Welcome to our September 2022 issue

It’s been hot. Everything’s hot. Global temperatures, national temperaments—even the bees that hover at the birdbath’s edge are plunging into its waters, only to find them warmed by an unrelenting heat dome.

What to do?

Writers Resist offers a cool escape: Don a wet t-shirt, flop before a fan, and read this issue. In it, you’ll find featured works by the following writers and artists.

Katie Avagliano

Dia Calhoun

Heather Dorn

Zoë Fay-Stindt

Howie Good

Morning-meadow Jones

Flavian Mark Lupinetti

René Marzuk

Penny Perry

Tracy Stamper

Jennifer Swallow

Laura Grace Weldon

Please also join us in saying farewell to another beloved editor, and welcoming two new editors.

Ying Wu, one of our dedicated poetry editors, is moving on and shares the following: “It has been an honor and an inspiration to be part of Writers Resist. Since I joined in 2019, our community has grown. I’ve enjoyed the privilege of experiencing voices from all walks of life and parts of the globe—voices driven by hunger for compassion and dignity; by the will to thrive in the face of increasing planetary peril; by the urge to confront the pain of exploitation, intolerance, and subjugation. I believe we can create a better world by amplifying what drives us to speak out, as our words are the bridge between thought and action. I am so grateful to Writers Resist for helping to keep this bridge strong.”

We will miss you, Ying!

René Marzuk joins us as a poetry and prose editor. Accidentally born in Ukraine to Cuban parents, he grew up in Havana, Cuba, and migrated to the United States as an adult. Read a poem by René here.

Holly A. Stovall joins us as a prose editor. Currently writing a thesis for her MFA in Creative Writing at Northwestern University’s School of Professional Studies, she has an MA in Women’s History and a PhD in Spanish Literature.

Read more about our new editors on our About page.

Then, in the relative cool of the evening, join us for an online reading of the September issue’s contributing writers—Saturday 15 October at 5:00 p.m. PACIFIC.

For the Zoom link, email K-B at kbgressitt@gmail.com.

 


Photo by K-B Gressitt © 2022.

Love Songs for End Times

By Zoë Fay-Stindt

 

I sing to
the green anole
in a made-up
lizard language—
fiddling tongue,
whirlwinds
and whistle-
clucks.
He curves his neck,
ear hole craned
to my porch perch.
He pinks
his bubble-throat.
For years, I saw
devil horns peeking
from each human
head. Yes,
the chemical,
the highway framed
with fields
and fields
of low metal
chicken farms,
bouncing off death
in the sun. Yes,
the river
nearly evaporated.
But on all those
superfund sites,
someone—
no, a people
—are planting
black ash trees.
Sweetgrass
grows thicker
from our harvesting
hands. Reader,
it’s not all gone up
in flames.
I say this
for you
and for me.
On a postcard
taped to my wall,
a globe as deep
pink as the lizard’s
puffed throat:
le soleil
ne se couche pas.
And it’s true:
the sun never sets.

 


Zoë Fay-Stindt (she/Z/they) is a queer, bicontinental poet with roots in both the French and American South. Their work has been nominated for the Pushcart Prize, featured or forthcoming in places such as RHINO, Muzzle, and Ninth Letter, and gathered into a chapbook, Bird Body, winner of Cordella Press’ inaugural Gwendolyn Brooks Poetry Prize. She lives in Ames, Iowa, where she is an MFA candidate at Iowa State University, award-winning teacher, and co-managing editor for the environmental writing journal, Flyway.

Photo credit: Green anole image by Matthew Paulson via a Creative Commons license.


A note from Writers Resist

Thank you for reading! If you appreciate creative resistance and would like to support it, you can make a small, medium or large donation to Writers Resist from our Give a Sawbuck page.