Welcome to Writers Resist, the December 2023 Issue

It’s been a year that too often has left many of us without words—thankfully, not those who’ve made this issue possible.

Their voices offer clarity, sorrow, hope, humor, and a reminder to embrace nature’s beauty. Stop for a moment, listen, and, if you like, let folks know what you think.

Then, join us in the new year for a virtual reading of this issue’s works, Saturday 27 January 2024, at 5:00 p.m. PACIFIC. Email WritersResist@gmail.com for the Zoom link.

Our thanks to those who created this issue:

L. Acadia                         Wrong Rainbow

Amy L. Bernstein            Slowcookery

Myna Chang                   Suburban Median

Deborah Hochberg        Two Poems

Bryana Joy                      what happened before the good sex

Kerry Loughman            The Whale

Tim Murphy                    Wildness Unafraid

Jane Muschenetz           Point Blank

William Palmer              that name

Linda Parsons                Two Poems

Lorraine Schein             The Last Revolution

Mary Stebbins Taitt       Disappearing into the Flesh Market VII

Phyllis Wax                    What About the Men?

 


A note from Writers Resist

Thank you for reading! If you appreciate creative resistance and would like to support it, you can make a small, medium or large donation to Writers Resist from our Give a Sawbuck page.

 

Call for Submissions

Writers Resist is seeking poetry, fiction, narrative nonfiction, and digital images for a special March 2024 issue.

Guest edited by former Writers Resist editor DW McKinney, “Amplified Voices” will honor creative works by writers and artists affected by violent conflict around the globe.

Deadline: February 8, 2024

Please read our Amplified Voices submission guidelines.

 

Welcome to Writers Resist, the September 2023 Issue

As Mercedes Lawry writes in the closing poem of this issue, “This Time, Ukraine,” how do we watch from afar? How do we watch the countless ravages and failures that populate mass media, our devices, even over-the-fence gossips?

The impulse to look away is strong, but the need to maintain the focus—long enough, at least, to see the truth—is dire.

And so it is that we continue to create and share and publish—and hope. In this issue you’ll see truths of the climate crisis, unregulated weapons and bullying, assaults on reproductive and LGBTQ+ rights.

And you will see hope—in the very acts of creating and publishing these truths. Many thanks to the following contributing writers and artists. and to our readers.

Janis Butler Holm  “Skull Fries

Amy Cook  “Amendments

Amelia Díaz Ettinger  “The Lure of Socks on Warm Feet

Ariel M. Goldenthal  “A Sunday in October

Christina Hennemann  “The Mind-Plough

Emily Hockaday  “The first day of cherry season

Mercedes Lawry  “This Time, Ukraine

Kelsey D. Mahaffey  “Ho’oponopono

M.R. Mandell  “Crying in Texas

Jeremy Nathan Marks  “Montana

Janna Miller  “Campers Rarely Drown at the YMCA

Nancy Squires  “Two Poems

Mark Williams  “It’s Complicated

Join them and the Writers Resist editors Saturday 14 October 2023 for Writers Resist Reads, a virtual literary celebration of this issue. Email WritersResist@gmail.com for the Zoom link.

And, thank you for reading! If you appreciate creative resistance and would like to support it, you can make a small, medium or large donation to Writers Resist from our Give a Sawbuck page.

Welcome to Writers Resist, the June 2023 Issue

Summer’s upon us, and wild flowers have painted California’s landscapes brilliant. The flowers’ seeds can lie dormant for decades, emerging only when their soil is disturbed. While the works in this issue have been inspired by seemingly countless disturbances confronting us today, may the poppies inspire hope and action.

In the meantime, we’re delighted to present our June 2023 issue and the brilliant writers and artists who define it.

Arthur Altarejos “Batasan ng Lansangan  —  Street Parliament

Christie M. Buchovecky “The Crucible

Angel Dionne “Bipolar

AJ Donley “Twin Pandemic, Twin Cities

Andrea Dulanto “The Revolution Is Where We Are

Amal El-Sayed “Global Outcry

Maureen Fielding “WWJD

Ellen Girardeau Kempler “Questions/Answers (for Black U.S. citizens applying to register to vote in Selma, Alabama, in 1963—based on actual exams)

Emma Goldman-Sherman “(Judges 19) Remembering the Concubine

Howie Good “Where My Family Is From

Marjorie Gowdy “When Ruby Falls

David Icenogle “Out of Pockets to Pick

Camille Lebel “Two Poems

Larry Needham “Yet Another Poem About Trees

Phoenix Ning “Birthday Wishes

Mandira Pattnaik “A Moon Is a Moon Is a Moon

Rachel Rodman “Hi

Angelica Whitehorne “Emma Thompson Full Frontal at 62

Sarah Waldner “U-turn

Phyllis Wax “Scheherazade

Bänoo Zan “The Rise of the Martyr

Join them and the Writers Resist editors Saturday July 8 for Writers Resist Reads, a virtual literary celebration. Email WritersResist@gmail.com for the Zoom link.

Thank you for reading! If you appreciate creative resistance and would like to support it, you can make a small, medium or large donation to Writers Resist from our Give a Sawbuck page.

 


Photo credit: “Wild California Poppy fields in Walker Canyon in Lake Elsinore” by slworking2 via a Creative Commons license.

 

 

REMINDER: Writers Resist Reads 22 April 2023

Join us on 22 April 2023 at 5:00 p.m. Pacific

for a virtual reading by the contributing creators of the March 2023 issue of Writers Resist

.

Email WritersResist@gmail.com for the Zoom login information.

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Contributors to the March issue include:

Sister Lou Ella Hickman
Dallas Saylor
Irene Cooper
Claudia Wair
Frances Koziar
Wells Burgess
Elizabeth Shack
Soon Jones
Joanne Durham
Antony Owen
Ada Ardére
Bex Hainsworth
Nikki Blakely
Rebecca K Leet
Tristan Richards
IE Sommsin


Welcome to Writers Resist, the March 2023 Issue

Behold our spring issue, with all it’s glory and turmoil.

Just a reminder: We celebrate each issue of Writers Resist with a virtual reading of its works by their creators. The reading for this issue is on Saturday 22 April at 5:00 p.m. PACIFIC. Email WritersResist@gmail.com for the Zoom link.

And enjoy the poetry , prose, and artwork in this issue by the following contributors:

Joanne Durham, “Don’t give kids any gifts tied to reading

Dallas Saylor, “Arby’s Pilot Casino

Sister Lou Ella Hickman, “after a school shooting: the cleanup crew

Claudia Wair, “When You Swim Out into the Ocean

Soon Jones, “Vile Affections

Rebecca K. Leet, “Feeding Stray Cats in Ukraine

Antony Owen, “Displacement

Irene Cooper, “Beowulf

Tristan Richards, “I can experience joy alone.”

IE Sommsin, “National Portrait Gallery

Wells Burgess, “What is Truth?

Elizabeth Shack, “September Together

Nikki Blakely, “A Woman of Good Manners

Bex Hainsworth, “Scylla

Ada Ardére, “Islands of No Nation

Frances Koziar, “Reputation

 


Senator Rick Scott by IE Sommsin.

 

REMINDER: Writers Resist Reads this Saturday 28 Jan 2023


Writers Resist Reads logo

Join us on Saturday 28 January at 5:00 pm Pacific

 

for a virtual reading by the contributing creators of the December 2022 issue of Writers Resist.

Zoom link: https://us02web.zoom.us/j/88356614245?pwd=a1FRMndJYzI3VzE1Ym9yZUU2ODhHdz09

Meeting ID: 883 5661 4245
Passcode: 247349

Read the current issue here.

Contributors include:
Christina Bagni
Lisa Brand
Tara Campbell
Jacqueline Jules
Karen Kilcup
Livvy Krakower
Kathleen Kremins
Dotty LeMieux
the Maenad
Renee McClellan
William Palmer
Yvonne Patterson
Stephen Sossaman
Holly Stovall
Samy Swayd

Writers Resist Reads is a quarterly virtual reading hosted by Writers Resist, a feminist literary collective born of the 2016 U.S. Presidential Election. We are dedicated to creative expressions of resistance by diverse writers and artists from around the globe.

Welcome to Writers Resist, the December 2022 Issue

In case you didn’t know

Writers Resist celebrates each quarterly issue with a virtual reading, and you are invited to join us for this issue’s gathering.

Writers Resist Reads • Saturday 28 January 2023 • 5:00 p.m. PACIFIC

Zoom information:

https://us02web.zoom.us/j/88356614245?pwd=a1FRMndJYzI3VzE1Ym9yZUU2ODhHdz09

Meeting ID: 883 5661 4245
Passcode: 247349

In the meantime, we know the world is fraught with conflict, so give yourself the space to enjoy our December 2022 issue featuring works by:

Christina Bagni

Lisa Brand

Tara Campbell

Jacqueline Jules

Karen Kilcup

Livvy Krakower

Kathleen Kremins

Dotty LeMieux

Maenad

Renee McClellan

William Palmer

Yvonne Patterson

Stephen Sossaman

Holly A. Stovall

Samy Swayd

 


Photo credit: K-B Gressitt

Welcome to our September 2022 issue

It’s been hot. Everything’s hot. Global temperatures, national temperaments—even the bees that hover at the birdbath’s edge are plunging into its waters, only to find them warmed by an unrelenting heat dome.

What to do?

Writers Resist offers a cool escape: Don a wet t-shirt, flop before a fan, and read this issue. In it, you’ll find featured works by the following writers and artists.

Katie Avagliano

Dia Calhoun

Heather Dorn

Zoë Fay-Stindt

Howie Good

Morning-meadow Jones

Flavian Mark Lupinetti

René Marzuk

Penny Perry

Tracy Stamper

Jennifer Swallow

Laura Grace Weldon

Please also join us in saying farewell to another beloved editor, and welcoming two new editors.

Ying Wu, one of our dedicated poetry editors, is moving on and shares the following: “It has been an honor and an inspiration to be part of Writers Resist. Since I joined in 2019, our community has grown. I’ve enjoyed the privilege of experiencing voices from all walks of life and parts of the globe—voices driven by hunger for compassion and dignity; by the will to thrive in the face of increasing planetary peril; by the urge to confront the pain of exploitation, intolerance, and subjugation. I believe we can create a better world by amplifying what drives us to speak out, as our words are the bridge between thought and action. I am so grateful to Writers Resist for helping to keep this bridge strong.”

We will miss you, Ying!

René Marzuk joins us as a poetry and prose editor. Accidentally born in Ukraine to Cuban parents, he grew up in Havana, Cuba, and migrated to the United States as an adult. Read a poem by René here.

Holly A. Stovall joins us as a prose editor. Currently writing a thesis for her MFA in Creative Writing at Northwestern University’s School of Professional Studies, she has an MA in Women’s History and a PhD in Spanish Literature.

Read more about our new editors on our About page.

Then, in the relative cool of the evening, join us for an online reading of the September issue’s contributing writers—Saturday 15 October at 5:00 p.m. PACIFIC.

For the Zoom link, email K-B at kbgressitt@gmail.com.

 


Photo by K-B Gressitt © 2022.

Welcome to our June issue, and farewell to a beloved editor

The Sun and its rays partially surrounded by clouds

The summer of 2022 is roiling with challenges.

By the time you are reading this, or soon thereafter, Roe v. Wade is likely to have been overturned by the U.S. Supreme Court, and “states’ rights” will quash human rights. People around the globe will suffer from increasingly extreme temperatures, weather events, and food and water shortages. In the United States, there will be a damnable number of new mass shootings. Ukraine will be ever more battered by Putin’s violent imperialism. And many folks will flirt with despair.

Yet, despite the struggle, we are not without hope. Remember why we launched Writers Resist in the dark days after Trump’s election? To resist oppression, to share our fears and hopes with a kindred community. And we have.

To borrow a Nina Simone quote in the following essay by our beloved editor DW McKinney, “An artist’s duty, as far as I’m concerned, is to reflect the times.”

At Writers Resist, we’ve not only reflected the times, but shared visions of a more equitable future. And so we continue.

While DW’s message is one of farewell, and we will sorely miss her, she is moving on to important places where she will continue to make positive change in a challenging world—while Writers Resist continues to benefit from the enlightenment she brought to our process.

So we say goodbye to DW and welcome the opportunity to continue resisting creatively.

In the meantime, we are searching for another volunteer editor willing and able to donate some time for the love of words.

Are you interested? Contact K-B, our publisher: kbgressitt@gmail.com.

BTW: Join us for an online reading of this issue’s contributing writers on Saturday 23 July at 4:00 p.m. PACIFIC. Email K-B for the Zoom link at kbgressitt@gmail.com.


From DW McKinney

DW McKinney smiling at the camera
DW McKinney

My maternal grandfather would play Nina Simone’s records in his den on rare evenings when the air was too warm and thick. He’d leave the doors leading to the outside patios open and we’d  sit still, staring into the night as we drank in her voice. Even as a child then, I could feel the weight of her lyrics pressing heavily on us. It was probably a mercy that I didn’t hear her sing “Mississippi Goddam” until I was an adult.

In the summer of 2015, on a day that was similarly too hot to be outside and the air too thick to breathe comfortably, I took a lunch break from my job as a proofreader for the Texas Legislative Council and wandered into the Blanton Museum of Art. The oppressive heat from outside had worn me down so that by the time I entered the museum, my defenses were gone and I was raw and vulnerable to the emotional weight of the main exhibit.

The Blanton was hosting Witness: Art and Civil Rights in the Sixties, an exhibit that showcased paintings, sculptures, photography, and other media and art forms created in response to the 1960s’ political and social climate. A handful of visitors and I stood in a large egg-shell white room, the whole of it swallowing us and forcing us to seek refuge in the paintings hanging on the walls. I was gazing at Barkley L. Hendricks’s “Lawdy Mama” (1969) as I let the air conditioning soothe me. In the portrait, a young Black woman with an afro held her arm as she stood against a gold leaf backdrop with an arched top. The woman’s expression shifted from resignation to acceptance to neutral the longer I stared. It was that intense focus that emptied me of every distraction and allowed me to hear the musical notes tugging on my ear.

I followed the notes into an alcove where no one else had entered. A lone bench sat in the room. A film played on the white screen tacked to the wall in front of the bench. Nine Simone sat at a piano and vigorously played its keys. Every part of me stilled, and I was transported back into the sepia tones of my grandfather’s den. When the song was over, I waited for the reel to replay so I could watch the film from the beginning. I listened again and again, sitting there for who knows how long, aware that I had not eaten. Aware that my break was crawling to its last minutes. Aware that the white museum patrons took one look at the screen before moving quickly away into the next room. Aware that it was just Nina and I for quite a long time, just the two of us ruminating on freedom, Black bodies being beaten, and Black churches burning.

“Mississippi Goddam” rolled in my head all the way back to work and for a long time afterward. I couldn’t shake Nina Simone’s righteous anger or the ugly truths in the lyrics. Over my lifetime, I’ve listened to hundreds of political songs in rap, hip-hop, trip hop, electronica, Latin pop, and rock. But “Mississippi Goddam” was the first time that I felt a song’s claws rip into me and never let go. The sting of it never faded. I have been chasing that feeling since that afternoon in the museum.

That same summer, the documentary What Happened, Miss Simone? was released. The film featured archival interview footage of Nina Simone saying, “An artist’s duty, as far as I’m concerned, is to reflect the times.” Creatives evoked that quote ad nauseam in the days following the 2016 U.S. presidential election. I think writers and artists struggled to translate their thoughts and emotions following the election. So many of us wanted to defensively weaponize the lamentations we let loose into the new void we found ourselves in. Nina Simone became a filter for us to shape our weapons.

In the years since then, I became more closely drawn to creative works that delved into the visceral and heartbreaking but truthful variations of our lives. When I joined Writers Resist in June 2021, I looked forward to learning more about how our words create change. How our words become protestations that spur action. How we can shape a resistance on paper and through electronic waves. I was also hoping to become educated through the WR readership on how to improve my own literary activism. I am grateful to say that in my short tenure as an editor, I have done just that.

As I move on from my editorship this June, I leave with many lessons about voice, poetic form, second chances, and grace. I am thankful for the opportunities to read political commentary from writers all over the globe. I am especially thankful that our contributors have nurtured my curiosity about resistance in the literary arts.

If you’re curious about where I’m going from here, I will be expanding my current editorial role at Shenandoah and beginning a new position as a reviews editor for a small journal that debuts in 2023. But most immediately, this summer I will be leading the inaugural year of We Are The House: A Virtual Residency for Early-Career Writers through Raising Mothers. I’ve created this year-long residency to help parent-writers with almost no publications establish their nonfiction portfolio. It is the steppingstone toward my dream goal to establish a more dynamic, multi-genre residency for parent-writers.

As I leave, I can express nothing but gratitude to Writers Resist’s readership and to my generous colleagues on the masthead. I am never too far away.

Onward,
DWM


Photograph of the Sun by XoMEoX via a Creative Commons license.

Photograph of DW McKinney courtesy of the subject.


A note from Writers Resist:

Thank you for reading! If you appreciate creative resistance and would like to support it, you can make a small, medium or large donation to Writers Resist from our Give a Sawbuck page.

Seeking solace?

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Welcome to our March 2022 issue, with works by:

Victoria Barnes
Amelia Díaz Ettinger
Ellen Girardeau Kempler
Erica Goss
Debbie Hall
Dotty LeMieux
Frederick Livingston
K.L. Lord
Phyllis Wax

We hope you find solace therein—while envisioning peace for Ukraine.

Then, join us Friday 15 April 2022 for

Writers Resist Reads

a virtual reading and chat with contributors to the March issue of Writers Resist

5:00 p.m. U.S. Pacific Time

To receive the Zoom link, please RSVP to WritersResist@gmail.com.


A note from Writers Resist:

Thank you for reading! If you appreciate creative resistance and would like to support it, you can make a small, medium or large donation to Writers Resist from our Give a Sawbuck page.

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Writers Resist News

New schedule, renewed resistance—and a new editor

We are delighted to introduce our new editor, DW McKinney.

DW is a Black American, multi-genre writer, and she’ll be collaborating with our poetry and prose editors. She pens 3 PANELS, a graphic novels review column for CNMN Magazine. Her work has appeared in Los Angeles Review of Books, Desert Companion, JMWW Journal, The New Southern Fugitives, Elite Daily, HelloGiggles, the Chicken Soup for the Soul series, and elsewhere. She holds a B.S. in biology and an M.A. in Anthropology.

DW has received nominations for Best American Essays, Best Microfiction, the Pushcart Prize, and Best of the Net and was a finalist in Hippocampus Magazine’s 2020 Remember in November Contest for Creative Nonfiction Writers. She received fellowships from Shenandoah Literary and the Writers’ Colony at Dairy Hollow. An Associate Editor at Shenandoah and a Senior Editor at Raising Mothers: A Literary Magazine, she is based in Nevada. You can say hello at DWMcKinney.com

Read DW’s essay “Legacy, Complicated” and please join us in welcoming her to Writers Resist!

New publication schedule

Along with DW comes a new publication schedule for Writers Resist: We are now publishing quarterly.

Our next issue launches Wednesday 22 September, so read our submission guidelines and send us your resistance poetry, prose and images.

Between issues, we will be hosting virtual literary events featuring our contributing writers, so watch for updates.

Why resistance?

We continue to embrace our theme of resistance for two reasons.

  1. There are powerful social and political forces that undermine our collective quest for social justice and a healthy planet for all.
  2. Donald Trump remains a dominant and detrimental influence on the Republican Party, many of its voters and, consequently, the entire nation.

This is why we are renewing our commitment to providing a creative platform for diverse resistance voices.

If you’d like to support what we’re doing at Writers Resist, please visit our Give a Sawbuck page.

 

Legacy, Complicated

By DW McKinney

A small queue is forming outside a set of locked glass doors when I whip into the parking lot. It’s the first time I’ve ever been to the Doolittle Community Center even though I frequent the park a few hundred feet away on a regular basis with my daughters.

I exit my car and power walk to the entrance. I’m seventh in line and as it grows and snakes behind me, I eyeball everyone else waiting. At 35, I appear to be the youngest person there by at least 10 years.

“So much has changed since I first lived here,” says an older gentlemen two places behind me. “I used to shoot rabbit right out here before all this sprung up.” He spreads a shaking hand across the parking lot; the other clutches his cane.

“Oh, there was rabbit running around the area here?” the woman behind me asks.

“No. Right out here. Right here.” He points to the ground in front of him.

“Oh, he’s talking about right where we’re standing. OK now! History in the making!”

Our laughter falls away to shared mutterings that it’s time to “vote him out” and “we need a change.” Then there’s a round of deep sighs like members of a weary congregation tired of listening to the same old preacher. We’ve heard it all before. Now we’re ready to start jumping out of our seats.

I turn back to face the community center’s windows, but stop when I catch our reflections. We are short and tall. There are locs, afros, bald and balding heads, and my own twists hidden in a head wrap. Everyone is Black. Seeing us reflected in the windows, unified in a collective purpose, empowers me.

I meet my own eyes in the reflection and smile. Thoughts of legacy uplift me. I am a link in an unbroken chain.

Before I stood outside in a brisk 48 degrees to cast my early vote in Nevada’s Democratic primaries, I called my husband—who is white—at a work conference in Seattle.

“I’m upset that I can’t be there.” He vents his frustration, and I hold my breath as I listen. I don’t feel the same way. Any investment I had in the election has been drained from me. The most I could do was drop our daughters off at school an hour early to beat the reported three-hour wait times at the polls. And at some point, I still have to work; if it comes down to it, I might have to choose between the two.

“If I can’t vote this morning, I don’t know—.” The rest is heresy that I would never admit to a number of friends. I don’t know if I would try again. I don’t know if I care to vote at all. Apathy has burrowed in my bones.

After the 2016 United States Presidential Election, I put one foot in front of the other. I tried to survive in a state of growing tension, racism, and injustice. Friends told me it would get better. “We’ll toss him out of office,” they said—all while quoting Anne Frank and Toni Morrison and reminding me of the oh-so-fantastic history of democracy in our nation.

I look at these non-Black friends and I think, “It must be nice.” The only quote I’ve been repeating is one that seems to have been born on the tongues of every Black friend and family member I have: “I’m tired.”

Despite the constant outrage, there were no significant changes over the years. Every new social movement seemed to stutter and stall before it got past social media. The economic and racial divides widened. I carried even more anxiety when running errands around the city alone or with my daughters—waiting to become one of the people caught in a confrontation with a racist like in the videos I’d watched on Twitter. Through it all, Black folks like me were saddled with more burdens wrapped up in the cute package of responsibility. And with every election, our responsibility was made clear as people hailed the power of Black women’s votes.

That’s supposed to be me. That power is mine. Yet, I just want to lie down and take a nap.

We file past classrooms and an exercise room toward a door marked, “VOTE HERE.” An electric moment pulses through the line and part of me wants to start a rallying cry.

A man toward the front of the line opens the door to assist the frail, elderly woman before him.

“We’re not ready! Don’t come in!” come the frustrated shouts from deep inside the room. The man immediately closes the door and we all stare at each other, baffled. It’s 8:00 a.m.; the polls should be open. A young white woman emerges minutes later. “We’re having Wi-Fi issues,” she mutters, as she hurries past the line, not meeting any of us in the eye.

The change is immediate. Our purpose deflates in unison. I feel foolish for allowing myself this hope, for thinking that I had any real power in this situation. We wait longer and an exhausted nurse fresh off night shift peeks her head inside to ask, “How much longer?” The terse responses repel her slumped shoulders back in line.

“Oh, I see what game we’re playing here,” a man behind me grumbles. Agitation alights from one person to the next, and we turn to each other in small groups to talk out our frustration.

“It makes me think, does it even matter? Does my vote matter?” I say to the woman behind me. She nods like she’s hearing a sermon. My words catch on to the people near us and they nod in sympathy too.

There’s a strange energy coursing through me. I am galvanized to say more. But sorrow takes over and I turn forward to blink away tears.

The polls open a half hour late and we trickle in. People ask questions about the inadequate voting conditions and the lengthy wait time. They are met with dismissal. Cold shoulders. A curt, “Yes, yes,” to get them to stop asking questions.

The young poll worker from earlier waves me forward. What happens next is so quick that I don’t recognize the sting of her blade until I am limping away, stunned and wounded. I hand her my driver license. She scrolls up and down on her tablet in silence. She can’t find my name. She questions if I misspelled it. She asks, “Are you sure?” when I spell it for her. Then she surmises that I must have registered as nonpartisan and can’t vote in the caucus—this despite me pointing to “DEM” on the voter registration card she brushed off earlier. The poll worker passively swipes the tablet again—stopping momentarily to interrupt and dismiss a voter who is asking the site lead next to us how she can help—then she decides I never registered at all, despite me showing her my current voter registration card, again. Thus, I can’t vote.

“You can register to vote here, if you want.” Her lack of enthusiasm is infectious.

A righteous scream gathers in the back of my throat, but I swallow it down. I sit in a solitary row of chairs at the back of the room with my new voter registration form. There are no clipboards and I refuse to kneel on the floor. So, I sit in one chair and bend over the adjacent seat to use it as a makeshift table. Gravity pulls the tears gathering in my eyes. I don’t want to do this. I hate this. I should walk out. I let out a gasping sob, wipe my eyes, and fill out the form.

It’s a dehumanizing experience. I keep thinking, Why me? I don’t deserve this. But who deserves to endure the slow stripping away of their rights? Who deserves to have their vote suppressed?

I turn to the door and a group has gathered at the entrance. The bouquet of Black faces peering inside looks like a painting.

I imagine walking past them, my vote not cast, and an older man stopping me to ask, “What’s wrong, young blood?” I wouldn’t be able to look him in the face and admit my failure. I hear the echoes of Black celebrities saying it’s a dishonor to my ancestors not to vote. But how many of my ancestors got tired of waiting in the voting line and walked off? We never talk about that.

I turn in my completed form and receive a ballot. I fill it out, turn it in, and leave. Standing outside in the cold, the stifled scream still burns the back of my throat, so I open my mouth and a sigh of relief comes out.

Walking across the parking lot, a banged up red car stops in front of me and an older gentleman exits the passenger side. I stop to stare at him; he’s dressed exactly like my grandfather, who recently died.

“Miss? Can you please tell me where the voting is?”

“Of course!” I say. I give him directions and I think to tell him about the wait, about the anger, about how hard it is. I want to save him the trouble. But instead, I smile and wish him luck.

There’s so much anger to manage, so many microaggressions to deal with, that I don’t have the strength in me to verbalize the extent of my outrage. And maybe that’s the problem. Nothing is changing because I’d rather swallow it all down than let it out and allow someone else to take ahold of it. Part of legacy is enduring the struggle that comes with making it. Maybe when I saw my reflection in the windows, I was seeing the link in the chain that had to do the difficult work of creating this change—not just enjoying its benefits.

 


DW McKinney is a Black American, multi-genre writer. She pens 3 PANELS, a graphic novels review column for CNMN Magazine. Her work has appeared in Los Angeles Review of Books, Desert Companion, JMWW Journal, The New Southern Fugitives, Elite Daily, HelloGiggles, the Chicken Soup for the Soul series, and elsewhere. She holds a B.S. in biology and an M.A. in Anthropology.

DW has received nominations for Best American Essays, Best Microfiction, the Pushcart Prize, and Best of the Net and was a finalist in Hippocampus Magazine’s 2020 Remember in November Contest for Creative Nonfiction Writers. She received fellowships from Shenandoah Literary and the Writers’ Colony at Dairy Hollow. An Associate Editor at Shenandoah and a Senior Editor at Raising Mothers: A Literary Magazine, she is based in Nevada. You can say hello at DWMcKinney.com

Previously published CNMN Magazine.

Photo credit: rediagainPatti via a Creative Commons license.

It’s June 19, 2021!

Welcome to the Writers Resist Juneteenth and Biden-Harris First 150 Days Issue

In this issue we celebrate, resist, and envision better things, along with pronouncing some serious condemnation when warranted.

But before you plunge into the issue, please consider these Juneteenth resources:

“What Is Juneteenth?” by Henry Louis Gates, The Root, 2013

“Making Juneteenth Great Again: The Caucasian’s Guide to Celebrating Juneteenth by Michael Harriott, The Root, 2021

and

“This Is Rich: Senate Passes Bill Making Juneteenth Federal Holiday While Republicans Are Working to Keep Slavery From Being Taught in Classrooms” by Stephen A. Crocket Jr., The Root, 2021.

Now, we hope you enjoy Writers Resist Issue 131,
The Editors

REMINDER: Writers Resist Call for Submissions

Current Call for Submissions

We’ll be publishing a special Writers Resist issue on 19 June 2021 to acknowledge Juneteenth and the first 150 days of the Biden-Harris administration.

We all see things—politics, justice, history, the future, even flowers—differently. What are you seeing these days?

Send us your words, in poetry or prose, and your images, but read our submission guidelines first.

 

Join Writers Resist at Boca de Oro Festival

Writers Resist Readings at Boca de Oro Festival

March 5 and March 6, 2021

Keynote Speaker: Pete Souza, presidential photographer

Closing Speaker: Marc Bamuthi Joseph, poet and playwright

The festival of literary, visual, and performing arts presents two virtual WR readings

Writers Resist: Global Voices

Hosted by Kit-Bacon Gressitt and Sara Marchant.

Visit the Writers Resist events page for featured writers and other details.

The wicked Trump presidency is dead

Yo-ho!

Consequently, this is the final bi-weekly issue of Writers Resist.

Although we have other things in the works, we want to pause to thank the hundreds of writers, artists, donors, and volunteer editors, who have lived the last four years with us, raging and weeping and laughing—and hoping.

K-B, if she could, would also thank her dear-but-departed mother, Patricia Bacon Gressitt, whose estate remnants funded the journal’s development and infrastructure.

Now, looking forward, one of those things we have in the works is a couple of Writers Resist readings, hosted by the virtual Boca de Oro Literary Festival, 5 through 7 March 2021. The festival’s keynote speaker is presidential photographer Pete Souza, who has helped keep us sane, lo these painful years, and the closing speaker is poet and playwright Marc Bamuthi Joseph.

Drop by here occasionally for more details.

In the meantime, we know it’s been a long, long four years—many thanks to you all for surviving them with us.

Love,
K-B and Sara

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Introducing a New Writers Resist Editor

We’re delighted to announce a new addition to our editorial team, Debbie Hall, who’ll be joining Ying Wu in reviewing poetry submissions.

Debbie is a psychologist and writer whose poetry has appeared in a number of literary journals and anthologies, including the San Diego Poetry Annual, Serving House Journal, Sixfold, Poets Reading the News, Poetry24, Bird’s Thumb, Califragile, Gyroscope Review, and Hawaii Pacific Review. Her essays have appeared on NPR’s This I Believe series, in USD Magazine, and in the San Diego Union Tribune. She completed her MFA in 2017 at Pacific University in Forest Grove, Oregon.

Debbie received an honorable mention in the 2016 Steve Kowit Poetry Prize and won second place in the 2018 Poetry Super Highway contest. She is the author of the poetry collection, What Light I Have (Main Street Rag Books, 2018), a finalist in the 2019 San Diego Book Awards, and an award-winning chapbook, Falling Into the River (The Poetry Box, 2020).

In addition to writing, Debbie’s passions include photography and world travel. She and her partner, both native Southern Californians, live in north San Diego County.

Enjoy this poem by Debbie. …

Against Doom

Corona I’m not going
to write about you
or read or think
about you
any longer today
I want a divorce
from you.
To not think about
you I will take a drive
to mail one small envelope
that is not urgent
not touching the mailbox
or getting out of my car
enjoying scenery
on the way and back
sights that are well known
to me and usually fairly
boring but suddenly
are bright and compelling.
For lunch a comfort
dose of peanut butter
seems necessary
and instead of thinking
about you I am
contemplating the wind
and orioles fighting
over grape jelly
in the feeder.
Then it is time
to brew tea—
Earl Grey with its
floral notes and
while I drink it
I do not consider
the loss of taste
and smell some people
infected by you
have reported.
Once I have written
this poem that is not
about you I will watch
the evening news
but avert my eyes
& mute the sound
when the topic
of you comes up
and sip my gin martini
with its delightful scent
of juniper berry.
When I go to sleep
tonight after
not thinking about
the vast unknown
hampering science
right now in its
fight against you
and your ilk
I will dream of sailing
far out to sea
where you are but
a faint apparition
on a distant shore—
soon to be disappeared
by the morning tide.