Poem in Response to Mass Shooting Number 130 in the United States of America 2023

By Ellen Girardeau Kempler

This poem is a scaffolding
built of assault weapons
& high-capacity magazines
for recurring questions I have,
a terrible structure for hanging
reloadable horrors in bright daylight.

What questions?
you might ask. I’m dumbfounded.
I can’t even

answer, can only instruct you
to remain perfectly quiet & listen—
maybe hide behind/under a desk,
evaluate your escape routes,
hug your friends, text your family,
dial 911, take out your ear buds,
stop talking, notice the sound
of your heart throbbing in time
with the blood still mercifully
coursing through your body.

My questions arise again & again
in sudden gasps, forever-startled
intakes of breath, metallic taste of
bile in my mouth, unanswerable,
mute.


Ellen Girardeau Kempler’s poems have appeared in the DewdropWild Roof JournalTiny Seed Literary JournalNarrative Northeast and many other small presses and anthologies. In 2016, she won Ireland’s Blackwater International Poetry Prize and honorable mention in Winning Writers’ Tom Howard/Margaret Reid Poetry Contest. Called “a timely and powerful selection of climate poetics,” her chapbook, Thirty Views of a Changing World: Haiku + Photos, was published in December 2017 by Finishing Line Press. Her next chapbook,  Fire in my Head, Flame in My Heart: Poems of the Pyrocene, is forthcoming from Kelsay Books in 2025.

Photo credit: Stephen Melkisethian via a Creative Commons license.


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A Sunday in October

By Ariel M. Goldenthal

 

The day after the Tree of Life synagogue shooting, I lied to my second-grade students: You are safe at Hebrew school. You will love learning the Aleph-Bet this year. Yes, you can open the windows and feel the early fall air ripple through the gaps between your outstretched fingers. You can have recess outside next week. Your teachers don’t need to be trained to apply a tourniquet. There’s nothing wrong with our classroom’s tall glass windows that look right into the front garden. I’m closing the blinds because it’s so sunny out. Let’s start with our usual morning activity. Today we’re learning about praying to God, which isn’t related at all to the reason your mom’s eyes looked red this morning and your dad whispered, “Maybe he should stay home today.” This happened in a synagogue very far away—not like where we live at all. No, this isn’t something that happens often.

I don’t tell them how the education director called all the teachers on Shabbat, a day when work is forbidden and rest is required, to tell us that despite, or perhaps because of, the horrific loss that day, religious school would still take place the next day; how the doors to synagogue, usually propped open on Sunday mornings to accommodate the flood of parents holding half-eaten bagels and their children’s hands, were locked; how we had to show our photo I.D.s to the officers in the main lobby who told us that we would collect our students and bring them to the classroom—parents wouldn’t be permitted inside; how Rabbis passed around handouts hastily adapted from the ones secular teachers received after the first school shooting this year, but didn’t need because they, like us, are used to the terror by now.

 


Ariel M. Goldenthal is an associate professor of English at George Mason University. Her work has appeared in The Citron ReviewFlash FrontierMoonPark Review, and others. Read more at www.arielmgoldenthal.com.

Photo credit: Sharon Pazner via a Creative Commons license.


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Ho’oponopono

By Kelsey D. Mahaffey

“In the book of the earth, it is written:
nothing can die.”  – Mary Oliver

 

The morning after it happens
again—weary with all
the thoughtless use of prayer,
I return to the Native path—

for solace,
for remembrance,
for release—

But grief is a heavy hold.

Last night, I lay awake
searching each shooting
star—the moon a wound
the sky refused to heal.

And today, as usual, the sun
woke from bended knees—
rising to break
the long hush of night.

So many have left
to hunt for arms—
answers or anger,
who can say? All around,

there are islands of dew
gathering the spring fields,
birds busy with work—
children still to feed.

Forgive us.

Somehow, a worn cradle of
moon still rocks—heaving waves
upon the shore. A ground dust dances
in the merciful arms of wind.

Dearest Mother,
if we ever choose to weep,
let it be tuned to the depths
of your whale’s forgotten song.

  


Kelsey D. Mahaffey rests her head in Nashville, TN, but keeps half her heart in New Orleans. She needs music and nature like breath and water, and walks the earth barefoot beside three humans and a bow-legged cat. Her work can be seen or is forthcoming in: Eunoia Review, Cumberland River Review, The Sunlight Press, and “The Keeping Room” at Minerva Rising Press.

Photo credit: Debbie Hall, photographer and author, and Writers Resist poetry editor.


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It’s Complicated

By Mark Williams

 

I’m scrolling through my Facebook feed—sunsets,
cats, lost dogs, cats—when I see a post
from a friend I’ve known for thirty-plus years. Someone
like someone you know, I bet. Your someone
might roof Habitat homes, deliver meals to shut-in’s,

conduct sing-a-longs at elder cares, teach kids to read.
Without divulging my someone, I think it’s fair to say,
on balance, his scale tips to the good—
as your someone’s scale tips, most likely,
on most days, anyway. The post in question

refers to a certain President of the United States
who wants to outlaw semiautomatic guns, a first step
in outlawing all guns and if you are not afraid to show it,
re-post this, it says. This, three days
after the most recent carnage. How is this possible?

So don’t be surprised when your friend re-posts or compares
bullhorns in Nashville to handguns at the Capitol
or spouts the dangers of firearm registries. But
if you figure things out—how a someone like this
can be a someone like that—let me know.

I could be dying to hear from you.

 


Mark Williams’s poems have appeared in Writer’s Resist, The Southern Review, Nimrod, Rattle, and The American Journal of Poetry. Kelsay Books published his collection, Carrying On, in 2022. His fiction has appeared in The Baffler, Eclectica, The First Line, The Write Launch, and Cleaver. He lives in Evansville, Indiana.

Image credit: Golden Gate Blond via Cyberbullying Research Center under “Fair Use.”


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Duplex with Gun

By Dotty LeMieux

 

The gun tucked neatly in the large man’s waist
I avoid his stare, move slowly, lock the door

I move slowly out the door
Cap pistol held at the ready

The gun moves out in the large man’s hand
Children run fast across the lawn

I cross the lawn going pop pop pop
Children scream and then they drop

Children scream, I watch them drop
One by one, as the big man shoots

The children laugh, they jump up, shoot back
Harmless popping under the sun

The popping stops, the sun is gone
The gun tucked back in the large man’s waist.

 


Dotty LeMieux is the author of four chapbooks, Five Angels, Five Trees Press; Let Us Not Blame Foolish Women, Tombouctou Books; The Land, Smithereens Press, and most recently Henceforth I Ask Not Good Fortune, Finishing Line Press. A new chapbook is forthcoming from Main Street Rag, likely to appear in 2023. In the late 1970s to mid-1980s, she edited the eclectic literary and art journal Turkey Buzzard Review in the poetic haven of Bolinas, California. Her work has appeared in numerous print and online journals and anthologies, including Writers Resist. Dotty lives with her husband and two aging dogs in Northern California, where she practices environmental law and helps elect progressive candidates to office. You may read more at her blog.

The photograph, “Halloween at Gun World, Burbank,” is by Stephen Sossaman, a writer living in Burbank, California. His primary resistance work is within the peace movement.


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Velocity Squared

By Flavian Mark Lupinetti

 

when the gun smoke clears
and the EMTs bring the bodies to my ER
and I ask why they bothered and they say
we need someone to pronounce them most
times I say you pronounced them just fine
but today I can’t bear to make that joke
because these aren’t so much bodies as
they are chunks of protoplasm subordinated
to the law of physics that dictates force
equals mass over two times velocity squared

when the gun smoke clears
I reflect how clever of Eugene Stoner
who shrewdly designed his AR-15
to fire rounds of a petite .223 caliber
but to propel them at 3200 feet per
second because how else to
penetrate steel plate at 500 yards or
disarticulate a leg from the pelvis
with a flesh wound below the knee
unless you rely on velocity squared

when the gun smoke clears
it still amazes me that these
headless corpses and these
exploded chests each resulted
from a single shot yet it makes
perfect sense mathematically
if you want to create an exit wound
the size of an orange with a bullet
smaller than your Bic pen
you need that velocity squared

 


Flavian Mark Lupinetti, a poet, fiction writer, and cardiac surgeon, received his MFA from the Vermont College of Fine Arts. His work has appeared in About Place, Barrelhouse, Bellevue Literary Review, Briar Cliff Review, Cutthroat, Sport Literate, and ZYZZYVA. Mark lives in New Mexico.


Image credit: Jasper Nance via a Creative Commons license.


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Search Terms

By Holly Stovall 

 

I opened the search bar, typed in “middle-aged women support Black Lives Matter” and narrowed the results to “images.” Google spit out a white couple, on the stairway in front of their mansion, pointing guns at protesters marching by. It’s not what I was looking for, but Google taunted me—Aren’t you curious? I clicked on the link.

What?! So now I’m standing under a pixelated oak tree holding a sign that says, “Abolish the Police,” while across the lawn, a man and a woman are aiming guns at me. The man with a gun is shorter than the woman with a gun, but his weapon is bigger. Their faces are pink, like pigs. Everything is lit—back lit, front lit, inner lit, and I’m in a multidimensional screen. I turn my sign over to show daisies on tall stems.

The woman is looking at me, but tilting her head towards him. “Who the fuck is this?” she says, and then, to me, “How did you get in here with us?”

Her pistol is polished. Her top is a navy French boating chemise with a sequin appliqué on the breast pocket. It overwhelms the pixel compactor and spews out blinding rays of fluorescence.

“Didn’t your daddy teach you not to point guns at people?” I say. “Aim it at the sky.”

I scan the perimeter of my vision for the “leave” option, but find none.

The woman explains that this isn’t Zoom; there’s no exit option. Her name is Kelly, and she doesn’t know how she and her husband, Brody, got swooshed in. They had been in opposite wings of the mansion. Kelly wants to know what I was doing when the search engine sucked me in, so I say I was just browsing the internet, clicking on random stuff.

She lowers the gun and asks me about my search terms. Hers were “middle-aged women righteously threaten protesters with gun.” I don’t say what I’m thinking. First, that the adverb, righteously, is unnecessary. Also, that she’s the only middle-aged woman who rose to the top of Google results for waving guns at people practicing the right to free speech. Last, she embarrasses me.

I ask her if she has any theories about why Google generated me for her, but before she answers, Brody informs us that Google is an algorithm.

“Are you familiar with mansplaining?” I say, and then regret it because he’s wielding a fat automatic attached to a black strap slung across his hot pink Polo shirt. Even though we’re just pixels, the threat feels real, and I’m afraid. I don’t know the rules in here, but it seems I shouldn’t have pissed him off.

Kelly thanks Brody for his Google wisdom. “Hun,” she says, “go on up the steps. You should be above the rest of us.” He falls for that.

Kelly asks me if I was caught on video threatening nice suburbanites with BLM signs and causing Google to throw me out onto the first page of her search.

I explain to her that no, I live in a small town, west of the city, where we just stand on the edge of the park, next to the highway, and hold up protest signs for the delivery cars and hog carriers to see. There’re no mansion dwellers there who would aim guns at us.

I don’t tell her that I wrote an op-ed for the local paper, criticizing police for Kayla Montgomery’s death. Kayla was a blond woman who worked at the gas station and called me “dear,” even though I’m old enough to be her mom. A sheriff’s deputy pulled her over for what he claimed was “impudent driving” and shot her five times. She was unarmed. My column went viral on social media and generated pushback. That must be how I got on Google’s radar.

Brody descends to butt in again. “Did you hear me? Google results are generated by an algorithm. It’s just about how many hits a site gets. That’s all.”

His hot pink polo shirt contrasts nicely with the gunmetal of his weapon. His belt, though, is brown. Christ. He could have bothered to match his belt with his weapon. I tell him to Google “mansplain,” but I do it in a sweet voice, so I have an out if he gets angry.

“I’ll knock the lights out of you,” he says. He holds up his fists and lets the gun fall across his belly like a guitar. The pixels simulate smoke shooting out of his ears.

Kelly turns to him. “It’s a compliment, hon. Mansplain is what men do as an act of generosity towards women because our brains are small.” Brody turns and climbs back up the stairs.

Kelly wants to escape. She tells me that, before she got sucked in, she had a client who sent her an email saying she was trapped in a pixel compactor, and could Kelly please get her out and sue the search engine. The client claimed that when two people are Googling at the same time and their search terms intersect, the engine can get tangled, generate energy, and suck you in like a black hole.

I point out that she and I were each searching for middle-aged women who were involved in the protests.

“And we must have hit return at the exact same time,” Kelly says.

I ask her what made her enter “middle-aged women” in the search bar.

“I wanted to see women who look like me,” she says.

“Me too, women who look—” And before I finish my sentence, I’m swooshed back to the safe side of my laptop.

Later, Kelly phones me in this world, where things are soft, shadowed, cold and hot. I ask her what happened to Brody. He’s still in there, and she calls his current home the “mancompactor.” She claims he loves it because he can watch Fox News through the sight of his gun.

 


Holly A. Stovall has published short fiction, personal essays, literary histories, literary criticism, and scholarly research. Her creative writing appears in Writers ResistLitbreak Magazine, and is forthcoming in Belle Point Press’s Mid/South Anthology. She holds a PhD in Spanish literature, an MA in Women’s History, and is currently an MFA candidate in Creative Writing at Northwestern University. She lives in rural Illinois with her spouse, teenage son, and standard poodle.


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America Cares . . . Thoughts & Prayers

By Phyllis Wax

 

Fly the flag at half-mast
all the time

because every day,
someone kills himself
or someone else
or a bunch of someones

with a gun.

Fly the flag at half-mast
because America loves guns

more than she loves people.

 


Social issues are a major focus of Milwaukee poet Phyllis Wax. Among the anthologies and journals in which her poetry has appeared are: Rhino, The Widows’ Handbook, Birdsong, Spillway, Peacock Journal, Surreal Poetics, Naugatuck River Review, New Verse News, Portside, Star 82 Review. She has been nominated for the Pushcart Prize, as well as the Best of the Net and Bettering American Poetry anthologies. You can reach her at: poetwax38@gmail.com.

Photo credit: Fibonacci Blue via a Creative Commons license.


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Ring-a-Round the Rosie 2019

By Heidi J. Lobecker

 

Ring-a-round the playground

A backpack full of bullets

Pop! Pop! Pop!

We all fall down.

 


Heidi J. Lobecker has lots of fun writing. If it‘s not fun, she finds something better to do, for example: reading, sailing, camping, and eating s’mores.

Photo credit: Edwin Rosskam, Chicago, Illinois, 1941, via the U.S. Library of Congress

Out of Brokenness

By Kathy Lauderdale

 

December 25, 2016 finds me in Richmond, Virginia, trying to put a festive face forward while feeling stark desolation and heartache. The election leaves me questioning the values of my neighbors. Everything I know to be true has shifted, resulting in an odd sense of being off balance.

My sweet daughter-in-law, Katie, treats me with the tenderness one bestows a loved one suffering the loss of a close relative. My son, Shin, holds me at arms length until the five o’clock hour provides him respectability. He touches my shoulder and asks if I would like a shot of Rye.

And so we navigate Christmas.

One grey December morning we find ourselves at the entrance of a newly constructed pedestrian bridge crossing the James River. It was built to memorialize a Civil War era bridge burned long ago by Confederate soldiers, an act designed to slow the advancement of the Union Army and the eventual fall of Richmond.

With the rock remains of the original bridge in clear sight, I step into a moment of days past. I make my way very slowly as I read quotes, sanctified in steel, on the floor of the new bridge. Words uttered by various people before and after that fateful battle.

“All over, goodbye; blow her to hell.”

“Sir! I think Richmond is burning. The Sky is Red.”

“Smith, I may feel like a woman, but I can act like a man.”

I set aside, for a moment, the history of the Civil War and allow myself to feel the full sorrow of the people as their homes burned and their lives forever changed. In my grief, I weep.

December 23, 2017 I find myself once again visiting my children and this beautiful city of Richmond. As we discuss events for the next two days, we agree to again walk across the Civil War pedestrian bridge. Somehow, I think, revisiting this site might help me understand my frame of mind after a year of activism, an emotional state that leaves me feeling whiplashed at times. I am awash with feelings ranging from hopefulness and pure joy to barrenness and total failure.

I hesitantly step onto the bridge and the familiar quotes surround me; sadness creeps in. A few steps further and a sentence stops me short. I catch my breath as one who witnesses a burst of sunlight in a summer rainstorm. How did I miss this last year? Surely, I read it; I read everything.

At my feet lies a proclamation. A proclamation by an African American woman. An enslaved woman, I presume. A proclamation made in a crowd surrounding President Lincoln at Capital Square after Richmond fell. A woman who rose up out of the ashes and pronounced, “I know that I am free, for I have seen Father Abraham.”

Faces of the past year rush my consciousness. Faces of the Women’s March. Faces of people who stood up and said Doug Jones will be our next Alabama Senator. Faces willing to call, visit offices of representatives, and protest this new reality in which we find ourselves. Faces of women and men with the courage to rise up and say, “Me, too.” Faces of my children, my brothers and my nephews and nieces. Faces of my new extended family from every corner of this vast country coming together to lay down their bodies in peaceful civil disobedience to protest the repeal of the ACA, assault against Medicaid, and the new immoral tax law.

Not a perfect one among us. Each of us broken. But out of this brokenness, I am able to raise my face to the sky and proclaim, “For I have seen Father Abraham, I too am free.”

Peace,
Kathy Lauderdale

 


Kathy Lauderdale is a retired Nurse Practitioner from Northeast Alabama. The majority of her career was spent working in federally-funded, rural health clinics. Many of her patients were uninsured and faced impossible healthcare decisions. Against this backdrop, she became politically active in resisting the repeal of the ACA and the passage of the latest tax law. She attended numerous marches and protests and was arrested four times in Washington, DC, while engaging in nonviolent civil disobedience. “Out of Brokenness” was previously published by Tennessee Valley Progressive Alliance.

Photo credit: Richmond burned from the U.S. Library of Congress collection.

Thoughts & Prayers

By Jane Rosenberg LaForge

 

They are offered in rote
as if the supply is bottomless;
like abstractions, inaction
and aesthetics; they could
be meaningless or mean
anything, so long as they
are not so sustaining as
steak & lobster for the
impoverished; more like
succotash & wilted lettuce.

Maybe they’re a law firm
the kind advertised on television
with a jingle and 1-800 number
children can’t help learning
before their alphabet; so much so
they’ve become a part of the literacy process!
A tentative, baby step toward
discerning cliché from idiom
because language: it’s a young
person’s business now, if they can
survive being a soft target.

Or perhaps it’s becoming part
of the international ergot, like a traffic sign
or the symbol for “no,” or a name
we give to conglomerates selling
mattresses or men’s clothing:
instant recognition for the product
and everyone knows just where to go
to find the best discounts.

For this year, I was thinking
they might make a particularly
poignant salutation for the season,
what with the war on Christmas
always burgeoning, so coming to you
on a greeting card soon, from a raft
of similar partnerships: O.F. Mossberg
& Sons, Heckler & Koch,
and Clint Eastwood’s truly evergreen
friends, Smith & Wesson.

Or they might be best employed
as a broadcast sign-off;
not so much like Walter Cronkite’s
“& that’s the way it is,” if he were
working on a Wednesday, the 14th of February, 2018;
but as his successor attempted
for five days no one remembers
except for the derision and embarrassment:
“Courage,” was all he said
as if looking into the future,
because we’re going to need a lot more of it.

 


Jane Rosenberg LaForge is the author of Daphne and Her Discontents, a full-length collection of poems from Ravenna Press; and the forthcoming novel, The Hawkman: A Fairy Tale of the Great War, from Amberjack Publishing. For more information, visit jane-rosenberg-laforge.com. and follow her on Twitter, @JaneRLaForge.

Image credit: An anonymous internet find.

A Modest Proposal

By Dina Honour

 

From Business Day:

A big name greeting card company today announced a launch date for its highly anticipated new range of greeting cards. The Second to None cards were designed in response to the increase of gun-related casualties, and specifically targets consumers looking for a way to reach out to friends or relatives affected by gun-violence.

The range differentiates itself from normal sympathy cards, the company said, by addressing the tragic unavoidability of gun-violence rather than focusing on grief or loss.

“We noticed the words ‘tragic’ and ‘unavoidable’ had reached a saturation point in the media, particularly among politicians and media outlets,” said the company’s spokesperson S. Wesson. “Our thinking was there was enough of a gap in the market to warrant some research into how such a range would go over.”

“Our research showed that a large percentage of Americans view gun violence as an unavoidable fact of life in the United States. We wanted to give the public a way to express their feelings about gun-violence in a non-confrontational, non-denominational, non-threatening way,” Wesson continued.

A limited test run of a card featuring a tasteful black and white copy of Second Amendment text, with the message “Our thoughts and prayers go out to you,” proved to be successful enough that the company expanded the concept into a full-blown collection, including a number of original designs.

“It’s a uniquely American problem which deserves a uniquely American solution,” Wesson said.

The company is quick to point out its goal was not to make a statement about gun-violence, but merely to offer an alternative.

“We don’t hesitate to send a birthday card as a way to acknowledge an important day. This is no different really. With victims of gun violence on the rise,” Wesson added, “it’s important for our customers to feel like they have a way of reaching out.”

Wesson is most proud of the company’s More Guns is the Answer line. The creators worked closely with designers to develop a collection of high quality cards, each featuring red, white and blue drawings of eagles and American flags. The cards open to reveal messages such as “May you find peace in knowing that, had your loved one been armed, he would surely have saved lives.”

Other sentiments, rendered in Comic Sans font, include “Guns don’t kill people, Planned Parenthood does” and “This wouldn’t have happened in a concealed carry zone” and “I hope your loved one’s death isn’t politicized. It’s too soon,” a personal favorite of Wesson’s.

The company is exploring plans for a lighter assortment of cards with such lines as the Right To Bear Arms, which features a heavily armed grizzly defending his front porch against a government militia and Stuff Happens, featuring cartoon drawings.

“Those cards,” Wesson said, “are obviously aimed at consumers who have had a more light-hearted experience or accident with guns. Think destruction of property rather than death or disfigurement.”

The most controversial of the company’s planned range includes what Wesson refers to as Victim Blaming cards. “The market research we’ve done has shown us there is a significant portion of our customer base who find it difficult to blame guns under any circumstance. For many, death by shooting has become an acceptable consequence for actions we used to take for granted. Talking or texting too loudly. Driving. Going to the movies. We’re simply giving our customers a way to express those feelings.”

The company has critics who have raised concerns that the card collection is capitalizing on the misfortune of others.

“America is a capitalist country,” Wesson responded. “For over 200 years we have rewarded those who have profited on the backs of others. This is no different. We are proud to be an American owned corporation.”

Wesson added, “A greeting card has always been a safe and acceptable way to express your feelings to another human being. Right now posting or delivering a greeting card doesn’t often result in getting shot. Though as recent events show, we can’t rule that eventuality out. If and when that time comes, we’ll revisit the products.”

The company is partnering with big-box retailers who have open carry policies in place. Cards will cost from .99 to 3.95 and will be available as of October 1 in time for the holidays.

 


Dina Honour is an American writer living in Copenhagen, Denmark. She writes about feminism, politics, relationships, and life abroad. Her work has appeared in Bust, Paste, Hippocampus, among others, and on popular parenting and expat sites. You can find her serious author persona at DinaHonour.com and her more profane blogger persona at Wine and Cheese (Doodles). Or if you prefer morsels, follow along in statuses and characters on Facebook or Twitter.

Image credit: Donkey Hotey via a Creative Commons license.

Take This Memo by Tara Campbell

From: Director of Market Research, Irrational Fears Division
To: Executive Director, Enough Already with the Guns, USA (EAWG USA)

I’m writing to follow up on our discussion about whether any lessons can be learned from California’s speedy abolition of open carry after the Black Panthers’ armed protest at the state Capitol building in 1966. I understand your reticence about the tactic I suggested, but when repeated mass murder doesn’t prove to be an effective incentive for change, perhaps we need to speak in a different language to be heard.

Here are my suggestions for new civic associations that might “trigger” additional action on gun control in the United States:

  • African-American Bump Stock Acquisition Fund
    Motto: A shooter is a terrible thing to slow down.
  • National Latino Ammo Exchange
    Motto: Together we are better armed. ¡Unidos!
  • Muslim Skeet-Shooters of America
    Motto: Train for your future, shoot for the sky!
  • Arms for Immigrants, USA
    Motto: Open hearts, open arms, open carry
  • Gun Enthusiasts of the African Diaspora
    Motto: I am my ancestors’ most heavily-armed dreams
  • First-Generation Pistol Patriots
    Motto: We are the new face of the firing range

We didn’t discuss the following angle at our meeting, but given recent events, I’ve taken the liberty of suggesting one more:

  • Armed Actress Guild of America
    Motto: Keep your hands where we can see them and no one will get hurt

I look forward to discussing further steps at your earliest convenience.

Until then,
Stay safe

 


Tara Campbell is a Washington, D.C.-based writer and an assistant fiction editor at Barrelhouse. Prior publication credits include SmokeLong Quarterly, Litbreak, Masters Review, b(OINK), Queen Mob’s Teahouse, McSweeney’s Internet Tendency, and Writers Resist. Her novel, TreeVolution, was released in 2016, and her collection, Circe’s Bicycle, with be published in fall 2017. Visit Tara’s website at www.taracampbell.com.

Image via artparodies.com.