Abortion Stories from Writers Resist

Unlike the statistics above, our stories help humanize the theme of abortion, and this week we are sharing five of them, in poetry and prose, by Mileva Anastasiadou, Andrea England, Vicki Cohen, Heather Mydosh, and Penny Perry.

Like every piece in the issue, each abortion decision is unique and intimate, and it is owned by only one person, the person who is pregnant.

To those who feel confident they know better than the people to whom the decision belongs, we invite you to learn otherwise, and then join us.

Writers Resist is passionate in our support of reproductive justice—and we are in the majority—but we must do more to assure that across the United States abortion is legal, accessible, and safe for all.

 


The chart is from Pew Research Center.

How to Disappear Completely

By Mileva Anastasiadou

 

She’s not that young, already in her mid-twenties, when the double lines appear on the test. She is careful enough most of the time, yet that’s how it goes; life happens and spoils all plans.

At first, she’ll panic. That doesn’t mean much, her boyfriend will say; everybody panics at the prospect of responsibility. She’ll have to take some time to think about it before she makes up her mind. She doesn’t need to, for the decision is already made, yet she pretends to consider all options, because that’s what’s expected of her. Being a mother was never her dream. Nor was being an astronaut. Or a lawyer. So she’s not an astronaut, or a lawyer. Does she have the right not to be a mother, though? She’ll wonder for a while if motherhood is a choice or an inevitable fate, yet she’s certain and firm. Her partner is not negative about a pregnancy, as usually expected in stories like this one. She won’t blame it on an irresponsible boyfriend. We could start a family, he’ll say. It’s up to her and she knows it. She’ll shake her head. She can’t even picture herself as a mother. He’ll hold her hand and ask her if that’s what she wants. She’ll nod.

She’ll make the arrangements next morning. She’ll remain detached, not out of second thoughts, as expected in stories like this one. She only regrets not being careful enough. She doesn’t enjoy unnecessary medical procedures. No one does. Nor does she enjoy her body being invaded by an alien creature, even if it’s her future offspring. She’ll sing inside that Radiohead tune about how to disappear completely. She’ll recognize it’s a sad song.

The doctor will see her partner standing beside her and won’t know what to tell him. In his mind, it’s the boyfriend’s fault. The girl would love to be a mother, he thinks, had she found the proper man. Wouldn’t every woman? She’ll keep her boyfriend away, go and fetch some sandwiches, she’ll tell him. Now that they’re alone, the doctor will feel more comfortable asking her. Are you sure? She’ll nod.

She’ll come home to sleep. Not out of regrets, as expected in stories like this one. She’ll be exhausted but glad the whole thing is over. I’m more than just a womb, she’ll say to herself. She’ll wonder if love is only about procreation. She’ll know, though, she did the right thing. She’ll be happier without a baby, so will be the unborn kid. What would life be like for a child growing up with an unwilling mother? Next day, she’ll go to work like nothing happened. Her colleagues will ask if she enjoyed her day off. She’ll nod.

She’ll still be child free at forty, privileged enough to live a life of choices. She’ll have been careful enough to not go through the same situation again. She won’t see the ghost of her unborn daughter, as usually expected in stories like this one. Strangely enough people only imagine unborn daughters, not unborn sons. People will wonder why she doesn’t have kids. Not all people are made out to be parents, she’ll say. They’ll assume there’s something wrong. Physically or mentally. They’ll ask questions and offer unsolicited advice. To avoid further explanations, she’ll nod.

In an alternate universe, the girl won’t have a choice. She’ll have to keep the baby no matter what. She’ll look at it and every single time she’ll be reminded of the life she hasn’t lived. She’ll hate it, only she won’t be able to admit it. People never do. She’ll raise it like a committed mother and little by little she’ll love her kid, like all parents do. Or most of them.

By forty, she’ll have completely disappeared, enslaved in a life unchosen. That’s when the ghost of the life she could have lived will come to haunt her. The doctor will hand her the appropriate pills, asking her to calm down. She’ll take them without hesitation and she’ll nod. Not out of determination this time, but that nod will be the white flag signaling acceptance of defeat.

 


Mileva Anastasiadou is a neurologist, from Athens, Greece. Her work can be found or is forthcoming in many journals, such as the Molotov Cocktail, Jellyfish Review, Sunlight Press (Best Small Fictions 2019 nominee), Ghost Parachute, Gone Lawn, Ellipsis Zine, Queen Mob’s Tea House, Bending Genres, MoonPark Review, Litro and others. Follow Mileva on Twitter @happymil_.

Photo credit: Carlos Ebert via a Creative Commons license.

Coat Hanger Song

By Andrea England

 

The baby born into a subway toilet

between Harvard and Porter

Baby

with the too-big head and ears

that flap in the wind from a smack

Baby addicted to crack turned

blue as a bruise in his birthday suit

Baby unwanted and doesn’t know why

His father raped his mother

Baby taken

and fostered and fostered and

jailed for no crime of his own

Baby who commits suicide at nine

with a needle spooned from the shelter

of homelessness

Baby hit by the hunger of

water just to be wet

Black baby White

baby

Baby nursed by wolves or cats

Baby who killed his mother and

died anyway in the NICU of  broken

hearts or the

Baby kept in a shed of his own

milk and blood

Beaten like a drum, in the back

alley of our glorious forsaken nation.

 


Andrea England is the author of Other Geographies (2017, Creative Justice Press) and Inventory of a Field (2014, Finishing Line Press). Her work has been published or is forthcoming in Potomac Review, Glass: A Journal of Poetry, Fourteen Hills Review, and others.. Most recently she had the honor of being a Writer-in-Residence at Firefly Farms (SAFTA). She lives and works in Kalamazoo Michigan, where she teaches English and Creative Writing for various universities and organizations. To learn and read more about her and her work, visit andreajengland.com.

Photo credit: Photo by Palash Jain on Unsplash.

On Abortion

By Vicki Cohen

 

I am a nurse-midwife.

For over thirty years, I provided prenatal care for pregnant women and welcomed new life. It was mostly happy work, but sometimes I’d find myself worrying about the women who lived in poverty or suffered from substance abuse, the thirteen-year-old who didn’t know she was pregnant until too late to consider her options, or the woman about to give birth to her eleventh child. I often left work feeling jaded and tired.

Now, in my semi-retirement, I mostly do the opposite of what I did before. I help women prevent pregnancy and help them when those plans fail. Which they do.

On social media, in response to an article about abortion, a man wrote that women should, instead of killing the baby, use birth control or the morning after pill. I could not stop myself from responding. I wrote that I am an abortion provider despite the fact that abortions are a fraction of what I do. I wrote that birth control is not 100 percent effective, nor is emergency contraception. I wrote that an unplanned pregnancy never happens without a man. Whoever claims they don’t believe in abortion rights may make their own decision not to have one.

My post received applause and gratitude. It also received more than one veiled threat in which I was told I was going to Hell. I think I do not want to go to their Heaven.

Yes. I do abortions.

I also provide contraception and STD treatment and preventative care.

Many days, I pass protesters who block my car from the clinic parking lot, who engage the women who are coming to see me or the other clinicians I’m proud to work with. What I think about these people—holding pictures of dead babies, handing out business cards for fake clinics, pamphlets filled with inaccurate descriptions of what we do, and propaganda such as the claims that sperm protects against pre-eclampsia or that birth control pills cause cancer—is: How dare you? This is not your business.

I can dismiss them. But my patients? Maybe not.

The second time I saw the rape victim was a month or more after the assault. The first time she’d asked me to look at a small bump that turned out not to be the herpes she was worried about. But this time, after sitting at her side while she tried to catch her breath long enough to tell me why she’d returned, to describe the pain of sitting, the torture when urine hit her skin, the agony caused by the multiple eruptions on her genitals, I had to tell her that this time, she was not so lucky. I sat with her as she sobbed, distraught over the thought of being reminded of the rape every time she has an outbreak of an infection she will never be rid of. This woman was not pregnant. Still, before getting inside, she had to walk past people who called her a murderer.

The day before, while deciding whether to renew the state’s last reproductive health clinic’s license to operate, Missouri’s health department passed a requirement that clinicians do a pelvic exam prior to the already mandated three-day waiting period before a woman has her constitutionally protected abortion. There are few situations that would make this exam medically necessary. This is punishment, pure and simple. Punishment for the women—some of whom, according to news reports, feel obliged to apologize to their clinicians for this prerequisite—punishment for the providers who, I imagine, feel as if they have guns to their heads.

In Oregon, where I work, we’re lucky to have a liberal governor and liberal laws. It is easy to convince myself that whatever the federal government does, we will be safe. And yet.

The federal Title X gag rule has been upheld in the courts. This rule tells health care providers they may only discuss prenatal care or adoption with their pregnant patients. It tells us, if we continue to provide education about or access to abortion, that we will lose Title X funding. What will this mean for the adolescent requesting chlamydia screening? For the married woman who learns her husband has been having sex with men? For the recovering addict who wants to be sure they don’t have HIV? Or the woman with the breast mass, the one asking for her first cervical cancer screening in ten years, the one with bleeding that could be controlled by a hormonal IUD even though she’s never been sexually active? The trans-man who feels rejected everywhere else or the cis-man who wants condoms, a vasectomy, or testing for STDs? Besides being a question of choice, this is a public health issue, pure and simple.

Sometimes the protesters outside my clinic are women. Head-bowed women holding prayer books line up along the sidewalk singing hymns. The woman in the headscarf, when she’s not pushing brochures, lies prostrate at the entrance to the property. I would like to tell them about the women who start out just as convinced of the morality of their views as they are, but who end up inside, making a choice they never imagined they’d make.

Sometimes, the protesters are men, to whom I want to say: You, too, bear responsibility. The only thing that guarantees no unplanned pregnancies is not having intercourse with a man. So why is the onus on women? It’s simple. Men can walk away. We cannot.

During his Supreme Court confirmation hearings, Brett Kavanaugh was asked to come up with just one law that regulates what a man can do with his body. I couldn’t stop thinking about that question, couldn’t stop thinking about the decisions being made about my body and the bodies of every woman I know and those I don’t. I wrote the senator’s question on a cardboard sign and carried it to a Stop the Ban rally where a stranger informed me that in some states a man still needs his wife’s permission to have a vasectomy, but in fact, such a requirement would constitute not only an ethical lapse, but a violation of patient privacy law that prevents health care providers from discussing a patient with anyone without permission. The person who felt compelled to tell me I was mistaken, was mistaken.

I left the rally with my sister, both of us wondering what made these protests feel so less potent than those we attended when we were young. Demonstrations against the Vietnam War. Fighting for civil rights and the passage of Roe vs. Wade. I couldn’t stop seeing the sense of fatigue reflected back in the faces of those who now protest at our sides. Does it come from the barrage of stories about children in cages, starving polar bears, and mass shootings that flood social media and feed our sense of helplessness? Is it a manifestation of the slow, deliberate cutting away of our rights so that by the time we realize they’re gone we’ve been exhausted instead of energized?

It’s easy to convince ourselves that lives are not on the line, but they are. I am overwhelmed by a pervasive and palpable fear of returning to a time when women died and doctors were assassinated for trying to help.

So, every day, moving forward, I will remind myself of the health care providers in Missouri’s last clinic who, after three weeks of state-mandated pelvic exams—a decree that amounted to nothing short of state-mandated assault—stood up and said, No. We will no longer do this. We will not let you tell us how to do our jobs. I will remind myself of those clinicians who forced the state to stand down. I will remind myself of what is possible.

What if my patient with herpes had been pregnant, if her attacker had given her not just a chronic disease, but had also impregnated her? Who has the right to tell her whether or not to raise a child created by rape? Or to tell the woman who struggles to feed her children that she must have one more; to tell the teenager, who conceives the first time she has sex because her partner removed the condom, that her dreams have just died; to insist that the woman with a damaged fetus give birth even though the fetus won’t have a chance at the kind of life every one of us wants for our kids?

Who has that right? I don’t. And you don’t either. Our opinions don’t matter. We should keep them to ourselves, even, sometimes, when we’re asked to share.

Reproductive justice is about one thing and one thing only. It is about who controls my body and who controls yours, even if you are sure you’d never terminate a pregnancy. Please remember the women I’ve had in my office who, until they sat there, were absolutely certain, too.

 


Vicki Cohen is a nurse-midwife, a writer, and an activist from Portland, Oregon. She received her MFA from the Bennington Writing Seminars in January 2018.

The image is by Lauren Walker for Truthout.

 

Dark Spaces

By Heather Mydosh

For Indiana HEA 1337

 

Eve is a common punch line
in the joke against women
with her penchant for the forked tongue
and listening to more than one
authority figure, but if we
peel it back a little further
to rectilinear Pandora, bless her,
created first among women
by temperamental adolescent gods,
she had it even worse—at least Eve
knew what the apple looked like,
could touch it, fingertip trace its cheeks
and test for firmness. Fondling wouldn’t
have done Eve in, but all Pandora
had to do was crack her box
for the proverbial peak.
She couldn’t have known
what was in there, what could take root
in the world outside herself.
If she could have known,
of course she wouldn’t have
opened it and damned herself
to a notoriety which outstrips her gods.
Still we punish women who look
inside themselves to see
what seeds we bear, what traits,
what crooked stems and strains,
and we damn with new laws
those who slam the lid back down
and seal up in their cups and vessels
that which they will not tend and grow.

 


Heather Mydosh is a professor at Independence Community College in southeast Kansas and a recent graduate of the Stonecoast MFA at the University of Southern Maine. Her work has appeared in The Midwest Quarterly, After the Pause, 99 Pine Street, The Corvus Review, and Kansas Time + Place among others. Visit Heather’s website to learn more.

Painting credit: From the 1951 film Pandora and the Flying Dutchman.

Floating

By Penny Perry

 

Mother couldn’t have known what to do.
She was only twenty-five,
drove her big sister, Leona, six weeks pregnant
to the doctor’s in L.A.

Leona squinted at California bungalows,
backyards with orange trees.
She thought about her husband home worrying,
her baby waiting for her.

She told my mother about her screenplay,
a murder in the Braille room of the public library.
Then, she sat silent, her long fingers tangled like kelp.

The doctor glanced at his medical license
framed on the wall behind him,
said he was afraid to use ether.
Leona jutted her famous Heyert jaw:
“My friend Ruth told me to insist.
With ether I’ll float above the pain.”

It was hot that June morning, 1942.
No air conditioning. My mother
in the waiting room thumbed through magazines.
Big-eyed Loretta Young on the cover of Life.

It happened fast. Ether, a busy housewife,
pulled down the shades.

The doctor waved my mother in.
White face, head back, Leona was no longer breathing.
The ribbon in her dark hair floated in the breeze of a fan.

 


Penny Perry currently has poems in Earth’s Daughters, Lips, California Quarterly, Patterson Literary Review and the San Diego Poetry Annual. Garden Oak Press will publish my novel, Selling Pencils and Charlie in Spring 2020. “Floating” was previously published in Penny Perry’s poetry collection, Santa Monica Disposal & Salvage (Garden Oak Press, 2012).

Photo credit: Photo by Ava Sol on Unsplash.