She, I, You, We: Every Woman

By MM Schreier

FIFTEEN

She’s afraid her skirt’s too short, but gives it a little hip-swish, anyway. People are watching. If she owns it, maybe they won’t give her the side eye. Wishing she wore leggings, she considers tugging the skirt’s hem down, as if the sparse fabric could magically cover more of her legs, but knows if she does, it will just give them something else to gossip about.

Instead, she shifts the heavy calculus book that’s tucked under her arm so the title shows. She ignores imagined whispers of thunder thighs and decides it’s better to appear clever. Still, there’s a fine line between chic-smart and nerdy-smart. Her stomach clenches, and she struggles to keep the hint of a coy smile on her lips. She flips the book over and hugs it to her chest. Maybe everyone doesn’t need to know she’s in advanced placement math. She shimmies her hips again and swallows a sigh.

A broad-shouldered jock in a letterman’s jacket gives her a wolf whistle. It cuts across the throng of students. An unnatural hush falls over the crowd as too many eyes focus on her to see how she’ll react. She tosses her hair, blows the boy a kiss, then ducks into the bathroom before anyone can see her cheeks flush crimson.

While she waits for the halls to clear, she touches up her makeup in the mirror. Eyeliner, mascara, powder. A spritz of perfume, a swipe of blush. She digs around in her purse to find the smokey cranberry gloss that turns her lips into a sultry pout. It’s all camouflage. No––war paint.

The bell rings, and she saunters to class wrapped in the armor of feigned confidence. She might feel like an imposter, but at least she looks fantastic. She tells herself it’s all that matters.

TWENTY-SIX

I wake up every morning in my dingy studio apartment, take a deep breath, and repeat my favorite mantra. Visualize, materialize. It’s my habit to bolster myself with a series of pithy motivational quotes. Today is going to be an amazing day. The best is yet to come. Focus on the positive.

Leaning over the rusted fire escape, I take a snapshot of the sunrise and crop out the dumpster. #earlybirdgetstheworm. It’s important to curate my socials with meticulous attention. I tell myself it’s not deception; it’s the highlights reel of the life I want to have.

At lunch, if I turn the plate around and add the right filter, no one can tell that the #perfectsalad is disappointingly wilted. I post selfies from the woods, fresh-faced and smiling like the #trailgoddess I want to be. No one needs to see the hot mess that returns to the car, covered in bug bites and blisters. When the light’s just right, I get a shot of my #newtome Jeep that doesn’t show the rust spots or bald tires. I promise myself the next time I buy a car I’ll be able to afford a nicer one.

There are a million little photo tricks to upsell my reality. I order a second drink when the first is only half gone. After a few sips on the new one, I pose the glasses side-by-side so the solo excursion to the brewery turns into #girlsnight on Instagram. Framing and angles and perspective can make a budget trip to Portsmouth look like the glamor of Cancún. Haircuts, makeovers, vintage thrift store clothes, and suddenly #Iseeyourguylooking. He could be.

It’s exhausting work to fill my feeds with all the right tags––#livingthedream, #singleandkillingit, #mybestlife. If I get enough likes, maybe I’ll believe it’s true.

THIRTY-EIGHT

You power walk everywhere. Not because you’re in a hurry, but so everyone knows you have somewhere important to be. Running would make you look late and scatterbrained. Strolling is for receptionists with nothing better to do than ordering paperclips and making coffee. Not that there’s anything wrong with that—honest work, you know. You’re just driven to prove yourself as a career woman, so you stride with purpose.

Kitten heels clack on the tiles, not too high to be slutty, but still feminine. You must balance both. It’s difficult to speed walk in a pencil skirt and still look graceful. You feel like a drunken calf, hobbled by a cage of carefully pressed pinstripe cotton.

It’s tough being the only woman on the Leadership Team, and it looks bad if you are the last to show up to the meeting as if you’re Greta Garbo making an entrance. Keeping up with the men in their comfortable trousers and loafers requires twice as many steps, twice as fast. Somehow you do it, though it tests your extra-strength antiperspirant. You hope you’re not glistening. Ladies never sweat.

You round the corner to find That Guy from sales blocking the doorway to the conference room. You’re moving too fast. The damned heels skitter on the polished marble as you try not to collide with him. Surely, he’ll step back and give you space. You bounce off his shoulder when he doesn’t move.

Everyone laughs when a man almost a decade your junior says, Whoa there, little lady. You paste on a faux smile and pretend it doesn’t bother you. It appears you’ve made an entrance after all.

FIFTY

We dye our hair an unladylike purple. When asked if we’ve changed our look, we reply, Thanks! Glad you like it. That’s not what they said, but we don’t care. Once, we might have hedged and said it wasn’t exactly what we asked the hairdresser for while secretly loving it. But we no longer have the energy to be ashamed of who we are. Liking ourselves is an act of resistance.

When it’s hot, we wear tank tops and shorts, cellulite and knobby knees hanging out. When it’s cold, we cozy up in leggings paired with oversized hoodies. We have no patience for clothes that bind and pinch and squeeze. Some days, we pull on a slinky dress that hugs our curves and do our hair up in flowing waves. But only if we want to. It’s all on our own terms now. Either way, we remind each other at every opportunity we are beautiful.

We have hobbies, and we don’t hide them. Sure, we do typical middle-aged “women’s” activities like gardening and reading. We also scuba dive and play video games and forge armor and raise newts. We’ve stopped power walking and actually enjoy hiking. It’s peaceful in the woods, and we take our time on the trails. If we post #optoutside it is photos of cool mushrooms or fat toads we find along the way. We can’t remember the last time we took a selfie, but we’re head over heels for the toads.

Shagging is still a good time. We’re fifty, not dead. But we no longer accept being sexualized without our consent. Young, thin, and pretty do not hold the same value as generous, kind, and loyal. We no longer sacrifice our sense of self for love, because we have found it within.

For the first time, we know we are powerful; we are strong. We never truly needed to pretend to be all these things. It was who we were all along. We only wish we had realized we were enough at fifteen. 

TOMORROW

She’ll tell her friend she’s more than just her clothes, her makeup, her hair. Her body is not for consumption. I’ll remind my niece that Internet people don’t care about her. She can stop fabricating an image and live beyond the lens. You’ll teach your daughter she has nothing to prove, freeing her to find success on her own terms. Together, we’ll forge a generation of women who know what they are worth, and that will be our legacy. 



MM Schreier, the author of two speculative collections—Monstrosity, Humanity and Bruised, Resilient, is a classically trained vocalist who took up writing as therapy for a midlife crisis. In addition to creative pursuits, Schreier is on Leadership for a robotics company and tutors maths and science to at-risk youth.

Photo credit: sandra lansue on Unsplash.


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You Don’t Run

By Karen Crawford

even though you’re late for class, you don’t run because in this neck of the woods running screams fear, so you walk briskly and with purpose, always acting like you know where you’re going even if you don’t and when you get to the subway, you never root around your bag for a token, you always, always have one in your pocket, because in this neck of the woods you keep your bag close, and when the train pulls into the 103rd street station you rush through the doors and grab a pole because the only seats available are next to a junkie nodding off and some homeless dude cursing at no one in particular, and you know to keep your eyes to yourself, because eye contact is a no-no, a WTF are you looking at kind of no-no, and in this neck of the woods someone’s always looking for a confrontation, and at the 86th street station a flurry of people pile in sandwiching you between 9 to 5ers heavy on AquaNet hairspray and Chaps cologne, and now you’re holding your bag, the pole and your breath when at 77th street you think you feel a man bumping behind you, and you think maybe it’s because the train is rattling down the tracks, and you think maybe it’s because he has nothing to hold onto, and you think maybe and maybe and maybe until somewhere past 68th street the train sputters to a stop, and the air conditioning fizzles out and the lights flicker off, and that’s when you feel him, like feel ‘it,’ feel him, and you’re hemmed in, frozen, shame pooling under your armpits even after the air comes back on and the train chugs into the 59th street station, and you inch forward as passengers get off and that’s when his hand cups your cheek and it’s not the one on your face, and it’s not a pinch but a full-on handful kind of GRAB, and you keep moving forward because you want nothing more than to rush off this train, but then your face flames and you think about that time when… and you think about that other time when… and you swing around and see an ivy league looking guy in a tailored blue suit with a gotcha smile and you don’t think—you just SHOVE, and he stumbles backwards with a what did you do that for?, and you scream next time keep your fucking hands to yourself, and in this neck of the woods, you’re glad that everyone is looking.


Karen Crawford is a writer, with Puerto Rican roots, who lives and writes in the City of Angels. Her work has been included in Tiny Sparks Everywhere: National Flash Fiction Day Anthology 2024, 100 Word Story, Okay Donkey, and Five South. You can find her on X @KarenCrawford_ and Bluesky @karenc.bsky.social.

Photograph by Several Seconds via a Creative Commons license.


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Gen X Girls Ghazal

By M.R. Mandell

            after Patricia Smith

We woke ourselves up, brushed our own hair, cooked our own dinners, tucked
our sisters into bed. We were thirty at the age of thirteen. We needed nobody.

Vogued to Madonna. Leather jackets, tattooed midriffs, clove cigarettes slipping
off our lips, kissing girls under neon, electrifying every part of our bodies.

Boys drooled over our breasts, slid fingers up our lace miniskirts. Our curves made
them squirm. Our bodies owned their minds, but they said we owed them our bodies.

When we didn’t give in, they dropped roofies in our cups. Raped us, left us for dead,
blamed our bare skin and pulsing hips. We guilty bodies.

They’re old boys now, terrified of who we are, what we have become, what we have won. Governor of Michigan. Vice President of the United States. Badass brains. Badass bodies.

Oh, Rebecca, step down from your self-built pedestal. Stop talkin’ ‘bout the past.
Get off your ass. Gen X girls, this is our calling. We fight. We vote. Cue bodies!


M.R. Mandell (she/her) is a poet based in Los Angeles. You can find her words in The McNeese Review, Weekly Humorist, Maudlin House, Writers Resist, Stanchion, HAD, and others. She is the author of the chapbook, Don’t Worry About Me, (Bottlecap Press) and Lost Girls, forthcoming September 2025 (Finishing Line Press).

Photo credit: Lorie Shaull via a Creative Commons License.


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Reputation

TW: SA

By Frances Koziar

 

He speaks of his reputation
while I think of fates worse than death,
his name, when I would gladly give up mine
for a good night’s sleep, to see those nightmares
shaped like ordinary men slain
before their groping hands reach me; he speaks
of having a life ruined, not knowing
what that really means, not understanding
how men can form packs like wolves
at the first sound of a woman’s
assertiveness, ready
to tear that voice from her neck, carnage
be damned, not seeing our loss of reputation
every time we speak our names, our shame,
even when the evidence convinces anyone
who’ll let it; I laugh
when I want to cry, hold still
when I shake with fear, walk with poise
when I am running away, because attention
is the most dangerous thing of all. Smile
they tell you while you bleed out from the throat;
Speak, Pretty One,
but only if you say frivolous things; Sing—
but I can only hear screams.

 


Frances Koziar has published poetry in over 35 different literary magazines, including Vallum and Acta Victoriana. A young (disabled) retiree and a social justice advocate, she lives in Kingston, Ontario, Canada. Visit her website and follow her on Facebook.

Photo credit: “Eve in Shame” by Stanley Zimny via a Creative Commons license.


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Post-Election Meltdown

By Marcella Remund

 

I am 60 years old. In my lifetime,

my mother’s lifetime, and all the
lifetimes that came before,
no woman has been president.

Don’t tell me to get over it

I have TRAINED blonde footballers
for jobs I couldn’t get without a penis,
jobs that paid ten times my single-mom
salary. After 40 years, I still must work

harder, longer, sweeter to make less.
I have been the “chick in the band.”

I am afraid to go out alone at night.
To walk alone, eat alone, travel alone.
I have been targeted as a child, nine
months’ pregnant, wrinkled and old.
Pedophiles picked me out at 7, at 13.

Don’t tell me to let it go.

I have worked since I was 14.
So has my mother, who worked
two and sometimes three jobs
until she was 70, so had my
grandmother, both of them always,
always, still expected to keep a clean
house, put dinner on the table, pay
bills, keep four kids quiet.

Don’t tell me to move on.

I have daughters, daughters-in-law,
granddaughters, nieces, girl cousins,
sisters-in-law. Their world will go on
just like before, unequal, unsafe, unjust,
until those men are gone—you know
who they are—and worse:

they will inherit a tanking economy
for all but billionaires, greed and profit
our national anthem, international
isolation in our buffoonery, and worse:

open, ignored, sanctioned hatred
and humiliation aimed at my non-male,
non-white, non-Christian, non-straight,
othered friends & family (and yours,
because you have them too).
The list of damages goes on and on.

Don’t tell me we have other work to do.

I have earned this anger.

 DO YOU HEAR ME?

Don’t tell me not to feel this grief,
this disbelief, this loss of faith.
I will open my heart and my home
to those who are terrified, paralyzed,
hopeless. And I will move on,
get over it, let it go when I’m
goddam ready. Until that moment,
I will keep screaming

NO.

 


Marcella Remund is a native of Omaha, Nebraska, and a South Dakota transplant, where she teaches English at the University of South Dakota in Vermillion. Her poems have appeared in numerous journals. Her chapbook, The Sea is My Ugly Twin, was published in 2018 by Finishing Line Press, and her first full-length collection, The Book of Crooked Prayer, is forthcoming from Finishing Line in 2020.

Photo credit: The sculpture, “Innovation,” is by artist Badral Bold, made with horse tail. It is photographed by Frank Lindecke via a Creative Commons license.