Two Poems by Deborah Hochberg

Congregation of Ibis

 

 “A barrage of storms has resurrected what was once the largest body of fresh water west of the Mississippi River, setting the stage for a disaster this spring.”

– from “Tulare Lake Was Drained Off the Map. Nature Would Like a Word,” Soumya Karlamangla and Shawn Hubler, New York Times, April 2, 2023

 

They drained the Great Lake
in the late 19th century

Humans took
the vast waters from us
to grow their cotton, their tomatoes

Like gods, they separated
the land and the skies from the water
and the water was no more

They came, and they took
what was ours
and we had no say

And they did what they willed
with the earth

And the earth was obedient
for decades, over a century

And then the earth decided —
I have had enough
I am taking it back
I miss the lake
I will bring back the lake

And the atmospheric rivers
raged through the skies

And the land received the waters
waters that the mammoths
once drank

The farms, homes, brewery, and cafe
the crops and ranches
were inundated

And then we returned —
the ibis
and the herons, pelicans, and coots

Soon the snowpack will melt
without mercy
for agriculture
or prisons

The lake, like a surging
aqueous ghost, a watery resurrection
has again staked its claim

And we are here —
as long as the lake
can sustain its deep
irriguous expanse

 

Migrant Child

Home
is a thing
that does not yet exist
Existed as a point of departure
But a home
where one cannot live
is not a home
My feet are my home
My legs are my home
My sneakers are my home
They carry me
through arduous terrains
that seek to have me
lie down
and sink
into the mud
Mud-child
I hold my own hand
This way, I say
No, this way
Journey of a thousand steps
Countless steps, numerous
as stars in the sky
Stars that blanket me
on cold nights
No longer human
I move through the mud
like a turtle
Did I just crawl
over a border?
I have forgotten
thoughts of home
and now think only
of movement
This journey, a trial
and I am guilty
of what I do not know
Hope
is a thing
that grips you
around your throat
Pulls you
like a leash
and won’t let go

 


Deborah Hochberg is from Detroit, Michigan, and studied at Wayne State University. She is a musician, a gardener, and a health care provider. She is the author of two collections of poetry entitled Waiting For the Snow and Memory’s Reservoir.

Image credit: Bob Peterson via a Creative Commons license.


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the arrogance of illusion

by conney d. williams

 

the hope of this people,
like tectonics, quake
under the abusive weight
of impostors sitting
upon its collective breath
still engulfed in protest
dissenting to comply
with its own extinction
and these impostors
or parasites
would pillage
even the safety from victims
even as they
disintegrated in obscurity
human waste
inside foreign landfills
there is no mention
of memory
or ancestors
because super predators
eat the bone
suck the marrow
claiming copyright & discovery
over souls still starved
like refugees excommunicated
from access and accomplishment
this is the way of colonizers
and disease
never ask for introduction
infect every cell
with their own freedom
their own salvation
antidote and recovery
are not options
only the arrogance of illusion

 


Conney D. Williams is a poet, actor, community activist and performance artist with two collections of poetry. Leaves of Spilled Spirit from an Untamed Poet (2002) and Blues Red Soul Falsetto (2012); two critically acclaimed poetry CDs, River&Moan and Unsettled Water. His new collection, the distance of observation, will be released August 21, 2021 by World Stage Press.

Photo by Randy Jacob on Unsplash .

These Poems Don’t Come Out Right

By Bunkong Tuon

 

The virus breathes like fire over city streets
and farmland, across oceans and mountains,
over YouTube, Instagram, and Twitter.

The president suggests injecting the body
with disinfectant to kill it. Maybe
he could go first; it’s his idea after all.

I’ve become a hack, ranting as if the world
will heed my words and stop spreading
violence through fear, hate, and ignorance.

Mix misinformation with racism, greed, and ego,
and you get 2020, a reality show you didn’t know
you were a part of until it is too late. Oh,

These poems don’t come out right and
my poor wife is asleep, hands clutching
the crib where the baby was fussy all night.

I cut slices of cucumbers and strawberries,
spread apple wedges on a plate for my daughter.
Our beautiful baby is crying again.

I fetch my coffee and a baby bottle,
run up the stairs, cradle our newborn in my arms,
watching his desperate eyes look up at me for comfort.

But I have no words for him, and this ending
is not right, but I don’t know what is anymore.

 


Bunkong Tuon is a Cambodian-American writer and critic. He is the author of Gruel and And So I Was Blessed (both published by NYQ Books), The Doctor Will Fix It (Shabda Press), and Dead Tongue (a chapbook with Joanna C. Valente, Yes Poetry). He teaches at Union College, in Schenectady, New York. He tweets @BunkongTuon.

Photo credit: m anmia via a Creative Commons license.

Lazarus Force

By Jemshed Khan

 

That day over lunch, I was going to write about the Yemenites starving while the Saudis build five new palaces on the Red Sea. A poem might make a difference. But the sun was shining, 75 degrees in October, and the outdoor pool is heated, so I went for a swim instead. As I swam  laps, I felt joy and splash with each stroke: thankful for clients traveling to see me in their combustion driven vehicles and for cheap fuel that leverages each shiny day. For three laps I considered the convenience of gasoline and writerly leisure. Okay, yes, a Lockheed Martin missile incinerated another Yemeni school bus, but how could a lunchtime poem make amends for fifty dead school children or eight million starving?

Poetry of angel wings and metrical feet,
I thought you were the steed of change,
that with the right words
we would skywrite the nation’s conscience.
Now I see my words never had Lazarus force
and we are no match to the God of gasoline.

The cardiologist said my heart stopped. The apartment manager says I was pulled blue from the pool: resuscitated with CPR and defibrillator paddles across the chest. I survived the ambulance ride, heart stents, ICU, rehab. Today I put my head back in the game. Read an anthology of resistance poetry. Each work smoldered on the page until my chest burst into flame. I rose from the bed, grabbed my pen, began to write again.

 


Jemshed Khan has published about 30 poems in such magazines as Rigorous, NanoText, Unlikely Stories, and I-70Review, and he is working towards a book-length collection.

Photo by Matthew Henry on Unsplash.