Katherine D. Perry – Writers Resist

Deaths of Canaries

By Katherine D. Perry

We were standing together, our fingers loosely grasping
each other’s hands, around the planet.
Here, in the good ole U.S. of A., we had been looking elsewhere
for pain: we didn’t notice when we began
to choke from our own smoldering: arrogance
and first world privilege let us take our Zyrtec and Claritin
for months and months thinking we were overproducing
histamines instead of blaming our own toxic fumes.
We thought we would know better when the moment arrived.

The graffiti at the Krog Street bridge
told us that we needed to call our senators,
told us that we needed to march, to rise up,
told us, with bleeding letters, that the dangers were here and now.
The journals and anthologies filled with poems
about death marches and end of days.
But we went to work anyway, and let the men in Washington
roll over the few-and-far-between women.
We grocery shopped and wrote our outrage on social media
as one by one the artists dropped dead.
We mourned them on SNL and in tributes to the hurricane victims,
but we kept moving.
We forgot to notice the yellow feathers
littering the dying grasses.
We couldn’t be bothered to begin the arduous task:
putting people on elevators, sending them up.

When I looked down at my hand, now empty,
I wondered where my sisters’ fingers had gone.
Even as I dropped to my knees, unable to summon another line
for the next poem, the survival instinct whispered
that help would come.

We were the hope we asked for,
but we were also the fingers pulling the triggers.

Katherine D. Perry is an Associate Professor of English at Perimeter College of Georgia State University. Her first book of poetry, Long Alabama Summer, was released in December of 2017 from Finishing Line Press. Her poems have been published in Women’s Studies Quarterly, Writers Resist, The Dead Mule of Southern Literature, Poetry Quarterly, Melusine, Southern Women’s Review, Bloodroot, Borderlands, Women’s Studies, RiverSedge, Rio Grande Review, and 13th Moon. She is a co-founder of the Georgia State University Prison Education Project which works in Georgia prisons to bring literature and poetry to incarcerated students. She lives in Decatur, Georgia with her spouse and two children. Her website is www.katherinedperry.com.

Image credit: SJDStudio via a Creative Commons license.

Male Bias

By Katherine D. Perry

Waiting five years to adopt a daughter,
I had time to carefully consider the impact
of male bias on foreign shores,
where, when you can only have one, girls
are left on the steps of schools and libraries,
and if they survive, they might be sent away,
to western countries, where women
can have as many as eight babies at once.

I look into her eyes and ache for a mother
who felt forced to let her go,
who had to break the mother-daughter bond
because of money and laws and culture and the need for a male child.

Now that I’m pregnant with a son,
I see my naiveté.
When I tell my friends that he is a boy,
I watch as eyes light and listen
to the long list of reasons why sons
are better than daughters: easy and calm
among the most common.
But then they add: simple pregnancies,
less dramatics, even a unique mother-son bond
that will somehow overtake my life.

I think of my feminism training,
of the penis-baby who, according to psychoanalytic theory,
will make me whole.
I look at the pay stubs stacked next to each other: mine and my partner’s
and consider the defeating weight of that common inequity.

Here in America, we claim equality.
Here in America, I walk without hoods or chains;
I drive my car; I vote in every election; I work.
Here in America, my son is expected to be
my easy child, the love of my life,
the missing key to my life’s mystery.
He will make more money than she will;
he will get promotions more quickly.

But I as I hold my Chinese daughter,
and share with her the pain of our two cultures
that leave our girls behind,
I am sure that we are not meant to be seconds.

……………………………………………………

Katherine D. Perry is an Associate Professor of English at Perimeter College of Georgia State University. Some of her poems have been published or are forthcoming in The Dead Mule of Southern Literature and 13th Moon. She works in Georgia prisons to bring poetry to incarcerated students and is currently building a prison initiative with Georgia State University to bring college classes into Georgia state prisons. She lives in Decatur, Georgia with her spouse and two children.

Reading recommendation: The Good Earth by Pearl S. Buck.