Tag: first 100 Days

First 100 Days: We the People Who March

By Yun Wei

We walk because that is all to be done
all our bodies can do
when so much has been done to us.

We walk because it’s not done: the work
of hands pressed against stone
and monuments, the work that hands must do

when there are no more parts
to assemble, just an endless sorting
of hows and whys, punctuation marks

that can’t contain the content,
as if brackets could stand for windows,
as if a parenthesis could pronounce justice,

inclusive, resistance – all the words
we need in stone. (No need to pull down
the monuments: these were already written)

We walk because gravity is sliding past,
because backwards is not a road,
and when the pavement slides too,

and the lampposts and stop lights,
the freeways and ways to freedom,
we will find a rise in morning light

that casts lines as wide as roads
because rising is all our bodies can do
when there is so much to be done,

so much to make bright.

Yun Wei received her MFA in Poetry from Brooklyn College and a Bachelor’s in International Relations from Georgetown University. Her writing awards include the Geneva Literary Prizes for Fiction and Poetry and the Himan Brown Poetry Fellowship. Her fiction and poetry have appeared in decomP Magazine, Roanoke Review, Apt Magazine, Word Riot, The Brooklyn Review and other journals. For the last few years, she was working on global health in Switzerland, where she consistently failed at mountain sports.

First 100 Days: Protest Poem in Two Acts

By Zigi Lowenberg

 

I.

saturday, january 21, 2017

she’s got the whole world…
holding Mom’s hand, their fists raised in West Palm breeze
while her stepdaughter and grandsons march in Hawai’i
her cousins throng Fifth Avenue
as her Oakland tribe rings Lake Merritt.

only later she learns,
another big lie floats, his number bloats
for Langley his facts are phooey
he signals, he gloats.

II.

street alchemy

making poems with her hopeful feet
gutter balls of fire, the heat—the heat
burning railing throats, running sore
we’re chanting sparks that bite and fuel
crowdsourcing for that asphalt elixir “Justice!”
surely it must come
on our hot sweaty insistent heels
of THIS. 

 

 Zigi Lowenberg, performance poet and co-leader of the jazzpoetry ensemble UpSurge!, has appeared at music festivals, rallies, clubs, bookstores and universities from NYC to New Orleans to San Francisco. Zigi’s acting credits include The Lysistrata Project, the Stein-Toklas Project, and John Brown’s Truth, Zigi is a member of the National Writers Union, and Radical Poets Collective. Her poetry has appeared in the poetry journal rabbit and rose. Her essay, “Support the Edge!” will be published in a book Creative Lives (spring 2017). Zigi and her husband, Raymond Nat Turner, are executive producers on UpSurge!’s two independent CD recordings, which have garnered critical acclaim. They live in Harlem and Oakland.

Photo credit: Dennis Hill via a Creative Commons license.

First 100 Days: Sanctuary

By Jennifer Hernandez

Border fence
divides
barbs catch
rip
prevent
free range
prevent
migration
of wildlife
of many lives
gaps
allow glimpses
of el otro lado
amber waves
blue blue skies
gauzy clouds
floating elusive
storms brew
on the horizon

 

Jennifer Hernandez lives in Minnesota, where she works with immigrant youth and writes poetry, flash, and creative nonfiction. Much of her recent writing has been colored by her distress at the dangerous nonsense that appears in her daily news feed. She is marching with her pen. Recent work appears in Anti-Heroin Chic, Dying Dahlia, New Verse News and Yellow Chair Review, as well as Bird Float, Tree Song (Silverton Books) and Write Like You’re Alive (Zoetic Press).

 

First 100 Days: Power by Adrienne Rich

By Tarra Stevenson

Living in a white fog of patriarchy/phallocentrism/misogyny

Today a class of teenage girls
radiant
discussed the power
of Marie Curie
her sacrifice to birth knowledge
even in the face of her own death. A radio-
active superwoman.

Today a vice-president eliminated
possibility
potential
denying their rights
denying her fights

and the teenage girls understand this
toxicity.

But they are tired
of sacrificing,
of seeing
(ElizabethWarrenMaxineWatersHillaryClintonHenriettaLacksZeldaFitzgeraldMarinaAbramovicMothersSistersDaughtersJaneDoeUnnamed)
themselves
Sacrificed.

They refuse this half-life.

 

Tarra Stevenson teaches at an all-girls school, where she is an agitator, educator and feminist. She has fiction in Shirley Magazine and poetry in Vinyl Poetry and Prose. She earned her BA from UC Davis, her MA from Loyola Marymount University, and is currently pursuing her MFA in fiction from UC Riverside’s low-residency program.

Photo credit: Loran via a Creative Commons license.

First 100 Days: March of the Millennials and Grandmas

By Candy Schulman

Editor’s note: Trump’s inauguration initiated a series of public demonstrations that have continued throughout his first 100 days—including, challenging his refusal to release his taxes, in support of science and the environment, in defiance of his bigoted attempts to limit immigration and, as this essay reminds us, to make clear the power of women inspired to action by racism, misogyny, xenophobia, Islamophobia and injustice. 

“Does this bring you back to your protesting days of the sixties?” my 22-year-old daughter asked me.

We were gathered with a group of writers in my friend’s apartment to assemble for the Women’s March the day after the inauguration, a short walk from our larger group’s meeting place. Even more importantly, she had two bathrooms where we could eliminate our bladders one last time before chanting, “This is what democracy looks like!”

“I never thought I’d be marching again,” a friend remarked after her final bathroom run. She was a grandmother, her thoughts reflecting signs we’d later see: I CAN’T BELIEVE I HAVE TO PROTEST THIS CRAP.

My daughter’s friends gave our posse diversity. I was thrilled to share this event with her, the way we’d voted last November, posting a Facebook photo saying, “We’re voting for the first woman president of the U.S.!”

Now my daughter wanted to know if today was like the past.

“Yes,” I told her, “but the drugs are different.”

My comrades discussed how much Xanax they’d ingested. I tended to reduce anxiety through meditation and swimming laps. Today, I wanted to fully feel the vibrations of sharing my daughter’s first protest march.

She wasn’t sure how many friends would come until the last minute, texting her social circle.

My host had sent out official invitations and instructions for weeks, and we’d RSVP’d to meet at her place as though responding to a wedding invitation. She snapped a photo before we left: three generations ranging from 14 to she-who-has-never-revealed-her-age. We dressed according to assorted maladies and hormonal spikes. A mix of original knees and replacements, we were a rowdy arthritic bunch: eager, hopeful, filling our pockets with tissues in case we found ourselves someplace without toilet paper.

It was unseasonably warm, temperatures approaching 50. A cool breeze whipped up. Noticing my daughter’s friend in a gray turtleneck and thin hat, I refrained from saying, “Are you dressed warmly enough?” I didn’t want to sound like her mother. Besides, she was from Maine.

Arriving at our designated starting corner, we found peaceful chaos. Crowds had grown so thick, we were gridlocked on East 48th Street. Occasionally the crowd roared, as if we were starting to move, but it was the kind of cheer you’d see at a baseball game when the stands erupt in an impromptu wave.

My daughter and her friends posed for a selfie. They looked so innocent and fresh, yet I worried that the rights they’d always expected might now be eroding. And I realized that those rights would mean much more to them once they had to fight for them.

A friend photographed the two of us, holding the sign she had crafted: WE HAVE TO START TALKING ABOUT THE ELEPHANT IN THE WOMB.

“Look at that adorable little girl,” my daughter said, pointing to a three-year-old on her father’s shoulders, holding a sign: NEXT POTUS.

Ninety minutes passed and we still hadn’t moved. “We’re going to push ahead,” my daughter said with the impatience of youth. “Do you want to come or stay?”

I wanted to march with her, but I was supposed to remain with my group. The organizers urged us to follow the rules for crowd control. I was no longer that sixties antiwar protestor, unafraid to be tear gassed, bailing friends out of jail. I’d turned into an adherer of the rules, a college writing professor who taught students to abide by attending classes and meeting assignment deadlines.

I told my daughter to go and kissed her cheek, hiding my disappointment.

An hour later we were still stuck in place. I worried about my daughter being trampled if the crowd grew impatient. Life without Xanax.

“Let’s reverse direction,” my group suggested.

That’s when we splintered into three subgroups. And I ended up alone. I began to feel claustrophobic the way I do in airplanes. I pushed my way through throngs of shoulder-to-shoulder people, all remarkably calm, waiting their turn. All 400,000 of us. The mall in D.C. is spacious. New York streets are narrow and dark.

“I’m having a panic attack,” I explained, forcing my way through bodies, signs and babies. When I reached Grand Central, thousands were spewing from subways and trains, and I went the opposite direction, downtown toward home.

Landing in Union Square in the sunshine, I felt my blood pressure lower. I ended up sharing the march with my daughter the way Millennials communicate all the time:

“We reversed direction and found our way to the march,” she texted. “We’re on Fifth Avenue!”

“Store employees keep waving at us!”

“I think I just saw Senator Schumer!”

She kept the texts and photos coming. This wasn’t how I’d expected to share my daughter’s first protest march, but technology allowed us to do it together after all.

That night we cooked lasagna, craving comfort food. We formed a group message, sharing photos of protest messages from one edge of our country to the other. One of our favorites: NOW YOU’VE PISSED OFF GRANDMA. That was how I felt, a bit old to be protesting this crap anymore, but doing my part as much as I could. I was passing the protest torch onto my daughter, but I’d always be there to cheer her on.

 

Candy Schulman is an award-winning essayist who has published personal essays and political Op-eds in The New York Times, The Washington Post, The Chicago Tribune, New York Magazine, Salon, and elsewhere. She is a creative writing professor at The New School. As an anti-war protestor at Ohio State University in 1970, she published an essay about the four students who were killed at Kent State, illuminating how peaceful student protests were combatted with tear gas and guns, whereas post-football game drunken brawls were overlooked by police.

Photo credit: Thomas Altfather Good via a Creative Commons license.

First 100 Days: Wiretap Tweets—Defined

By Charles W. Brice

 

Terrible (tĕr′ə-bəl): n. A salutation. Syn.: dear, my dear, hi, hello

Just (jŭst): n. & v. A statement of absolute truth. Ex: Just found out that Obama had my “wires tapped.”

Found Out (found out): tr.v. To receive an incontrovertible revelation of indisputable fact from a minor entertainment personage on Fox News.

Wire (wīr): n. A force aimed at crushing narcissism.

Tap also Tapp (tăp): n. A euphemism for the shattered fantasies of a tyrant.

Lawyer  (loi′yər): n. Someone who will teach everyone a lesson.

Sacred (sā′krĭd): adj. A term used to depict something as being religious when one is wholly ignorant of religion or spirituality. Ex: sacred toothpicks, sacred cornflakes, “sacred election process.”

“Wiretap” (wīr′tăp′): tr.v. To watch, surveil, or look at. Ex: “Wiretap that girl, Billy, and pass me a Tic Tac.”

Bad  (băd): adj. A dyspeptic global emotion experienced upon waking in the early hours and relieved only through tweeting before breakfast or by experiencing a huge, laxative induced, bowel movement.

Sick Guy (sĭk gī): n. Any member of the entire world who disagrees with the tyrant.

Sad (săd): adj. 1. Whatever inhibits grandiosity. 2. n. The present state of affairs in the United States of America.

 

Charlie Brice a retired psychoanalyst living in Pittsburgh. His full length poetry collection, Flashcuts Out of Chaos, is published by WordTech Editions (2016) and his second collection, Mnemosyne’s Hand (WordTech Editions), will appear in 2018. His poetry has been nominated for a Pushcart Prize and has appeared in The Atlanta Review, Hawaii Review, Chiron Review, The Dunes Review, SLAB, Fifth Wednesday Journal, and elsewhere. Read about Charlie’s collection Flashcuts Out of Chaos at The Borfski Press.

Note: Wiretap Tweets-Defined was previously published in Tuck Magazine.