On Hearing of Russian Soldiers Booby-Trapping Dead Ukrainian Civilians with Land Mines

By Karen Kilcup

 

How do they do it—
lift a heavy head
and place the bomb
beneath an ear? Slide
the metal disc under
a shoulder or thigh?
Or worse: do they slice
the swollen
long-dead chest, flies
fluttering, the stink
unbearable, nearly?
Do they carve
a red-rimmed cavity
large enough to implant
the device, which mimics
a hockey puck, a nippled breast?
How could they tuck it in?
How could they close the
hole, back away,
hope for the best?

 


A teacher and writer for more than forty years, Karen Kilcup is the Elizabeth Rosenthal Professor of American Literature, Environmental & Sustainability Studies, and Women’s, Gender, & Sexuality Studies at UNC Greensboro. She feels fortunate to work with many students of color, first-generation students, and LGBTQI+ students at this Minority-Serving Institution. Their courage and imagination inspire her and give her hope. Her forthcoming book, winner of the 2021 Winter Goose Poetry Prize, is titled The Art of Restoration.

Photo credit: Chi Wai Un via a Creative Commons license.


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Oratorio of Arrival

By Dia Calhoun

for Ukraine, 2022

 

Because the woman hugs a green glass bottle
yellow-wicked, and waits
by the fabric store where she once bought
the blue wool for her coat,
the scarlet gingham for the kitchen window,
coral flannel to snuggle her baby
somewhere now on the pouring road to Poland—

Veni Magna Spirita

Because the composer holds his index finger,
limber from years of black piano keys,
on the trigger of an AK-47,
a melody in B minor playing in his head—

Veni Magna Spirita

Because the music is louder, the blue brighter
than the tanks now grinding down the street—

Veni Magna Spirita

Because their eyes meet
because she lights the torch
because he pulls the trigger
singing his greatest opus—Fuck you, bastard!
because she runs out, blue coat whirling,
and throws—

Veni Magna Spirita 

Crossing a different border, their baby looks up.

 


Dia Calhoun is the author of seven young adult novels, including two verse novels, After the River the Sun and Eva of the Farm (Atheneum, 2013, 2012). She won the Mythopoeic Fantasy Award for Children’s Literature. Her poems have appeared in The EcoTheo Review and MORIA Literary Magazine. An article on poetry craft, co-authored with Deborah Bacharach, is forthcoming in the Writer’s Chronicle. Calhoun is a co-founder of readergirlz, recipient of The National Book Foundation Innovations in Reading Prize. She has taught at Seattle University, Stony Brook University, and The Cornish College. Learn more at diacalhoun.com.


Image credits: The compilation is by our own Debbie Hall, poetry editor and author, and the flag image is by Nataliya Smirnova on Unsplash.


A note from Writers Resist

Thank you for reading! If you appreciate creative resistance and would like to support it, you can make a small, medium or large donation to Writers Resist from our Give a Sawbuck page.