and others. He holds a degree in City Planning.

Photo credit: g0d4ather via a Creative Commons license.

Take This Memo by Tara Campbell

From: Director of Market Research, Irrational Fears Division
To: Executive Director, Enough Already with the Guns, USA (EAWG USA)

I’m writing to follow up on our discussion about whether any lessons can be learned from California’s speedy abolition of open carry after the Black Panthers’ armed protest at the state Capitol building in 1966. I understand your reticence about the tactic I suggested, but when repeated mass murder doesn’t prove to be an effective incentive for change, perhaps we need to speak in a different language to be heard.

Here are my suggestions for new civic associations that might “trigger” additional action on gun control in the United States:

  • African-American Bump Stock Acquisition Fund
    Motto: A shooter is a terrible thing to slow down.
  • National Latino Ammo Exchange
    Motto: Together we are better armed. ¡Unidos!
  • Muslim Skeet-Shooters of America
    Motto: Train for your future, shoot for the sky!
  • Arms for Immigrants, USA
    Motto: Open hearts, open arms, open carry
  • Gun Enthusiasts of the African Diaspora
    Motto: I am my ancestors’ most heavily-armed dreams
  • First-Generation Pistol Patriots
    Motto: We are the new face of the firing range

We didn’t discuss the following angle at our meeting, but given recent events, I’ve taken the liberty of suggesting one more:

  • Armed Actress Guild of America
    Motto: Keep your hands where we can see them and no one will get hurt

I look forward to discussing further steps at your earliest convenience.

Until then,
Stay safe

 


Tara Campbell is a Washington, D.C.-based writer and an assistant fiction editor at Barrelhouse. Prior publication credits include SmokeLong Quarterly, Litbreak, Masters Review, b(OINK), Queen Mob’s Teahouse, McSweeney’s Internet Tendency, and Writers Resist. Her novel, TreeVolution, was released in 2016, and her collection, Circe’s Bicycle, with be published in fall 2017. Visit Tara’s website at www.taracampbell.com.

Image via artparodies.com.

The No-Knock State

By Jemshed Khan

                       Upon hearing that Barrett Brown was jailed (again)

SWAT teams rumble streets.
Men in black smash down doors.

No one bothered to knock
65,000 times last year:

Hinges ripped from the jamb
with a battering ram or breach grenade.

My friend murmurs,
We live in a Police State,

but I still write and say and read
as I will, as we wait.

He points and whispers,
Someone’s listening at the door.

I hiss back, Surely. Enough. Already.
Though I turn and look to be sure.

 


Jemshed Khan lives and works in the Kansas City area. Born overseas of immigrant parents, he has experienced American culture both as an outsider and as a participant. He relishes the opportunity that the American dream and society have offered him, but also is alarmed by the rising authoritarian encroachment on privacy and freedom.

Photo credit: Steven Roy via a Creative Commons license.

Letter to Santa

By Anne Anthony

 

Dear Santa,

You disappointed me. I was (mostly) good last year. Maybe I cursed, but I was frustrated and baffled. Somehow my family (?), my friends (?), my neighbors (?) voted in a president who—and I’ve got to be honest here—terrifies me.

Did you even read my letter?? I quoted Pope Francis, hoping his words would make a difference.

Anyone who is too attached to material things or the mirror … should avoid going into politics.”

I didn’t ask for material things; I just wanted a redo. A mulligan, my husband would say.

And you ignored completely my backup ask: peace on earth goodwill to men! Still waiting for some sign of that one. You make it hard to believe.

Guess I’ll light a candle next Sunday.

Confused,
Anne

 


Anne Anthony has been published in the North Carolina Literary Review, Brilliant Flash Fiction, Dead Mule School for Southern Literature, Poetry South and elsewhere. She holds a Masters in Professional Writing from Carnegie Mellon University. She lives and writes full-time in North Carolina. Visit Anne’s website at anneanthony.weebly.com.

Image: Trump hair gift wrap by American Vinyl.

Across the Hard-Packed Sand

By Holly Schofield

 

Kelly, the dispatcher, sent the call my way, but Nick caught it too, so my squad car arrived at the beach parking lot a few seconds after his. We hadn’t worked together much, but I’d sussed him out long ago. He wasn’t one of the good ones—those were rare—but at least he mostly pretended I was one of the team.

Unless money was at stake, of course. At five hundred dollars a pair, the toe bounty could be a lucrative second income for us cops. By the time I’d slammed my car door, he was racing ahead down the bank, skidding in the loose oyster-shell scree. “Watch your step, Allie,” he called back, his voice holding glee along with old-fashioned gentlemanly concern.

“Alaa,” I corrected automatically, wearily. He could have pronounced it right if he cared. But if he cared about stuff like that then I wouldn’t be running full tilt through the salt grass behind him, shovel in one fist.

The sun struggled through rumpled chrome-colored clouds and winter still clung to the cold foam of the surf. Kelly had described the radar-tracked location pretty well, and it was easy to spot the dull blue of the shattered spacepod, the size of a bar fridge, way down the gray beach near a cluster of seaweed-streaked rocks.

I began to jog once I hit the hardpack. One foot after the other over this seemingly endless stretch of northern Washington coastline. Fleeing from Syria, sliding into America under the wire, becoming a naturalized citizen, qualifying for state trooper, my personal foot race never seemed to end.

And then the Veldars had come.

And kept coming. And coming.

Would there ever be a time that I could just stop?

Nick whooped, thin and reedy over the booming Pacific. He’d reached the crash site and was bent over panting, hands on knees. I wasn’t even halfway. I slowed, my bad knee flickering with pain, and walked parallel to the line of unidentifiable sludge that decorated the high water mark. No hurry now. I’d lost. And so had the Veldar.

Sunburned cheeks flushed even redder by victory, Nick waited until I approached then pointed behind the largest rock. “Hah! ‘Bout time I nabbed one.”

The shivering alien, slightly larger than most, squatted in the rock’s shadow, its face-tendrils dangling limply below earflaps. Translucent down to lean gray bone, the alien resembled a large jellyfish that had swallowed a miniature Halloween skeleton.

I avoided its eyes and jabbed the shovel upright in the sandy muck. “You win, Nick.” One kick with my bad leg and I sent some bull kelp sailing into the water. I told myself it was a relief that this Veldar’s life was out of my hands. Yeah, a relief.

The alien raised a stick-like arm toward us and let it fall. Did it know what Nick was about to do?

Nick was walking around the collection of boulders one more time, being cop-thorough. “Yeah, just the one of ’em,” he reported and dusted off his pant cuffs. An all-around typical statie, albeit a bit more fastidious than most. His shirt was still neatly tucked despite his run and his fake sandalwood odor indicated extra-strength deodorant.

Huh. Maybe I could work with that.

“Have fun,” I said. “Last time I shot a jellyrat this big, the guts stained my uniform. Even dry cleaning didn’t get it out.” I stepped back, ostentatiously. “I’ll just let you get on with it.”

He laughed uneasily. “Hey, five hundred dollars covers a lot of dry cleaning. And, remember, you officially caught this case so you get the paperwork. You can’t leave until you do the location sketch. Don’t try to weasel out.”

“Oh, shit, yeah, all those extra forms. Last time, I forgot one for Fish and Wildlife and the captain gave me hell.”

He grunted in faint sympathy, fingering his holster flap but not opening it. The Veldar’s various cuts and scrapes had left a trail of yellow-tinged slime as it had dragged itself from the spacepod to the boulder.

I snorted, as if it smelled bad, and took another step back.

“I might have a plastic sheet in my trunk.” Nick stroked his thin brown mustache.

I heaved a huge sigh, hoping I wasn’t overdoing it. “Tell you what. You get the toes, and I’ll dispatch the jellyrat afterwards. And, I’ll bury it. But only if you do all the friggin’ paperwork for me.”

A jerk of his head. “What, cut ’em off while it’s alive? Seems kinda cruel.”

“Shift’s almost over. You can get to Sweeney’s in time for Happy Hour. And it’s not like the ‘rats feel any worse pain than a cockroach or something.” I held my face tight, lifted my black leather shoe and kicked the Veldar in one of its knees, managing to mostly strike the clear rigid joint covering. It must have seen my quick double-blink because it instantly deflated into the muck and moaned like a ghul. I shrugged. “And I’m in no hurry. I don’t go to mosque until sunset.”

Nick grinned. “Deal!” He drew out his bowie knife and grabbed each of the Veldar’s heels in turn, slicing off the bulbous pinkie toes. The Veldar screwed up its many-wrinkled face and flicked its nictitating membranes but only moaned once more. My stomach knotted and I tasted bile but I held it in.

Nick stuffed the glistening toes in a sandwich baggie. “Next jellyrat gets called in, we can do this deal again, if you want, Allie.”

“Sure.” I began to dig industriously, my shovel sending gray grit, seaweed, and bits of charred wood flying.

He hastily jumped back. “Okay, then, I’m outta here.”

Between shovelfuls, I watched him trot away. I’d have to time the gunshot carefully.

The Veldar lay, knees drawn up, elbows jutting, clutching its bowling-ball belly—resembling the malnourished toddlers I’d lived with back in the Turkish camps. Drying gel clung to the two stumps on either side of its narrow feet. Tired, yellow eyes stared endlessly at nothing.

A few minutes went by. Nick should be almost to the parking lot and out of line-of-sight. I drew my pistol. The Veldar watched me carefully.

I aimed straight out into the ocean and squeezed the trigger.

The retort made the Veldar scoot back against the rock. I blinked twice at it, in reassurance. “Hang in there, little buddy.”

Communication via blinks weren’t enough for the next stage. I drew out my black-market English-Veldar phrase book and flipped through it. War. Run. Hide. Enemy. We humans might not understand the reasons behind other alien races invading the Veldars’ home planet, or how the Veldars could keep stealing motherships full of thousands of these spacepods, but we—well, some of us anyway—understood the fallout. In the tent camp in Turkey, Baba had sat me on his lap and massaged my shrapnel-scarred calf muscle as he pointed out words in his little green Arabic-English phrase book. Soldier. Injury. Lifeboat.

That memory was all I had left of my father’s own journey—he’d died of a heart attack on our second day in America. I thrust away the thought as I finally found the page full of greetings. Now to see which Veldar language of several dozen.

“Tern ka?”

A blank look. So it wasn’t Veldar III. I sighed. This could take hours and I didn’t have that kind of time. Maybe I should just drag it to the squad car without its consent. Like border guards had grabbed seven-year-old me. Damn it all, anyway! I kicked some more kelp and ran a finger down the page. “Tennin bran?”

One earflap twitched.

Familiar, perhaps, but not its native tongue. I flipped a few pages to related dialects. “Vronah kro?”

The Veldar’s cheeks creased in two directions. “Hrran, vo narhh, hrran!” Its opaque organ sacs vibrated in excitement.

Ah, that was it, then. I made a mental note to tell Kelly to tag this one as Veldar XII in the underground database. “Hnnnah kravv voolah” I pronounced carefully. Worry no more.

“Vrahhah?” it croaked out. By now, I knew that word by heart in several languages. Safety?

“Hrran,” I said with as much conviction as I could manage. Yes. It was sort of true. Kelly and I, and a few other folks scattered across the Veldars’ vast northwestern drop zone, tried awfully hard to make things safer. Sometimes, we succeeded.

The Veldar relaxed back against the rock, letting its tendrils go slack with relief.

The Band-Aids I fished out of my bra helped with the Veldar’s oozing abdominal cuts but they refused to stick to the gunked-up sand on its toes. Finally, I gave up and wrapped its feet in evidence bags. “There. Feel better?” I’d tucked away the phrase book so tone of voice—and a quick double blink—would have to do.

It stretched out three bulbous fingers, forming a pyramid. Another gesture I’d learned in the last few years.

“You’re welcome,” I replied. “Us refugees gotta stick together.” I half-smiled, feeling better than I had all day. Hey, maybe I could keep on doing this.

A few more minutes of shoveling and I’d mounded a plausible gravesite. Tonight, I’d drive to Everett in my truck with its special compartment and drop the Veldar off at a safe house. From there, it would begin yet another journey. “Here’s two English words for you.” I pointed down the coast. “Underground railroad.”

“Vrahhah.”

“Yup.” A cold, damp wind had sprung up and the clouds threatened rain. The folding shovel fit under one arm and I lifted my burden awkwardly with the other, bracing my bad leg against the base of the rock. The Veldar breathed its odor of burnt raspberries into my uniform collar and wrapped warm slick arms around my neck. I’d have to change shirts once I got to the car but I had a fresh one ready. I was used to that.

I hunched a bit to protect the Veldar from the wind, sucked in a deep breath, and began the long hike to the parking lot.

 


Holly Schofield‘s stories have appeared in Analog, Lightspeed, Escape Pod, and many other publications throughout the world. You can find her at www.hollyschofield.wordpress.com.

Photo credit: Ingrid Taylar via a Creative Commons liense.

Abecedarian diatribe: abolish him!

By Gabriel Mianulli

 

All the problems in the picture are flooding the world
Before we have a chance to construct boats for rescue
Can’t we have more time to sniff out bullshit politics?
Damage has been done, the hurricanes are screaming.
Elsewhere, we build bombs that taste like backward progress.
Forgotten events didn’t sound their alarms in time.
Gander back, at the mistakes we repeat in tired cycles
Hopped up on loud media frenzies, and bad leadership
Individualism is hard to spot in the storm’s eye
Jobs are abrasive, but we should all have them
Kissing the rings of kings, we taste metal and blood—
Long-encrusted crud that stinks of corruption
Macaques fling dung from pedestals, inedible
Noxiously uncreditable. Awful! Foul! Terrible!
Obnoxious assaults on patriotic principles
Penetrated sacred institutions, reeking like swine
Quack! Fraudulent fool, phony puppet! We see the hand!
Revolution is on its way! Any day now … humming.
Scantily clad, it’s just your type, we all needed it.
Tulip-scented, cleaning smudges from your greasy hands
Ubiquitously we shout: Get the fuck out!
Varmint! Squeak your obscenities elsewhere.
We have work to do, that doesn’t include you or your tart
Xanthippe wasn’t xenophobic, and she looked better
Yet somehow here we are; not where we need to be: quiet.
Zaniness is the dull story of our lives these days.

 


Gabriel Mianulli is a nontraditional Associate of Fine Arts in Creative Writing student living in Minnesota. He daydreams a lot. He writes Fiction, Poetry and Prose, but has been somewhat slow to submit his work. He likes finding quiet spaces to read, exploring the wilderness, and embracing the everyday adventures involved with living in the 21st century. He is currently working on his portfolio between classes and taking it easy. He’d give you a hug if you asked for it.

Image via Imgflip.

Untitled

By Tara Williams

 

 

Artist’s note: My concept for this painting is the feeling of being disconnected from America, like a neighbor you catch glimpses of, but still don’t know. I wanted it to reflect the moment one finally realizes the appalling things that occur in this nation on a daily basis. While creating this painting, I also realized that it could take on other interpretations. Some viewers have expressed their own to me on social media.

 


Tara Williams is an illustrator and works primarily with gouache and watercolor. Her background is in graphic design. She is known for her vivid colors and rich attention to traditional techniques and fine detail. Follow her work on Tumblr and on Instagram.

Obamaclipse

By Rony Nair
 

1.    Overview

Lopsided dreams coalesce into hazy sunsets,

pretending to droll out Nintendo games played by our new trumped up incantation. The new war boy. Elected of course. by a war room of nominees with shotguns in their bed.

Hawkish foreign policy bytes, words of war, beating up the beaten, hoarse cries from musty rooftops—declaiming glory. feigning peace.

A solar eclipse of armament sales. If there’s no Middle East, North Korea’s our Jerusalem.

2.    Prelude

Gas and fuel create their own viewfinder,

eclipses redefine our planes,

we reminisce over Hiroshima and Vietnam and lines crossed in Syria.

we did nothing for the maimed.

Rehearse another beautiful speech for a week later. Weave a wand about history and legacy and myth.

a tin drum sounded better than your inaction. your rhetoric so beautiful that everyman lost your original point,

foreign secretary fly miles were made to order

jet fuel. ambassadors in death, Libyan draught holes. Furtive arrests.

Gulf springs and coattails. Russia. Bust.

sound and fury …

I’ll talk about books instead.

Solar eclipses where the sun ran and hid.

You were lounging, after your dinner speech bid!

Seduction we fell for once, with Camelot. Doled out over misty wordplay and Agent Orange and Apocalypse Now.

Memory. I see you now.                                                                              Speak. Somehow!

1.1      Overview 2

Presidential donkey days, torrential rains

Sit atop lies and palaver—brain dead Charleston Trucks run amok over segregation benefaction.

Hell, Nazis are our new heroes. Says our new mime.

An old freed slave now joins his masters. declaiming speech upon wasted speech. quoting rhyme.

That Solar eclipses smile

2.1            Memory 2

the years we lost, the years we lost.

To inertial speech and rhyme.

farewell you said, we need valets in bed,

a white plane for a dime.

“it doesn’t behoove me to be verbose” finally you said—

before you boarded your Presidential

To ski with Richard Branson.

3.    The End

On eclipse day, we’ll play Golf for fun.

Every week becomes a round. Every round becomes a tweet.

Our foreign policy explained.

140 beats.

 


Rony Nair has been a worshipper at the altar of prose and poetry for almost as long as he could think. They have been the shadows of his life. He is a poet, photographer and a part-time columnist. His professional photography has been exhibited and been featured in several literary journals. His poetry and writings have previously been featured by Chiron Review, Sonic Boom, The Indian Express, Mindless Muse, Yellow Chair Review, New Asian Writing (NAW), The Foliate Oak Magazine, Open Road Magazine, Tipton Review, and the Voices Project, among other publications. He cites V.S Naipaul, A.J Cronin, Patrick Hamilton, Alan Sillitoe, John Braine and Nevil Shute in addition to FS Fitzgerald as influences on his life; and Philip Larkin, Dom Moraes and Ted Hughes as his personal poetry idols. Larkin’s’ collected poems would be the one book he would like to die with. When the poems perish, as do the thoughts!

Photo credit: Terry Ballard via a Creative Commons license.

Just Like Picking Flowers

By Leslie McGrath

 

The almond wears a thin corduroy vest
that cannot protect the nut. The skin

of a ripe peach peels like a second
degree burn. The oyster

clenches even as
we break its nacreous wings
at the hinge to get at the meat.

When the mushroom man appeared with baskets
braceleted up to his elbow
that shudder morning

he said the girls knew what to do (the best
mushrooms grew on the north sides of trees)

It was just like picking flowers, he said
and girls were good at that. But the boys

he’d have to show.

He led the boys away

(on his knees he showed them)
(with their pants down he showed them)

and we girls filled our baskets     we knew what to do
though we did not know     we did not know.

This was how he separated us.


Leslie McGrath is the author of two full-length poetry collections Opulent Hunger, Opulent Rage (2009), and Out from the Pleiades (2014), and two chapbooks. McGrath’s third collection, Feminists Are Passing from Our Lives, will be published in April 2018 by The Word Works. Winner of the Pablo Neruda Prize for Poetry (2004), she has been awarded residencies at Hedgebrook and the Vermont Studio Center, as well as funding from the CT Commission on the Arts and the Beatrice Fox Auerbach Foundation. Her poems and interviews have been published widely, including in Agni, Poetry magazine, The Academy of American Poets, The Writer’s Chronicle, and The Yale Review. McGrath teaches creative writing at Central CT State University and is series editor of The Tenth Gate, a poetry imprint of The Word Works Press.

Photo credit: James Johnstone via a Creative Commons license.

The Culling Agent

By John Robilotta

 

I sit on my lanai
three flights above the water’s edge.
Shore life comes and goes.
Black and white ibis,
with their elongated beaks,
feed on the shoreline.
A great blue heron
suns on the far banks.
Anhingas and cormorants dry their wings
atop stone outcroppings.

There is much life about
the water this year,
particularly since the alligator
was removed by a concerned citizen.
Nature requires a culling agent
to keep its balance.
So too does mankind.
Whether it be war, plague or famine,
history teaches that catastrophic events
wean the weak and hungry.

Is such time upon us now?
A new president.
The doomsday clock
pushed toward midnight.
An unsteady hand
poised ever so close
to the codes of a nuclear arsenal.
Mankind, and other creatures,
a knee jerk away
from an ultimate culling.

 


John Robilotta lives in Sayville, NY, and winters in Ft. Myers, Fl, where he is a member of the Poetry Alliance, part of the Alliance for the Arts of Lee County. He has had poems featured in “The Broadsides” at the Alliance and An Evening of Poetry at the Visual Arts Center in Punta Gorda, Fl. John also has had numerous readings in Ft. Myers and Sayville.

Photo by Andy Hay of the”Famine Memorial” sculpture by Rowan Gillespie, via a Creative Commons license.

Wreak

By Rae Hoffman Jager

To David Wallace-Wells

 

While we slept, awoke, and made oatmeal,
went to work, walked the dog, and so on,
A crack in the ice shelf grew 11 mile—
raced the ocean where it dropped
with a titanic splash no one heard.

As we make messes, more icebergs calve far off—
tons of carbon released and along with it
prehistoric bacteria and bugs with tentacles
and tusks two feet long.

Even the Doomsday seed vault isn’t safe.
Just years after being built on Spitsbergen,
it flooded. Those small hearts were salvaged,
but that’s not the point—every day

we arm the planet with hotter,
dirtier breath to gag us with.

Is your ulcer heating up yet? —

Bangladesh won’t last the century. Soon,
Mecca will be pan-fried and Haj, a death march.

I guess there is some irony in that we are a lot like ice,
though there is less and less of it to be found: cold,
full of dangerous gas, and indignantly indentured.

Not all the prayers in the world will rehydrate
the kidneys of the El Salvadorian sugar cane fields,
the wilted grains of the west, and dried up river beds—

Just wait.

 

Author’s note: This is a found poem with words from David Wallace-Wells’ New York magazine article, “The Uninhabitable Earth,” that got the Internet defensive and feeling existential dread.


Rae Hoffman Jager has been in a variety of magazines from Arsenic Lobster to Ambit. In 2014, she won the Cincinnati Library Contest and in 2016 for her poem Tattoos, she read in Salina, Kansas as the New Voice Poet. Rae was named “Reader’s Pick” by Rivet Journal for her poem “Getting Closer to It,” and she joined their poetry staff shortly after. Her chapbook One Throne was released by Five Oaks Press this summer and is available on Amazon and the Five Oaks Press website. Rae’s work has been described as rambunctious, urgent, funny, and elegiac. Visit her website at www.raehoffmanjager.com.

Photo credit: NASA