Left For Dead Barbie Visits the Capitol

By Susan Arthur

Susan Arthur is a photographer, sculptor and writer, with an MFA from Vermont College of Fine Arts. She hides out in the very blue wilds of Massachusetts. Her work is shown nationally, and she’s a member of the artist co-op Brickbottom Artists Association, in Somerville, Massachusetts.

On art as a form of resistance

I think anything we do—art, science, business, everything—can be done in the spirit of resistance. For me, the primary purpose of art is that it can act as a mirror. If this election has done nothing else, we can see how difficult it is to unearth the truth. I had never thought of myself as an activist, but, since this election, as someone suffering from pathological idealism. By pathological I mean an unwillingness to adapt to what I see as an ugly turn the country has taken.

My work is never specifically political, but my personal statements intersect at times with politics. I have joined protests when the internal pressure is too great not to—in 1969 in the March on Washington, at the WTO protests in Seattle, against the Iraq war during the Bush Administration—all of these have been at critical moments. I don’t know if protesting helps directly. The Dakota Access Pipeline suggests it does. I do know it is essential to keep our voice heard.

There have been celebrations in the midst of all this, too. President Obama’s first inauguration, that bone-numbing, cold day out on the Mall in DC, was one of the collective happiest days ever.

On the Left for Dead Barbie series

Left For Dead Barbie was what I’d felt too often, what most of us feel at some moment in our lives. Lost. Abandoned. Deserted.

I changed her to dry-cleaner’s plastic, wrapping it around and around her body, a potentially lethal, diaphanous covering. I tried placing her in different positions: standing, running, prone. Left For Dead Barbie’s evolution went from horizontal and passive to vertical and active. She transformed gradually into the Terminator.  I took her out of the confines of my studio and into the world with me. I photographed her in front of the Capitol Building, the White House (where an armed guard made a point of reminding me to take her with me when I was done), St. Peter’s Basilica in Rome. At St. Peter’s she waited to get in out of the storm like the rest of us, in a rain-soaked line that spun once around the block, timed entries like Disneyland. She’d become too thoroughly my surrogate. She was wet, she was annoyed, she was pickpocketed. OK, she wasn’t; I was, but Left For Dead Barbie acts as a surrogate for the viewer.

See more of Arthur’s work here.

Flood, Fire, Mountain

By Liz Kellebrew

Flood

That morning I climbed out of bed and watched my neighbors. They rowed away in a boat launched from their porch. When I went downstairs, water bubbled under the carpet like boils. My Christmas tree lay on its side. No one bothered to knock on my door.

Fire

“Don’t shoot,” he said. They shot anyway. After he died, the fires burned all over Ferguson. And they spread, the country a furnace of protest. No one bothered to listen.

Mountain

The next winter, I drove through snow banks six feet high under green-blue alpine spruce. A miniature avalanche rolled down before me and I stopped. Because, red fox slender paws golden eyes! Crossing unafraid.

Flood

I sacrificed my precious books to save my one and only couch. Goodbye Tolkien, goodbye Gibran. The waters rose, gaining depth and current. Outside, someone had tied a goat to the bumper of a Land Rover. It wouldn’t stop bleating.

Fire

The weekend before Christmas, protestors shut down the mall. Seattle Times, sad children and frowning grandmothers: “Isn’t there a better way to get their message across?”

No, no there isn’t. This country loves money more than freedom. It won’t listen to anything else.

It won’t stop the bleeding.

Mountain

In the spring I hiked alone, Sunrise Trail. Wildflowers poked out of mist: Indian paintbrush, foxglove, mountain gentian. When I turned back, surprise! A female elk, my shadow companion.

She walked away, stately, a queen in leather.

Flood

At the Red Cross I stood alone, waiting in line. Families in tents, in sleeping bags, piled in every corner indoors and out. Instant Homeless: Just Add Water. They gave me a debit card to buy food and boxes.

FEMA was clueless. They came four weeks late and wanted to give me a TV to replace the one I never owned.

Fire

The Reverend Jesse Jackson came by my work. I only heard about it afterwards.

The socialist newsletter I subscribe to invited me to a protest.

More children were shot, more unarmed men killed by police.

A week later, there was a bomb threat at work. I only heard about it four hours later, after the SWAT team announced there was no bomb.

Mountain

I put my fingers in the stream, but I did not drink. Clear ice melt washing emerald-gold moss and pebbles in a hundred shades of earth.

The salmon don’t spawn here. But sun-yellow butterflies light on the banks with feathery feet, long tongues curling.

Flood

When the water went back to the river where it belonged, blonde shocks of hay hung from power lines like the dried up scalps of Norse giants. Guess we showed them.

Fire

“All lives matter,” they yelled. And by “they” I mean the people whose children weren’t murdered in cold blood by a standing army. Occupation Domestication. No Voice Without Retribution. No More Constitution.

Silent, it smolders.

Mountain

Granite shoulders like a Picasso portrait, Blue Period. Cloaked with snow, capped with a swoff of cloud, trees at her ankles a golden froth of maple sugar, and that silence— broken! Because groaning glaciers, calving into babbling streams, tumbling into gurgling rivers and crashing into roaring oceans and this whole shouting planet of grasshoppers chirping and elk lowing and coyotes yip-yip-yowling and the fishermen coaxing their mermaids into rainbow nets of desire, because the starlings singing to children in the city and the oaks in Fremont cracking open those sidewalks with their wide black roots bursting out of every confining concrete wall and spilling over to fill the empty spaces left behind—!

………………………………………..

Liz Kellebrew lives in Seattle and writes fiction, poetry, literary essays, and creative nonfiction. Her work has appeared in The Coachella Review, Elohi Gadugi, The Conium Review, Mount Island, Section 8, The Pitkin Review, and Vine Leaves Literary Journal. She holds an MFA in Creative Writing from Goddard College.

Reading recommendation: Citizen: An American Lyric by Claudia Rankine.

Post-Election College Paper Grading Rubric

Dear Students,

Because I can no longer claim with any credibility that reading, writing, and critical thinking are essential skills for 21st century success, I have revised the grading rubric for your papers accordingly. Effective January 1, 2017.

Sorry for any inconvenience,
Dr. Daveena Tauber

Daveena Tauber is a writing consultant and professor. Find her consulting work at scholar-studio.com.

Originally published by McSweeny’s.

Floating

By Penny Perry

 

Mother couldn’t have known what to do.
She was only twenty-five,
drove her big sister, Leona, six weeks pregnant,
to the doctor’s in LA.

Leona squinted at California bungalows,
backyards with orange trees.
She thought about her husband home worrying,
her baby daughter waiting for her.

She told my mother about her screenplay,
a murder in the Braille room of the public library.
Then, she sat silent, her long fingers tangled like kelp.

The doctor glanced at his medical license
framed on the wall behind him,

said he was afraid to use ether.
Leona jutted her famous Heyert jaw:
“My friend Ruth told me to insist.
With ether I’ll float above the pain.”

It was hot that June morning, 1941.
No air conditioning. My mother
in the waiting room thumbed through magazines.
Big-eyed Loretta Young on the cover of Life.

It happened fast. Ether, a busy housewife,
pulled down the shades.

The doctor waved my mother in.
White face, head back, Leona was no longer breathing.
The ribbon in her dark hair floated in the breeze of a fan.

………………………………………………………

Penny Perry is a five time Pushcart Prize nominee. Her first poetry collection, Santa Monica Disposal & Salvage, was published in 2012 by Garden Oak Press. Her new collection, Father Seahorse, will be published by Garden Oak Press in 2017.

Reading recommendationSanta Monica Disposal & Salvage by Penny Perry.

A Poem by Rae Rose

The Other Day I Peed on a Stick

and when I peed on the stick I knew my blood was like poison.
When I turned 18, I had just started my medication, I peed on a stick, called a number
from the phone book to see if I could afford an abortion without anyone knowing.
It was a pro-life group with a deceptive name, the woman begging me to keep the baby.

So I told my mother. The doctor she took me to stuck his head in the room, said “Congratulations, you’re pregnant.” Shut the door. The woman who filled out my outtake form rattled on about her midwife. Her face changed. “You’re happy about this, right?”
She slowly drew hearts around her midwife’s name.

I wished those hearts could work some sort of magic —

make my blood less like the poison I was just beginning to know.
My mother’s aunt died of a back alley abortion. My mother wrote a poem about it called, “Floating,” because as she bleeds to death she is floating above the pain. Or maybe it was the ether that killed her. All sorts of things could kill you from an abortion back then.

At 22 my mother’s future mother-in-law said, “I can get you an abortion, but you have to say you’re crazy.” But my mother wanted him. In fact, my mother has wanted every pregnancy, especially the miscarriage. She has his mobile hanging above her bed.
A group of tiny ceramic bears in bowties that clink sweetly, quietly.

The other day I peed on a stick and when I peed on the stick
I knew my blood was like poison, but without my medication, I’ll go crazy.
I’ll never be the girl in the movie who throws up, pees on a stick, then says,
honey? I’m pregnant! And runs to her lover. Buys bitty shoes. Buys bitty hats.

I’ll never read aloud to my belly, then deny doing such a silly thing.
I won’t look into a tiny face and see a glimmer of me, of my mother, of my husband.
I won’t be looking at someone I will love forever. Someone to give the world to.
Someone for whom I’d make sure the world was something to fall in love with.

Trump is the President-elect. I peed on a stick and when I peed on the stick I knew
my blood was like poison and I’d spare a child all sorts of deformity, sickness.
I waited the two minutes you have to wait, wondering, what if he changes everything?
What if someday I can’t get an abortion, my blood like poison?

Will we use the phrase “back alley,” keep notes for other women of doctors who perform
the operation? Could I become a story my nephews tell? Another aunt with a tragic end? Will I float above the pain? Right out of the world I’d try to make magical for my child
if my blood was nothing, wasn’t anything like poison.

……………………………………………..

Rae Rose is a California poet and essayist whose work has been published in Cicada Magazine, Lilith Magazine and The Paterson Review, among other literary journals. Her book, Bipolar Disorder for Beginners is an account, in poetry and prose, of her struggles with that disease. Marge Piercy characterizes it as “powerful and emotionally charged.” Rae earned her MFA from Goddard College and is a poetry editor for Writers Resist.

Reading recommendation: Bipolar Disorder for Beginners by Rae Rose.

Almost Visible

By Laura Gail Grohe

 

When you see me, if you see me,
I am your worst fears found form.

“Pardon me sir,
but could I have a dollar for food?”

You rush by me studying your cuticles
so you don’t have to see me.

“Excuse me miss,
do you have any spare change?”

When I used to rush from subway to office
I never noticed the dust.
Squatting on sidewalk’s edge
fishing for your eye and quarters
the city’s dandruff covers me.

I didn’t start here, few of us do.
It was when I still had a private place
to sleep, to shower, to read,
that I was overcome by almosts.

Almost enough money to pay bills.
Almost poor enough for help.
Almost good enough for promotion.
Almost sick enough for hospital care.
Almost together enough to find a way out.
Almost.

Between the crushing weight of invisibility
and the slippery slide of not quite enough
I am just another dusty almost.

…………………………………………….

Laura Gail Grohe’s work has appeared in journals such as Paterson Review, and has been used in public rituals by the Green Mountain Druid Order and in church services. Her exhibit, “The Linens Project,” is a collection of antique linens with Laura Gail’s poetry hand embroidered on them. To learn more about “The Linens Project” go to linensproject.wordpress.com.

Writers Resist Launches

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Writers Resist, a literary collective born of the 2016 U.S. Presidential Election, publishes creative expressions of resistance by diverse writers and artists. We are dedicated to challenging all things that diminish our nation’s quest for equality, freedom, justice and a healthy planet for all—while having a bit of fun, which is why we publish weekly, not 24/7.

Given our fondness for words, we are including reading suggestions in the form of book covers used as illustration, books that relate to the writings we publish. If you see a book you haven’t read, considering buying it—preferably through an independent bookstore. You can look for your nearest one here. If you’ve written a book you’d like us to use, please contact K-B at writersresist@gmail.com.

We publish weekly (more often when necessary) with the intent that the works will be shared far and wide—in keeping with the Creative Commons guidelines for proper attribution of the author and Writers Resist, non-commercial use, and no derivatives. So share with abandon—just please do acknowledge the author and Writers Resist.

If you write or create visual art, take a gander at our Submissions page.

If you’d like to support our writers and artists with a $10 contribution, mosey over to our Give a sawbuck page.

The Action page is great for armchair activism—not everyone is made for marching on D.C.

And, our featured videos (at the bottom of the Home page) and news and and timely information (on our Facebook page) offer plenty of fodder for creative resistance.

Poke around and let us know what you think. If you like what you see, subscribe to Writers Resist—it’s free!

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Reading Recommendation: Acts of Resistance: Against the Tyranny of the Market by Pierre Bourdieu.

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Beware a Kinder, Gentler American Fascism

By David L. Ulin

Originally published by LitHub, November 16, 2016; used with permission of the author.

Let me begin with an admission: I don’t know how to write about this. I’ve been trying since Wednesday morning, day after the election, when I awakened with what felt like the worst hangover in the universe—and without the benefit of having gotten drunk. I’ve tried writing about Harvey Milk and the effect of the White Night Riots on the movement for gay rights. I’ve tried writing about vote tallies and the Electoral College. Tuesday night, I spent half an hour on the phone talking my son off the ledge—or no, not off the ledge, since it was the same one I was standing on. Later, I walked my daughter home from our polling place, where she had spent the day working and had voted in her first election; as we neared our house, she turned into my shoulder and burst into tears. I don’t want to make this personal, but of course I do. All politics is personal, or grows out of personal concerns. I am the father of a gay man and a straight woman, and both are at risk today. If you don’t think this is personal, then you better get out of my way.

I am not an activist, I am a writer. But we are all—we must be—activists now. As to what this means, I don’t yet know. Yes, to protests; yes, to registering voters and contesting elections; yes, to believing—to continuing to believe and fight for—this fractured democracy. But even more, I want to say, a yes to kindness, a yes to the human values for which we stand. This week, I began to dismiss my classes with a wish or admonition: Be good to each other and be good to yourselves. They’re scared. So am I. It seems the least that we can do.

What astonishes me is that the world continues. What astonishes me is that life goes on. What astonishes me is that I can step outside at break of evening, dusk deepening like a quilt of gauze across the city and everything looking as it always has. Down the street, a neighbor walks her dog while chatting on her cell phone; the smell of wood smoke lingers in the air. Just like last week, just like normal, although what does normal mean anymore? We have an anti-Semite as advisor to the new president, who is promising a first wave of deportations immediately after Inauguration Day. And yet, what frightens me is that in a year, or four months, this election, this administration, will become normalized, as will whatever happens next. We will get on with it, we always get on with it, but I don’t want to get on with anything. The dislocation is maddening: the inability to imagine a return.

I’m writing from a place of privilege; I understand that. I am a straight white male living in a (relatively) progressive state. Still, let’s not be fooled about what this means. Hate speech in a high school classroom in Sacramento, a gay man struck in the face in Santa Monica. Objects in the mirror are always closer than they appear. I have relatives who chose not to vote for president in Pennsylvania. In Pennsylvania, where the final margin was 68,000 votes. If this is a Civil War, it is one in which the battle lines are not the Mason-Dixon line but the driveways that separate us from our neighbors, our place in line at the supermarket, the traffic light at the nearest intersection, the kid at the next desk in our schools.

What do we do about it? We stand up, vocally and without equivocation, for the most targeted and the most vulnerable, we give our money and our comfort and our time. We are still a nation of laws, with a Constitution, and an opposition leadership. This, however, cuts both ways. If fascism or autocracy takes root here—and the seeds have already been planted, let’s not delude ourselves—it will be a kinder, gentler fascism, couched in the rhetoric of the American experiment. Normalized. That’s the America Philip Roth describes in The Plot Against America, in which Charles Lindbergh wins the 1940 presidential election and brings fascism to the United States. Roth’s country is one in which the World Series is still played in October, and kids sit in the kitchen with their mothers, talking about what they did at school. “Do not be taken in by small signs of normality,” Masha Gessen wrote last week on the blog of the New York Review of Books. “…[H]istory has seen many catastrophes, and most of them unfolded over time. That time included periods of relative calm.” All the same, Gessen reminds us we must “[r]emember the future. Nothing lasts forever.” To forget the future is to give up hope, and hope is our most prevailing necessity.

And hope, I want to say, begins with each of us. And hope, I want to say, begins at home. I keep thinking of Vaclav Havel, that dissident turned president, who in his 1978 essay “The Power of the Powerless” stakes out the position of a “second culture,” in which freedom begins as a function of our willingness to behave as if we are free. What makes this essential is its insistence that we are accountable, that the reanimation of “values like trust, openness, responsibility, solidarity, love” falls—personally, individually—to us. Keep the record straight, in other words, bear witness and participate, but also hold onto yourselves. “Individuals,” Havel writes, “can be alienated from themselves only because there is something in them to alienate.” I make a choice, then, not to be alienated; I make a choice to engage. I make a choice to preserve the values of tolerance, of love, of looking out for the other. I make a choice to act as a human being. “If the suppression of the aims of life,” Havel continues, “is a complex process, and if it is based on the multifaceted manipulation of all expressions of life, then, by the same token, every free expression of life indirectly threatens the post-totalitarian system politically, including forms of expression to which, in other social systems, no one would attribute any potential political significance, not to mention explosive power.” This is the resistance I am seeking, this is the revolution we require.

At heart here is a different sort of normalization—the normalization of who we are. We live in a country where we’ve been told (are being told every day) that we don’t belong. What do you think hate speech is? An attack on our right to consider ourselves American. I am an American, however, and so are you … and you and you and you and you. I do not walk away from that. We—and by that, I mean we in the opposition—are a nation in our own right and we have to stick together, to find the necessary common ground. My mother, who turns 80 in a couple of months, told me the day after the election that she had been talking to a younger friend, a woman with a teenage daughter; “I won’t live to see it,” my mother said, “but you and your daughter will.” She was referring to a woman president, but also, in a sense, to the restoration of what let’s call American values, for want of a better phrase. The conversation made me sad, and yet we can’t give in to sadness; that is not our luxury. At the same time, it is also necessary that we express it, that we can tell each other what we are feeling, how we are.

So how are you? I am worried, I am angry, and (yes) I am sad. I am also trying to live my life. This is the normalization I will not yield. Call it second culture. Call it whatever you like. I am reeling, we are all reeling, but I am teaching, I am writing, I am trying to take care of those I love. Saturday evening, I went out for dinner with my family. We sat across from one another and tried to be in each other’s company, which remains, as it has ever been, its own small sort of grace. The following morning, my wife and daughter began making plans to go to the Women’s March on Washington. This is where we are now. This is who we are. Resist. Remember. Stick together. Be good to each other and be good to yourselves.

………………………………………………….

David L. Ulin is a contributing editor to Literary Hub. A 2015 Guggenheim Fellow, he is the author, most recently, of Sidewalking: Coming to Terms with Los Angeles, a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay.

Reading recommendation: The Power of the Powerless by Václav Havel.

Male Bias

By Katherine D. Perry

 

Waiting five years to adopt a daughter,
I had time to carefully consider the impact
of male bias on foreign shores,
where, when you can only have one, girls
are left on the steps of schools and libraries,
and if they survive, they might be sent away,
to western countries, where women
can have as many as eight babies at once.

I look into her eyes and ache for a mother
who felt forced to let her go,
who had to break the mother-daughter bond
because of money and laws and culture and the need for a male child.

Now that I’m pregnant with a son,
I see my naiveté.
When I tell my friends that he is a boy,
I watch as eyes light and listen
to the long list of reasons why sons
are better than daughters: easy and calm
among the most common.
But then they add: simple pregnancies,
less dramatics, even a unique mother-son bond
that will somehow overtake my life.

I think of my feminism training,
of the penis-baby who, according to psychoanalytic theory,
will make me whole.
I look at the pay stubs stacked next to each other: mine and my partner’s
and consider the defeating weight of that common inequity.

Here in America, we claim equality.
Here in America, I walk without hoods or chains;
I drive my car; I vote in every election; I work.
Here in America, my son is expected to be
my easy child, the love of my life,
the missing key to my life’s mystery.
He will make more money than she will;
he will get promotions more quickly.

But I as I hold my Chinese daughter,
and share with her the pain of our two cultures
that leave our girls behind,
I am sure that we are not meant to be seconds.

……………………………………………………

Katherine D. Perry is an Associate Professor of English at Perimeter College of Georgia State University. Some of her poems have been published or are forthcoming in The Dead Mule of Southern Literature and 13th Moon. She works in Georgia prisons to bring poetry to incarcerated students and is currently building a prison initiative with Georgia State University to bring college classes into Georgia state prisons. She lives in Decatur, Georgia with her spouse and two children.

Reading recommendation: The Good Earth by Pearl S. Buck.

Was it foolish to think so?

By Sara Marchant

My husband’s birthday is November eighth. He takes the day off. We drive to Idyllwild for lunch. It is a windy day so we have the patio to ourselves until an elderly white lady with an elderly dog joins us. She greets the waiter by name and he greets the cranky old dog by name. The dog only growls.

“Did you vote yet?” the elderly lady asks.

“Yes,” the waiter looks toward our table before answering.

“Let’s whisper who we voted for,” the lady suggests. They both look our way this time. They put their heads together and whisper in each other’s ears.

They squeal in tandem as they pull away and slap hands. I am smiling when they glance our way again. The waiter walks to our table and peers into my coffee cup.

“I told you it was too strong,” he says. “I’ll bring you fresh and drink that cup myself.”

“I’ll take the fresh,” I laugh, ‘but you’d better not drink after me. I have a head cold.”

“Okay, okay,” he takes the cup and walks away laughing.

The bell on the restaurant door rings out.

“Who do you think they voted for?” my husband asks.

“Hillary, of course.” I am astounded he even needs to ask. “She’s a college-educated woman who lives in Idyllwild, and he’s a gay Mexican man. They’re with her.”

“How do you know he’s gay?” my husband argues. “You can’t know that.”

“I know,” I say. He stares; he won’t speak until I explain. “When he joked about drinking my coffee, did you feel uncomfortable? Territorial? Jealous?”

“No,” my husband says. “It’s like you were talking to your brother … oh.”

“Yep.”

The waiter brings the fresh coffee, and I drink it. We pay and prepare to leave. The elderly lady waves. I point to her “I voted” sticker and give her a thumbs up. Her dog growls in farewell.

We’ve declared the day social media free. We don’t go online and we watch the 1960s television series Stoney Burke instead of election coverage. We have that last day free, and when I think of it later, that last free day, I remember the elderly lady and our waiter’s gleeful high five.

*     *     *

Wednesday my mother calls me, early. She is crying. She needs me to go online and see if her neighbors are lying. They aren’t lying. Unless the whole world is lying.

“Are you sure? Are you sure?” my mother keeps asking. She can’t accept it.

“I don’t understand,” she says. “How could this happen? Are people really this stupid? I don’t … I can’t …” She ends the call because she is crying again.

When I was a little girl, my mother told me of a nightmare she first had when she was four years old. In the nightmare there is an awful man, an angry red-headed man wearing a trench coat and clenching knives in both hands. Surrounding my mother are the bodies of women, stabbed, hacked and bleeding. The awful red-head, Mr. Agony, is on a bridge above my mother’s head; he holds a woman by the arm. He throws the woman off the bridge and when she hits the ground her head comes off. My mother runs over and grabs the head, holding it with the neck uppermost so the blood doesn’t run out. She thinks that if the blood is preserved the head can be sewn back on. She is four years old. In trying to save the woman’s head, my mother realizes, she has lost track of Mr. Agony. He is no longer up on the bridge, she sees. He will be coming for her next. My mother had this dream for many years.

She thinks maybe her parents shouldn’t have allowed her to see the newsreels of the camps being liberated.

Wednesday I don’t go to work. My English as a Second Language students, mostly Chinese, have asked to cancel class. I remember going to the post office. I remember that four of five women I saw there couldn’t meet each other’s eyes. I remember crying with my mother. I remember crying with my friend Senta. I remember screaming at my husband when he asked why I was crying. I don’t remember much else.

*     *     *

Friday is my birthday, but I have to work. We celebrate on Saturday by going to brunch. The plan is to catch a movie after, but the thought of sitting in the dark with a bunch of strangers, strangers who might possibly have voted for bigotry, misogyny, racism, and environmental destruction, makes my skin crawl. Instead I decide to go food shopping. I want full cupboards and I want to be in the light.

We go to my husband’s favorite Chinese grocery store in Temecula. He once bought a cake mix called “Puto” there; this delights him. And the cake was quite tasty. In the rice aisle we spend 20 minutes talking with an older woman from Okinawa. She tells us about the cleanliness of Japanese rice compared to Californian—“California rice is just filthy”—why brown is better than white, and how CostCo is the best value for bread because the price of bread is just ridiculous.

“You don’t look like a bread eater,” she tells my husband.

“I’m not,” he says, pleased. “I’m Native. American Indian,” he clarifies.

“Your people walked across the Bering Straight,” she says. “I went to citizenship school.”

Later on, my husband says to me, “That lady sure needed to talk about rice.”

“It wasn’t about the rice,” I say. “It was never about the rice.”

*     *     *

That night, eating dinner, my husband asks about impeachment. My mother, who is eating with us, looks up, hopeful.

“Impeach the puppet so the master is in charge?” I ask. “That guy advocates conversion therapy. Using electric shock.”

My mother vomits. She literally vomits in revulsion, anger and fear.

When my mother was ten, her older sister was kidnapped, raped, and tortured before being dumped on the side of the road. My aunt spent the next two years in a mental hospital. In the 1950s no one talked about rape. We don’t even know if the doctors in the hospital were told what had happened. The only therapy my aunt received was shock therapy.

“I’ll never let anyone take you away,” my husband tells my mother. “Anyone coming for you or my wife will have to go through me.”

My mother shakes her head. My husband still doesn’t get it.

“You’re too young to remember,” my mother says once she’s cleaned up and comfortable, sitting on the sofa with a cup of hot tea. “Once the hate is institutionalized, everyone loses.”

When we are alone my husband will question me. “I get that you are Jews, I get that you are Mexican, I get that you are worried for your gay family, but your mom actually threw up.”

“My mom is an elderly, disabled Jew, with Mexican children, black grandchildren, Chinese grandchildren, gay grandchildren, but this was never about an election,” I will tell him. “This was never about Republicans or Democrats or red or blue. This was about thinking we lived in a country where we knew our neighbors. Some of them are assholes, sure, but we thought we lived in a country that would protect us from the assholes. We thought they would keep us safe. And we woke up Wednesday and discovered we weren’t safe at all.”

Were we foolish to ever think so?

…………………………………………………………….

Sara Marchant

Sara Marchant, a prose editor for Writers Resist, received her Masters of Fine Arts in Creative Writing and Writing for the Performing Arts from the University of California, Riverside, Palm Desert, and her Bachelors of Arts in History from the University of California, San Diego. Her work has been published by The Manifest-Station, Every Writer’s Resource, Full Grown People, and Brilliant Flash Fiction. Her work is forthcoming in the anthology Nothing But the Truth So Help Me God: All the Women in My Family Sing. She lives with her husband in the high desert of Southern California, where she enjoys teaching ESL at a Christian university, despite being the only Mexican-American Jew on campus.

Reading recommendation: We Have Always Lived in the Castle by Shirley Jackson.

The President-Elect Speaks

By Marge Piercy

 

“You can always go to another
state” to have your abortion
just so long as you’re rich,
have a nanny to watch your

kids, can take off from your
job, have a ride available
or your own car, aren’t
living at home or needing

to hide the procedure. Yes
affluent women could fly
to Puerto Rico while the rest
of us were doing it to ourselves,

dying of back alley butchery,
bleeding to death, left sterile
from botched operations,
yes, we can always just die,

Mr. Trump, and many mothers
will be leaving their children
to be raised by others, many
teenagers will drop out of school,

many women will die alone
in their bloody beds. It will
be just the way you like it
for women who dare to choose.

……………………………………..

Marge Piercy has published nineteen poetry books, most recently Made in Detroit and The Hunger Moon: New and Selected Poems from Knopf; seventeen novels; a short story collection, The Cost of Lunch, Etc.; four nonfiction books; and a memoir Sleeping With Cats. She has given readings, lectures and workshops in more than five hundred venues here and abroad.

Reading recommendation: The Story of Jane: The Legendary Underground Feminist Abortion Service by Laura Kaplan.

Twenty Ways to Protect Our Democracy

By Timothy Snyder

Americans are no wiser than the Europeans who saw democracy yield to fascism, Nazism, or communism. Our one advantage is that we might learn from their experience. Now is a good time to do so. Here are twenty lessons from the twentieth century, adapted to the circumstances of today.

  1. Do not obey in advance. Much of the power of authoritarianism is freely given. In times like these, individuals think ahead about what a more repressive government will want, and then start to do it without being asked. You’ve already done this, haven’t you? Stop. Anticipatory obedience teaches authorities what is possible and accelerates unfreedom.
  2. Defend an institution. Follow the courts or the media, or a court or a newspaper. Do not speak of “our institutions” unless you are making them yours by acting on their behalf. Institutions don’t protect themselves. They go down like dominoes unless each is defended from the beginning.
  3. Recall professional ethics. When the leaders of state set a negative example, professional commitments to just practice become much more important. It is hard to break a rule-of-law state without lawyers, and it is hard to have show trials without judges.
  4. When listening to politicians, distinguish certain words. Look out for the expansive use of “terrorism” and “extremism.” Be alive to the fatal notions of “exception” and “emergency.” Be angry about the treacherous use of patriotic vocabulary.
  5. Be calm when the unthinkable arrives. When the terrorist attack comes, remember that all authoritarians at all times either await or plan such events in order to consolidate power. Think of the Reichstag fire. The sudden disaster that requires the end of the balance of power, the end of opposition parties, and so on, is the oldest trick in the Hitlerian book. Don’t fall for it.
  6. Be kind to our language. Avoid pronouncing the phrases everyone else does. Think up your own way of speaking, even if only to convey that thing you think everyone is saying. (Don’t use the internet before bed. Charge your gadgets away from your bedroom, and read.) What to read? Perhaps “The Power of the Powerless” by Václav Havel, 1984 by George Orwell, The Captive Mind by Czesław Milosz, The Rebel by Albert Camus, The Origins of Totalitarianism by Hannah Arendt, or Nothing is True and Everything is Possible by Peter Pomerantsev.
  7. Stand out. Someone has to. It is easy, in words and deeds, to follow along. It can feel strange to do or say something different. But without that unease, there is no freedom. And the moment you set an example, the spell of the status quo is broken, and others will follow.
  8. Believe in truth. To abandon facts is to abandon freedom. If nothing is true, then no one can criticize power, because there is no basis upon which to do so. If nothing is true, then all is spectacle. The biggest wallet pays for the most blinding lights.
  9. Investigate. Figure things out for yourself. Spend more time with long articles. Subsidize investigative journalism by subscribing to print media. Realize that some of what is on your screen is there to harm you. Bookmark PropOrNot or other sites that investigate foreign propaganda pushes.
  10. Practice corporeal politics. Power wants your body softening in your chair and your emotions dissipating on the screen. Get outside. Put your body in unfamiliar places with unfamiliar people. Make new friends and march with them.
  11. Make eye contact and small talk. This is not just polite. It is a way to stay in touch with your surroundings, break down unnecessary social barriers, and come to understand whom you should and should not trust. If we enter a culture of denunciation, you will want to know the psychological landscape of your daily life.
  12. Take responsibility for the face of the world. Notice the swastikas and the other signs of hate. Do not look away and do not get used to them. Remove them yourself and set an example for others to do so.
  13. Hinder the one-party state. The parties that took over states were once something else. They exploited a historical moment to make political life impossible for their rivals. Vote in local and state elections while you can.
  14. Give regularly to good causes, if you can. Pick a charity and set up autopay. Then you will know that you have made a free choice that is supporting civil society helping others doing something good.
  15. Establish a private life. Nastier rulers will use what they know about you to push you around. Scrub your computer of malware. Remember that email is skywriting. Consider using alternative forms of the internet, or simply using it less. Have personal exchanges in person. For the same reason, resolve any legal trouble. Authoritarianism works as a blackmail state, looking for the hook on which to hang you. Try not to have too many hooks.
  16. Learn from others in other countries. Keep up your friendships abroad, or make new friends abroad. The present difficulties here are an element of a general trend. And no country is going to find a solution by itself. Make sure you and your family have passports.
  17. Watch out for the paramilitaries. When the men with guns who have always claimed to be against the system start wearing uniforms and marching around with torches and pictures of a Leader, the end is nigh. When the pro-Leader paramilitary and the official police and military intermingle, the game is over.
  18. Be reflective if you must be armed. If you carry a weapon in public service, God bless you and keep you. But know that evils of the past involved policemen and soldiers finding themselves, one day, doing irregular things. Be ready to say no. (If you do not know what this means, contact the United States Holocaust Memorial Museum and ask about training in professional ethics.)
  19. Be as courageous as you can. If none of us is prepared to die for freedom, then all of us will die in unfreedom.
  20. Be a patriot. The incoming president is not. Set a good example of what America means for the generations to come. They will need it.

………………………………………………

Timothy Snyder is the Housum Professor of History at Yale University, a permanent fellow at the Institute for Human Sciences in Vienna, and the acclaimed author of Bloodlands: Europe Between Hitler and Stalin and Black Earth: The Holocaust as History and Warning. His guide was originally posted on his Facebook page.

Reading Recommendation: Black Earth: The Holocaust as History and Warning by Timothy Snyder.

White Privilege, This Is America

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Through African-American Eyes

By Conney D. Williams

 

conneyjacketI didn’t sit down to write all of this, but here I am. The election seems like a dream, but I’m not one of those caught off guard. I don’t see it as such a surprise. As an African American, this is the normal America I’ve seen my entire life. Although the mindset the election reflects had been underground, more covert, this segment of society no longer wants to hold it all in or swallow the medicine of “change” or “inclusiveness.”

I don’t see the country any differently now than I have for the sixty years I’ve been alive. Those of us who have been fighting this fight can’t be caught unaware, can’t be blindsided by a national election.

Donald Trump has tapped into the colonial spirit of America, the Manifest Destiny that decimated complete tribes of Native Americans. Recently celebrated Thanksgiving is the epitome of America’s character and heart. When the Native Americans were trying to find ways to assist struggling colonists, the colonists were planning how they could take their land and crops. As the Native Americans were offering food and thanks, the colonists were offering infected blankets.

Donald Trump’s promises are the same.

Tell me when America was ever great. America loves the idea of looking great, but this is only done through smoke and mirrors, through imposing its will upon others who have less might. When has America kept her promise to be one nation under God, indivisible, with liberty and justice for all? When have the marginalized segments of society not known a life of marginalization or murder or systematic policies designed to keep individuals at bay and real liberty out of reach? How about a time when those who have been marginalized have been able to walk up to Washington and cash the check called Freedom?

I am not surprised Donald Trump is the president-elect of this country. Didn’t the births of Black Lives Matter and other significant groups of historically disenfranchised peoples happen during Barack Obama’s presidency? Didn’t we see the repeated revelation that Black people are still the target of state-sponsored lynchings and incarceration/slavery during the Obama presidency? What really changed because there was an African-American family occupying the White House?

All I’ve known my entire life has been to fight vehemently for my inalienable rights as a citizen of the United States, yet everywhere in America, I have been denied access to what is mine from birth. What has been promised to all remains reserved for those whose skin color is fairer than mine, for those who feel their rights have been diminished by those whose skin color is closer to mine. How fucking ridiculous is that? How has white privilege been diminished in America? When has white privilege not assumed all the resources of this country as its own?

Whenever the disenfranchised want more than crumbs that fall from the table of white privilege, it’s called “reverse discrimination” or we must “make America great again”—and we all know what that entails.

The “core values” of the America I know don’t serve those who have been disenfranchised their entire human existence; they serve white privilege.

And white privilege doesn’t want to be uncomfortable in any way. But inclusiveness and change require that white privilege be discomforted. And, We the Disenfranchised, know that that is not something white privilege is ready to embrace.

……………………………………………………….

Conney D. Williams is a poet, actor and performance artist, originally from Shreveport, Louisiana, where he worked as a radio personality. Conney’s first collection of poetry, Leaves of Spilled Spirit from an Untamed Poet, was published in 2002. His poetry has also been published in various journals and anthologies including Voices from Leimert Park; America: At the End of the Day; and The Drumming Between Us. His collection Blues Red Soul Falsetto was published in December 2012, and he has released two new poetry CDs, Unsettled Water and River&Moan, available on his website.

Reading recommendation: Their Eyes Were Watching God by Zora N. Hurston.

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