The Lure of Socks on Warm Feet

By Amelia Díaz Ettinger

Never forget, September 20, 2017 and Maria

 

In my La-Z-Boy I sit, a Puerto Rican queen,
feet-up admiring my knitted socks.
I made these socks by knit and purl.
5,746 miles away from you
it is easy to say, I worship.

—And oh! How I preach this veneration,

the warmth of pale green light
the whiteness of sand
the contrast of ocean currents
the dwarf forest, and the crowded towns

Yet, the truth can’t be changed—I left.
Abandon your Central Cordillera for the Blues,
an exchange of choice, not necessity.

I saw the hurricane while wearing star-banded socks,
glued to a television where electricity is constant,
three hot meals a day, sitting at home.
There were no cold cuts day after bloody day,

no Samaritan truck around the corner,
no spoils of mud, and expiring life
no kitchens without a roof
no bottled water in locked warehouses
the trees bare of leaves, not a single flower
petals can’t contain the hurts.

That September, out my window,
the meadow was full of lupines.
Purple or gold,
their curious heads sat one on top of another
a soft pyramid greening gently in the breeze.
The sight of those flowers,
a hurricane of shame.

 


Amelia Díaz Ettinger is a ‘Mexi-Rican,’ born in México but raised in Puerto Rico. As a BIPOC poet and writer, she has two full-length poetry books published; Learning to Love a Western Sky by Airlie Press, a bilingual poetry book, Speaking at a Time /Hablando a  la Vez by Redbat Press, and a poetry chapbook, Fossils in a Red Flag by Finishing Line Press. Her poetry and short stories have appeared in literary journals and anthologies, and she has an MFA in creative writing from Eastern Oregon University. Presently, she and her partner reside in Summerville, Oregon, with two dogs, two cats, and too many chickens.

Photo credit: Carissa Bonham via a Creative Commons license.


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Two Poems by Amelia Díaz Ettinger

Brown-Headed Cowbird

Molothrus ater

 

I know what it’s said about me

that I am a bad mother
a brood parasite

—no

I know I relinquish
my eggs to the care of others
but notice; I take my time
watching in torture-wait until
I find her,
the perfect host
a serious, smaller, caring
female in this fragile world
where hatchlings are unattended
—no

even though you think I’m vile
to throw one—or two—of her
eggs out of her nest,
my babies will hatch first
it’s not my fault
she prefers their size
and look—
who can resist their opened
beaks, a rosy-red
that disgraces any flower
—no

I do what I naturally do
to make sure my own
have the best success
you can call me what you may
—but in my place,
for the sake of them
—not your own
would you
have the courage
to do the same?

 

 

The Wild Turkey Is a Good Mother

Meleagris gallopavo

 

a native to the Americas
with a name derived by accident
what did they know in England?

when you arrived at those shores
from boats ferried by Turkish merchants
i prefer your name in Spanish— Gallopavo

kin to the Gallinules that walk on water
lilies that dress in raucous colors—not you
—except for your head, you are dowdy

better for concealment as you lay
your eggs on dry leaves, and land
unsteady—and loud—on tree branches

you’re boisterous without melody, but the reward
in the camaraderie of your rafters
aunts, mothers, and grandmothers take care

of everyone’s poult as their own
—that is why you thrive while the male
opens his wings and tail to allure—

and i wonder how it is to receive all that sheen
from love, from care?

 


Amelia Díaz Ettinger is a ‘Mexi-Rican,’ born in México but raised in Puerto Rico. As a BIPOC poet and writer, she has two full-length poetry books published; Learning to Love a Western Sky by Airlie Press, and a bilingual poetry book, Speaking at a Time /Hablando a  la Vez by Redbat Press, and a poetry chapbook, Fossils in a Red Flag by Finishing Line Press. Her poetry and short stories have appeared in literary journals and anthologies. Amelia Díaz Ettinger has an MFA in creative writing from Eastern Oregon University. Presently, she and her partner reside in Summerville, Oregon with two dogs, two cats, and too many chickens.

Photo by 42 North from Pexels.


A note from Writers Resist:

Thank you for reading! If you appreciate creative resistance and would like to support it, you can make a small, medium or large donation to Writers Resist from our Give a Sawbuck page.