The Notorious

By Alex Penland     

 

Do you remember Yad Vashem? How
the path that leads you through the
exhibit is chronological and single
lined, each point presented on a hair
pin turn of events: here is where a new
legislation was passed, here is where
some diplomat died, here is where the
people thought oh, one more degree
in this pot won’t make the water
boil yet. But then you cross the river
gap to the next section of the exhibit
and are suddenly granted a perception
of time as a whole, not a part, and when
you reach the section where it gets so
bad that you think you must be near the
end you look down the line at all the
bridges and no. You’re half through.
Half through the voices saying we
thought they wouldn’t dare, thought
people were better than they were or
human goodness was more ubiquitous
than it is or some protection was more
sturdy than the flimsy social contract
it turned out to be and things get so
much worse, and the hope of it becomes
less a light in the tunnel and more a
light in the eyes blinding us from the
things that live in the darkness. She
was one of those protections, I think
now, a stone wall painted on paper,
and through the fire it’s amazing she
held the line as long as she did, but
that greasy burning and a squealing
that is not pigs is coming closer now,
and for the moment I am on the safe
side of the shower door, but I can’t
help but look down the crack in the
exhibit hall and think we aren’t even
close yet, we’re not even close to the light.

 


Alex Penland was a museum kid: a childhood of running rampant through the Smithsonian kicked off a lifelong inspiration for science fiction, poetry, and science-inspired fantasy. Their work has been internationally published in The Midwest ReviewStory Cities, and the upcoming Strange Lands anthology by Flame Tree Press. Their poetry has been awarded by Writers’ Digest and previously appeared in the December 2018 issue of Writers Resist.  They currently live in Scotland studying for a PhD in Creative Writing. You can follow Alex on Twitter @AlexPenname or visit their website at www.AlexandraPenn.com.

Yad Vashem photo by Anders Jacobsen on Unsplash.

The Great

By Alex Penland

He had a reason for his name: “The Great”
Now buried in the Valley of the Kings—
Statues and treasures, all of which abate
Behind the wheel of fate that spins and sings
And has four thousand years beneath it now!
Yet Ozymandias somehow persists—
Face on our screens, obscuring ancient snow,
We laugh, despair, continue to resist.
We plebeians, outside the formal walls
Marble temples, or gold as they see fit—
Endure as empires rise, stagnate, and fall.
And forget King Ramses when we see it.
Four thousand years have passed and still we stand
On broken stone, our visage in the sand.

 


Alex Penland was a museum kid. The child of a photographer and a Scuba diver, she spent her teenage years in the field: Penland has worked with Smithsonian archaeologists, NASA software engineers, volcanologists and photographers. She has been bitten by a shark, she watched the final shuttle launch from the fire escape outside Launch Control, and she has been a certified diver since age twelve. She likes dogs, long walks on the beach, and socialized medicine. Also books. She is one of two directors of The Writers’ Rooms in Iowa, an editor for hire, an amateur linguist and a Taurus. Her work has received many accolades, including an Honorable Mention for The Great in the Writer’s Digest Annual Contest 2017. You can follow Penland on Twitter @AlexPenname or visit her website at www.AlexandraPenn.com.

Photo credit: Institute for the Study of the Ancient World, NYU, via a Creative Commons license.